quoted 18 lines From: Mediadrome@aol.com
> From: Mediadrome@aol.com
> Subject: Thomas Brinkman
>
> I'm listening to Studio 1 Variationen.
> I like it. Is his other stuff like that?
>
> ------------------------------
>
> From: Kent williams <kent@avalon.net>
> Subject: Re: [313] Thomas Brinkman
>
> Well the Studio 1 is the product of a particular process -- playing
> the Studio 1 recordings that Richie Hawtin produced, and playing them
> on modified turntables.
>
> His 'normal' tracks are in some respects similar in intent, but there's
> actually a fair amount of variety in sound and intent. It's all pretty
> fabulous if you like that dubby german sound.
Agreed...
Quick correction: Studio 1 Variationen came from Mike Ink's recordings.
There is also CONCEPT1 96:VR that uses the same process on Richie Hawtin
tracks. I prefer the latter one. Either way, you might want to check
that out.
_Weisse Naechte_ and _Totes Rennen_ are at the other end. All of what I
have heard is based on repetition and variation. These CDs seem more
"arty" to me, versus the name 12"s or Max Ernst & f. which are more
functional (hence 12"s I suppose). Grab the _Rosa_ CD to get a sampling
of what's on the name 12"s.
Then you have the 2 Soul Center full-lengths. They make use of many
samples -- such as: a killer funky-stiff beat on "Are You Ready" layered
with the beat from Herbie Hancock's "Rockit", and call-and-response from
between-song banter on old live soul albums.
--Mark
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