At 11:42 25/08/97 -0700, you wrote:
quoted 4 lines argos writes:>argos writes:
>> in other words (just to state the obvious to humourless americans) the
>> concepts of 16ths, 32nds, and 'funk' only apply in the cheesy world of midi
>> files, elevator muzak and musical car-horns.quoted 2 lines you are a fool. 16th notes have been around since people started>you are a fool. 16th notes have been around since people started
>notating music on paper.
is THAT so, i must have been REALLY REALLY REALLY REALLY REALLY fucking
stupid not to have heard of them then, mustn't i? i think you missed my
point, that anybody who makes music with these rigid quantized rules, never
broken, or cannot appreciate the funk in a lot of music not normally called
'funky' (LFO 'probe' comes to mind), is pretty much a deadhead who won't go
anywhere.
quoted 3 lines there's two things you can achieve with "sloppy" programming:>there's two things you can achieve with "sloppy" programming:
>1) you can sound engagingly warm and human
>2) you can sound like you don't know how to run your gearquoted 1 line guess which one i think rdj is?>guess which one i think rdj is?
i won't even bother, because you're just here to take the piss, and act
smart cos you've got this big cool studio (that i can replicate on my 400
quid computer)
there is more warmth and humanity in any AFX track than all the turd-hop
clone zombies in the whole wide world
quoted 3 lines even perfectly quantized midi music is subject to lots of>even perfectly quantized midi music is subject to lots of
>imperfection. midi isn't a magic cureall. unfortunately it dates
>from the days when computers were a
i'll stop you there, if you don't mind.
cheerio!
np - step it up in dub - scientist
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