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Re: (idm) mbv - my bloody valentine

17 messages · 11 participants · spans 1 day · search this subject
◇ merged from 4 subjects: (idm) genre bashing · (idm) mbv · (idm) mbv - my bloody valentine · (idm) mbv - my bloody valentine-
1999-11-09 23:58C Twomey (idm) mbv
1999-11-10 09:11Dominick Winters Re: (idm) mbv - my bloody valentine
└─ 1999-11-10 16:45Dave Walker Re: (idm) mbv - my bloody valentine
1999-11-10 15:59Giles Ward Re: (idm) mbv - my bloody valentine
└─ 1999-11-10 17:34Kent williams Re: (idm) mbv - my bloody valentine-
├─ 1999-11-10 18:51Irene McC Re: (idm) mbv - my bloody valentine-
└─ 1999-11-10 19:14wells Re: (idm) mbv - my bloody valentine-
└─ 1999-11-10 19:47Kent williams (idm) GENRE BASHING
└─ 1999-11-10 21:21wells Re: (idm) GENRE BASHING
└─ 1999-11-10 22:08Kent williams Re: (idm) GENRE BASHING
1999-11-10 18:05greg davis Re: (idm) mbv - my bloody valentine
1999-11-10 20:04Johan LOONES Re: (idm) mbv - my bloody valentine
1999-11-10 21:11Professor Vast Re: (idm) mbv - my bloody valentine
1999-11-10 22:52C Twomey Re: (idm) mbv - my bloody valentine
1999-11-10 23:03Michael Upton Re: (idm) mbv - my bloody valentine
1999-11-10 23:09Johan LOONES Re: (idm) mbv - my bloody valentine
1999-11-11 09:54Dominick Winters Re: (idm) mbv - my bloody valentine
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1999-11-09 23:58C TwomeyWasn't My Bloody Valentine that shite Birthday Party rip off? ;) CTD >and, if you listen t
From:
C Twomey
To:
Date:
Tue, 9 Nov 1999 19:58:38 -0400
Subject:
(idm) mbv
permalink · <l03110701b44e6562a5fb@[209.20.0.237]>
Wasn't My Bloody Valentine that shite Birthday Party rip off? ;) CTD
quoted 3 lines and, if you listen to mbv, thats what a guitar sounds like when its>and, if you listen to mbv, thats what a guitar sounds like when its >swirling. >
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1999-11-10 09:11Dominick WintersSomeone has still to explain to me what links this band with anything remotely IDM. I am a
From:
Dominick Winters
To:
Date:
Wed, 10 Nov 1999 09:11:48 -0000
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <19991110090942.98031.qmail@hotmail.com>
Someone has still to explain to me what links this band with anything remotely IDM. I am asking a serious question here. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 16:45Dave WalkerOn Wed, 10 Nov 1999, Dominick Winters wrote: > Someone has still to explain to me what lin
From:
Dave Walker
To:
Dominick Winters
Cc:
Date:
Wed, 10 Nov 1999 11:45:20 -0500 (EST)
Subject:
Re: (idm) mbv - my bloody valentine
Reply to:
Re: (idm) mbv - my bloody valentine
permalink · <Pine.LNX.4.10.9911101132480.10975-100000@zelgadis.mich.com>
On Wed, 10 Nov 1999, Dominick Winters wrote:
quoted 3 lines Someone has still to explain to me what links this band with anything> Someone has still to explain to me what links this band with anything > remotely IDM. > I am asking a serious question here.
What _links_ them with IDM? Well, directly, not much (bar a few remixes Kevin Shields has done over the years) Philosophically, I'd argue that the abstract and all-encompassing approach to sound that MBV took between say _Glider_ and _Loveless_ has a lot in common with the work of IDM producers. Shields & Co. approached sound design via guitars, outboard effects, tape manipulation, multitracking, etc., often achieving similar results to what producers now get from samplers, software, and, in some cases, mistreated guitar effects boxes. :) Is it IDM? Of course not. Is it endlessly fascinating sound manipulation that achieves the sort of depth and interesting textures people at least pay lip service to around here? I think so, and quite a few of your favorite IDM, techno, and ambient producers do, too. -d.w. np: Sam Prekop --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 15:59Giles Ward> Someone has still to explain to me what links this band with anything > remotely IDM. >
From:
Giles Ward
To:
Date:
Wed, 10 Nov 1999 15:59:49 -0000
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <018b01bf2b9b$f3a70dc0$1ee993c3@k6y0w9>
quoted 3 lines Someone has still to explain to me what links this band with anything> Someone has still to explain to me what links this band with anything > remotely IDM. > I am asking a serious question here.
I don't think anyone has claimed they are 'IDM' or have anything to do with it apart from a lot of people on this list seem to like them. I just can't believe that some people listen exclusively to IDM (if their desktop piles are representative of their entire collections). Some people should try listening to other music. They might just like it. Going through a load of MBV interviews a few weeks back I found this quote from Kevin Shields: - - - - - - - - - - - - You've mentioned working with computers. Based on what you've been saying right now, it sounds halfway between frustration at getting used to working with new equipment and, on the other hand, something liberating, trying something new from scratch. Is that the case? I don't know if I follow your question, but basically I don't like shying away from technology on principle, but after all this time I've come to a certain conclusion on technology and where it's not worth dealing with. Some of it is not worth dealing with because it seems to pull people in a certain area, and that area is slightly cold. Technology is capable of producing a human, warm music. Whatever you can imagine, technology can do it. But the methods in which you have to use the stuff, all the computers and stuff, it's so unmusical it's unreal. I see it as the same problem as why a lot of classical music is ultimately cold music: it doesn't touch people. Why is it always that essentially folk music, from jazz to whatever experimental, avant-garde rock music, is ultimately a kind of folk music, it feeds into one area and ultimately influences itself? Whereas avant-garde classical music, or straight orchestra-based music, it seems like very few people are able to come along and do something that touches people in a big way. I think it's because of the way they do it. When there's too much intellect involved, I think it's ultimately dead. It can impress people, in a Wagner way, complicated, but it's boring! Kind of like progressive rock! It keeps on going wrong; people get into a progressive rock state of mind and justify what they do by monumental sort of achievements. Ultimately all music, whether the people know it or not, is very culturally influenced and socially influenced. Otherwise music wouldn't sound so different all over the world. KUCI 1996 - - - - - - - - - - - - Ring any bells? --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 17:34Kent williamsI think what My Bloody Valentine did can't be valued highly enough with respect to IDM. Th
From:
Kent williams
To:
Giles Ward
Cc:
Date:
Wed, 10 Nov 1999 11:34:53 -0600 (CST)
Subject:
Re: (idm) mbv - my bloody valentine-
Reply to:
Re: (idm) mbv - my bloody valentine
permalink · <Pine.HPP.3.96.991110111239.27108B-100000@arthur.avalon.net>
I think what My Bloody Valentine did can't be valued highly enough with respect to IDM. The MBV records took rock music from the cult of testosterone personality and into the realm of cutting edge sound design. To answer the question more directly -- if you asked Richard James, the Autechre boys, etc, if they were MBV fans, to a man they would say yes. Even if MBV uses guitars and real drums, their sonic approach is hugely influential in IDM style music. Hell, Brian Eno is a MBV fan! Some people on the list seem to not like any music but 'this-listy' stuff like Autechre and Boards of Canada. I don't want to tell anyone what to like or not like, but the fact is that there isn't a genre of music that doesn't have really great music. Conversely, there's Sturgeon's Law -- 99% of everything is Bullshit. Life is much richer if you're willing to be eclectic in your listening habits. Is there any real reason that someone should be ashamed about liking the Byrds "Sweetheart of the Rodeo" as much as the latest Autechre? Gawd I hope not! kent williams -- kent@avalon.net --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 18:51Irene McCOn 10 Nov 99, Kent williams wrote re: Re: (idm) mbv - my bloody valentine: > Life is much
From:
Irene McC
To:
,
Date:
Wed, 10 Nov 1999 20:51:25 +0200
Subject:
Re: (idm) mbv - my bloody valentine-
Reply to:
Re: (idm) mbv - my bloody valentine-
permalink · <E11lcpa-0006bN-00@smtp03.iafrica.com>
On 10 Nov 99, Kent williams wrote re: Re: (idm) mbv - my bloody valentine:
quoted 2 lines Life is much richer if you're willing to be> Life is much richer if you're willing to be > eclectic in your listening habits.
All hail the voice of reason. I think quite a bit of evidence supporting this has come out with the descriptions of peoples' desktop piles - some really unexpected and wond'rous stuff turned up here and there! For the record, "Loveless" always will be a milestone between somewhere and somewhere else. One of those sweepy swoopy surrounding and enveloping records. Quite unlike anything before it. *** IMO *** I * --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 19:14wellsOn Wed, 10 Nov 1999, Kent williams wrote: > Some people on the list seem to not like any m
From:
wells
To:
Kent williams
Cc:
Giles Ward ,
Date:
Wed, 10 Nov 1999 14:14:56 -0500 (EST)
Subject:
Re: (idm) mbv - my bloody valentine-
Reply to:
Re: (idm) mbv - my bloody valentine-
permalink · <Pine.A41.4.03.9911101414190.39526-100000@titan.vcu.edu>
On Wed, 10 Nov 1999, Kent williams wrote:
quoted 4 lines Some people on the list seem to not like any music but 'this-listy' stuff> Some people on the list seem to not like any music but 'this-listy' stuff > like Autechre and Boards of Canada. I don't want to tell anyone what to like > or not like, but the fact is that there isn't a genre of music that doesn't > have really great music. Conversely, there's Sturgeon's Law -- 99% of
Gospel! no such thing as good gospel. really. - wells oliver / s0ewoliv@titan.vcu.edu " The ball is round. The game lasts ninety minutes. This much is fact. Everything else is just theory. " --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 19:47Kent williamsOn Wed, 10 Nov 1999, wells wrote: > On Wed, 10 Nov 1999, Kent williams wrote: > > > Some p
From:
Kent williams
To:
iduhntuhbelluhbiguhbent duhbance muhbusuhbic
Date:
Wed, 10 Nov 1999 13:47:56 -0600 (CST)
Subject:
(idm) GENRE BASHING
Reply to:
Re: (idm) mbv - my bloody valentine-
permalink · <Pine.HPP.3.96.991110134235.12785A-100000@arthur.avalon.net>
On Wed, 10 Nov 1999, wells wrote:
quoted 13 lines On Wed, 10 Nov 1999, Kent williams wrote:> On Wed, 10 Nov 1999, Kent williams wrote: > > > Some people on the list seem to not like any music but 'this-listy' stuff > > like Autechre and Boards of Canada. I don't want to tell anyone what to like > > or not like, but the fact is that there isn't a genre of music that doesn't > > have really great music. Conversely, there's Sturgeon's Law -- 99% of > > Gospel! > > no such thing as good gospel. > > really. >
Counterexamples: Gospel Recordings by Aretha Franklin. Early Carter Family records. Recordings by the itinerant black gospel quartets that toured the southern US during the first half of this century. White gospel is, I will say, universally dreadful. It's worth buying a few at thrift stores just so you can fully know how bad music can be and still get people to buy it. There is a 2 record set of Aretha Franklin performing at her father's church in Detroit that is phenomenal, and includes as a bonus a Jesse Jackson Sermon that I've heard sampled on house tracks. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 21:21wellsOn Wed, 10 Nov 1999, Kent williams wrote: > Counterexamples: Gospel Recordings by Aretha F
From:
wells
To:
Kent williams
Cc:
iduhntuhbelluhbiguhbent duhbance muhbusuhbic
Date:
Wed, 10 Nov 1999 16:21:43 -0500 (EST)
Subject:
Re: (idm) GENRE BASHING
Reply to:
(idm) GENRE BASHING
permalink · <Pine.A41.4.03.9911101619550.53842-100000@titan.vcu.edu>
On Wed, 10 Nov 1999, Kent williams wrote:
quoted 11 lines Counterexamples: Gospel Recordings by Aretha Franklin. Early Carter Family> Counterexamples: Gospel Recordings by Aretha Franklin. Early Carter Family > records. Recordings by the itinerant black gospel quartets that toured the > southern US during the first half of this century. White gospel is, I > will say, universally dreadful. It's worth buying a few at thrift stores > just so you can fully know how bad music can be and still get people to buy > it. > > There is a 2 record set of Aretha Franklin performing at her father's > church in Detroit that is phenomenal, and includes as a bonus a Jesse > Jackson Sermon that I've heard sampled on house tracks. >
Well god, let me run right out and buy it. Not. Gospel is awful. All of it. Every last rare basement-recorded out-of-print Aretha Franklin LP. White gospel's bad, black gospel's bad, evey race in between whoever sought to create gospel- well, it's bad too. But I digress. - wells oliver / s0ewoliv@titan.vcu.edu " The ball is round. The game lasts ninety minutes. This much is fact. Everything else is just theory. " --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 22:08Kent williamsOn Wed, 10 Nov 1999, wells wrote: > > Not. Gospel is awful. All of it. Every last rare bas
From:
Kent williams
To:
wells
Cc:
iduhntuhbelluhbiguhbent duhbance muhbusuhbic
Date:
Wed, 10 Nov 1999 16:08:48 -0600 (CST)
Subject:
Re: (idm) GENRE BASHING
Reply to:
Re: (idm) GENRE BASHING
permalink · <Pine.HPP.3.96.991110160235.15085A-100000@arthur.avalon.net>
On Wed, 10 Nov 1999, wells wrote:
quoted 7 lines Not. Gospel is awful. All of it. Every last rare basement-recorded> > Not. Gospel is awful. All of it. Every last rare basement-recorded > out-of-print Aretha Franklin LP. White gospel's bad, black gospel's bad, > evey race in between whoever sought to create gospel- well, it's bad too. > > But I digress. >
If you'd said "I really hate gospel. All of it." then I'd say "whatever. to each his own." But you state "Gospel is awful" as though you are an omniscient arbiter of all things good and bad. All I can say is that I doubt you've heard any really good Gospel, and have closed off your mind from ever even accepting it. Nearly all black singers of any quality got their start singing in church; to reject Gospel out of hand is to reject something at the roots of a lot of modern music. If it's religion that gets your knickers in a twist, well you're going to have your knickers twisted a lot of the time, since religion isn't going to go away. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 18:05greg davissounds like mr. shields hasnt listened to much modern classical music at all. i feel sorry
From:
greg davis
To:
Giles Ward ,
Date:
Wed, 10 Nov 1999 12:05:34 -0600
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <3829B3ED.140D263A@gis.net>
sounds like mr. shields hasnt listened to much modern classical music at all. i feel sorry for him. he's missing out on a lot of great music and touching music at that. maybe he is not so open as you might think. i think there are truths and beauty to be found in all types of music, and that includes an "ultimately cold music" like modern classical music. to instantly block out a form of music or certain sounds because of a prejudice or bias is a really unhealthy thing to do. we should approach all music and sound with an open mind and ears and then make judgements after weve experienced alot of music. we all are going to like what we like for our own particular reasons but i think more people need to get out of their boxes, labels, genres, and/or cliques and discover music for what it is, a beautiful world of sounds that exists in many different forms and styles. its funny that mr. shields mentions wagner as being too complicated or intellectual, when wagner was one of the most overtly expressionist composers ever. and as far as i have heard, MBV sounds alot closer to prog rock than any kind of folk music. oh well, i wont dwell any longer on this one. but the interview below is spouting some crap. although some points he makes are fine. sorry if im already preaching to the converted. but for those of you who only listen solely to IDM or any one kind of music, keep exploring other kinds of music, you will find alot of beautiful stuff out there. amen, greg davis autumn records http://www.amug.org/~jkdavis/autumn p.s. if you are going to argue with me or whatnot, spare the people on the list and send me private email.
quoted 9 lines I don't know if I follow your question, but basically I don't like shying> I don't know if I follow your question, but basically I don't like shying > away from technology on principle, but after all this time I've come to a > certain conclusion on technology and where it's not worth dealing with. Some > of it is not worth dealing with because it seems to pull people in a certain > area, and that area is slightly cold. Technology is capable of producing a > human, warm music. Whatever you can imagine, technology can do it. But the > methods in which you have to use the stuff, all the computers and stuff, > it's so unmusical it's unreal. I see it as the same problem as why a lot of > classical music is ultimately cold music: it doesn't touch people.
the above line is pretty funny. its funny because i see people crying at performances of schubert pieces, etc. hmmmmmm.................
quoted 4 lines Why is it> Why is it > always that essentially folk music, from jazz to whatever experimental, > avant-garde rock music, is ultimately a kind of folk music, it feeds into > one area and ultimately influences itself?
as does classical music.
quoted 4 lines Whereas avant-garde classical> Whereas avant-garde classical > music, or straight orchestra-based music, it seems like very few people are > able to come along and do something that touches people in a big way. I > think it's because of the way they do it.
so i guess takemitsu, ligeti, carter, reich, cage, feldman, varese, stockhausen, webern, messiaen, ives, schoenberg, etc. dont touch people in a big way. maybe not masses of people. but modern composers touch alot of people especially when they are listened to with open minds.feldman's music has changed my life. so i guess his music has touched me greatly. im sure alot of modern composers have "touched" more people than MBV.
quoted 2 lines When there's too much intellect> When there's too much intellect > involved, I think it's ultimately dead.
i agree. but no composer is every composing from pure intellect. personal decisions have to be made as a composer all the time.
quoted 4 lines It can impress people, in a Wagner> It can impress people, in a Wagner > way, complicated, but it's boring! Kind of like progressive rock! It keeps > on going wrong; people get into a progressive rock state of mind and justify > what they do by monumental sort of achievements.
this is true, music isnt about showing off. but i would say that someone like wagner is not only impressive but also some of the richest art in terms of expressionist music.
quoted 4 lines Ultimately all music,> Ultimately all music, > whether the people know it or not, is very culturally influenced and > socially influenced. Otherwise music wouldn't sound so different all over > the world.
well thats quite obvious.
quoted 8 lines KUCI 1996> KUCI 1996 > - - - - - - - - - - - - > > Ring any bells? > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org
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1999-11-10 20:04Johan LOONESthere's a ltd remix 12" which came out a couple of years ago with a wonderfull Andrew Weth
From:
Johan LOONES
To:
Dave Walker , Dominick Winters
Cc:
Date:
Wed, 10 Nov 1999 21:04:55 +0100
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <003901bf2bb6$dfcd9e20$fa1feec3@johan>
there's a ltd remix 12" which came out a couple of years ago with a wonderfull Andrew Wetherall mix from "Soon". (including a great Gang of four sample). If that isn't Idm... Shit, what more do you want? Another bloody fucking Warp reference?? Johan -----Oorspronkelijk bericht----- Van: Dave Walker <marmoset@mich.com> Aan: Dominick Winters <worldrecords@hotmail.com> CC: idm@hyperreal.org <idm@hyperreal.org> Datum: woensdag 10 november 1999 17:46 Onderwerp: Re: (idm) mbv - my bloody valentine
quoted 35 lines On Wed, 10 Nov 1999, Dominick Winters wrote:>On Wed, 10 Nov 1999, Dominick Winters wrote: > >> Someone has still to explain to me what links this band with anything >> remotely IDM. >> I am asking a serious question here. > >What _links_ them with IDM? Well, directly, not much (bar a few >remixes Kevin Shields has done over the years) > >Philosophically, I'd argue that the abstract and >all-encompassing approach to sound that MBV took >between say _Glider_ and _Loveless_ has a lot in >common with the work of IDM producers. Shields >& Co. approached sound design via guitars, outboard >effects, tape manipulation, multitracking, etc., >often achieving similar results to what producers >now get from samplers, software, and, in some >cases, mistreated guitar effects boxes. :) > >Is it IDM? Of course not. Is it endlessly fascinating >sound manipulation that achieves the sort of depth and >interesting textures people at least pay lip service >to around here? I think so, and quite a few of your >favorite IDM, techno, and ambient producers do, too. > > -d.w. > >np: Sam Prekop > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org > >
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1999-11-10 21:11Professor Vasthi johan, >there's a ltd remix 12" which came out a couple of years ago with a >wonderfull
From:
Professor Vast
To:
Cc:
Date:
Wed, 10 Nov 1999 21:11:29 GMT
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <19991110211129.92752.qmail@hotmail.com>
hi johan,
quoted 3 lines there's a ltd remix 12" which came out a couple of years ago with a>there's a ltd remix 12" which came out a couple of years ago with a >wonderfull Andrew Wetherall mix from "Soon". (including a great Gang of >four>sample).
--you can get the mp3 of this remix here, if you don't have it already... --http://www.expectdelay.com/mbv/mediaclips.html <<If that isn't Idm... Shit, what more do you want?Another bloody
quoted 1 line fucking Warp reference??>>>fucking Warp reference??>>
--right on johan!! Prof. V ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 22:52C TwomeyI'd like to remind those of you discussing guitar bands here that "IDM" originally referre
From:
C Twomey
To:
Date:
Wed, 10 Nov 1999 18:52:24 -0400
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <l03110704b44fa6e03c48@[209.20.9.217]>
I'd like to remind those of you discussing guitar bands here that "IDM" originally referred to techno producers in the UK who were inspired by the subtler Detroit techno. People like Kirk Digiorgio/As One, his ART label and the artists in Warp's Artificial Intelligence series. 1989/90 + CT
quoted 28 lines From: "Professor Vast" <dinobose@hotmail.com>>From: "Professor Vast" <dinobose@hotmail.com> >To: johan.loones@skynet.be >Cc: idm@hyperreal.org >Date: Wed, 10 Nov 1999 21:11:29 GMT >Mime-Version: 1.0 >Subject: Re: (idm) mbv - my bloody valentine > >hi johan, > >>there's a ltd remix 12" which came out a couple of years ago with a >>wonderfull Andrew Wetherall mix from "Soon". (including a great Gang of >>four>sample). >--you can get the mp3 of this remix here, if you don't have it already... >--http://www.expectdelay.com/mbv/mediaclips.html > ><<If that isn't Idm... Shit, what more do you want?Another bloody >>fucking Warp reference??>> >--right on johan!! > >Prof. V > >______________________________________________________ >Get Your Private, Free Email at http://www.hotmail.com > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org >
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1999-11-10 23:03Michael UptonOn Wed, 10 Nov 1999 18:52:24 C Twomey wrote: >I'd like to remind those of you discussing g
From:
Michael Upton
To:
IDM
Date:
Thu, 11 Nov 1999 11:03:32 +1200
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <MMDHDBOBOBDIAAAA@shared1-mail.whowhere.com>
On Wed, 10 Nov 1999 18:52:24 C Twomey wrote:
quoted 4 lines I'd like to remind those of you discussing guitar bands here that "IDM">I'd like to remind those of you discussing guitar bands here that "IDM" >originally referred to techno producers in the UK who were inspired by the >subtler Detroit techno. People like Kirk Digiorgio/As One, his ART label >and the artists in Warp's Artificial Intelligence series. 1989/90 +
It's interesting how some of the other non-techno influences of those early artists (thinking of AI series artists like RDJ, Mark Clifford, Beaumont Hannant and Richard H Kirk) have been overlooked on here for so long, eh? That was your point, wasn't it? ;) Michael PS. Yes, this is a troll, in case it's too subtle.. come on, it's only one thread stemming from an enquiry as to how one band relates to the whole gammut of stuff discussed on here. :) Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-11-10 23:09Johan LOONESwe're not discussing anything... just pointing out some details. If you would have heard t
From:
Johan LOONES
To:
, C Twomey
Date:
Thu, 11 Nov 1999 00:09:40 +0100
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <001901bf2bd0$abf02fe0$2a1feec3@johan>
we're not discussing anything... just pointing out some details. If you would have heard that remix 12", you wouldn't made a comment like this last one. Me personally, i don't give a shit about academics, genres or whatever. It all comes down to find the pearl in EVERY genre of music. It just gets me a bit furious that, especially Americans, keep wanking on Warp/Rephlex. They've done their trick back then. Let them earn their money...it's history now... So much history even that when you play a track from the early nineties in a club or so... everybody will start laughing. or is their a revival coming on?? Freddy Mercury: please come back Johan -----Oorspronkelijk bericht----- Van: C Twomey <newpower@interlog.com> Aan: idm@hyperreal.org <idm@hyperreal.org> Datum: woensdag 10 november 1999 23:45 Onderwerp: Re: (idm) mbv - my bloody valentine
quoted 44 lines I'd like to remind those of you discussing guitar bands here that "IDM">I'd like to remind those of you discussing guitar bands here that "IDM" >originally referred to techno producers in the UK who were inspired by the >subtler Detroit techno. People like Kirk Digiorgio/As One, his ART label >and the artists in Warp's Artificial Intelligence series. 1989/90 + > >CT > > >>From: "Professor Vast" <dinobose@hotmail.com> >>To: johan.loones@skynet.be >>Cc: idm@hyperreal.org >>Date: Wed, 10 Nov 1999 21:11:29 GMT >>Mime-Version: 1.0 >>Subject: Re: (idm) mbv - my bloody valentine >> >>hi johan, >> >>>there's a ltd remix 12" which came out a couple of years ago with a >>>wonderfull Andrew Wetherall mix from "Soon". (including a great Gang of >>>four>sample). >>--you can get the mp3 of this remix here, if you don't have it already... >>--http://www.expectdelay.com/mbv/mediaclips.html >> >><<If that isn't Idm... Shit, what more do you want?Another bloody >>>fucking Warp reference??>> >>--right on johan!! >> >>Prof. V >> >>______________________________________________________ >>Get Your Private, Free Email at http://www.hotmail.com >> >>--------------------------------------------------------------------- >>To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >>For additional commands, e-mail: idm-help@hyperreal.org >> > > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org >For additional commands, e-mail: idm-help@hyperreal.org > >
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1999-11-11 09:54Dominick WintersKind of agree with you here. From memory MBV were an "indie" band from the late eighties.
From:
Dominick Winters
To:
Date:
Thu, 11 Nov 1999 09:54:07 -0000
Subject:
Re: (idm) mbv - my bloody valentine
permalink · <19991111095213.8646.qmail@hotmail.com>
Kind of agree with you here. From memory MBV were an "indie" band from the late eighties. So they have bought some samplers and started doing something different with their guitars, so what? Its the path of most bored rock bands. And the important point is I dont need some rock band preaching to me what is good and not good about technology used in music. The freshest sound at any one point, to me, is the 18 year old kid with a new sampler and drum machine. It always was and always will be. As for classical, Satie did not move? It moves me more than anything. Oh well, I guess I got my MBV question answered. ----- Original Message ----- From: greg davis <gdavis@gis.net> To: Giles Ward <gilesw@globalnet.co.uk>; <idm@hyperreal.org> Sent: Wednesday, November 10, 1999 6:05 PM Subject: Re: (idm) mbv - my bloody valentine
quoted 1 line sounds like mr. shields hasnt listened to much modern classical music at> sounds like mr. shields hasnt listened to much modern classical music at
all.
quoted 1 line i feel sorry for him. he's missing out on a lot of great music and> i feel sorry for him. he's missing out on a lot of great music and
touching
quoted 2 lines music at that.> music at that. > maybe he is not so open as you might think. i think there are truths and
beauty
quoted 1 line to be found in all types of music, and that includes an "ultimately cold> to be found in all types of music, and that includes an "ultimately cold
music"
quoted 1 line like modern classical music. to instantly block out a form of music or> like modern classical music. to instantly block out a form of music or
certain
quoted 1 line sounds because of a prejudice or bias is a really unhealthy thing to do.> sounds because of a prejudice or bias is a really unhealthy thing to do.
we
quoted 1 line should approach all music and sound with an open mind and ears and then> should approach all music and sound with an open mind and ears and then
make
quoted 1 line judgements after weve experienced alot of music. we all are going to like> judgements after weve experienced alot of music. we all are going to like
what
quoted 1 line we like for our own particular reasons but i think more people need to get> we like for our own particular reasons but i think more people need to get
out
quoted 1 line of their boxes, labels, genres, and/or cliques and discover music for what> of their boxes, labels, genres, and/or cliques and discover music for what
it
quoted 1 line is, a beautiful world of sounds that exists in many different forms and> is, a beautiful world of sounds that exists in many different forms and
styles.
quoted 3 lines its funny that mr. shields mentions wagner as being too complicated or> > its funny that mr. shields mentions wagner as being too complicated or > intellectual, when wagner was one of the most overtly expressionist
composers
quoted 2 lines ever.> ever. > and as far as i have heard, MBV sounds alot closer to prog rock than any
kind
quoted 5 lines of folk music.> of folk music. > > oh well, i wont dwell any longer on this one. but the interview below is > spouting some crap. although some points he makes are fine. > sorry if im already preaching to the converted. but for those of you who
only
quoted 1 line listen solely to IDM or any one kind of music, keep exploring other kinds> listen solely to IDM or any one kind of music, keep exploring other kinds
of
quoted 8 lines music, you will find alot of beautiful stuff out there.> music, you will find alot of beautiful stuff out there. > > amen, > greg davis > autumn records > http://www.amug.org/~jkdavis/autumn > > p.s. if you are going to argue with me or whatnot, spare the people on the
list
quoted 4 lines and send me private email.> and send me private email. > > > > I don't know if I follow your question, but basically I don't like
shying
quoted 1 line away from technology on principle, but after all this time I've come to> > away from technology on principle, but after all this time I've come to
a
quoted 1 line certain conclusion on technology and where it's not worth dealing with.> > certain conclusion on technology and where it's not worth dealing with.
Some
quoted 1 line of it is not worth dealing with because it seems to pull people in a> > of it is not worth dealing with because it seems to pull people in a
certain
quoted 1 line area, and that area is slightly cold. Technology is capable of producing> > area, and that area is slightly cold. Technology is capable of producing
a
quoted 1 line human, warm music. Whatever you can imagine, technology can do it. But> > human, warm music. Whatever you can imagine, technology can do it. But
the
quoted 2 lines methods in which you have to use the stuff, all the computers and stuff,> > methods in which you have to use the stuff, all the computers and stuff, > > it's so unmusical it's unreal. I see it as the same problem as why a lot
of
quoted 8 lines classical music is ultimately cold music: it doesn't touch people.> > classical music is ultimately cold music: it doesn't touch people. > > the above line is pretty funny. its funny because i see people crying at > performances of schubert pieces, etc. hmmmmmm................. > > > Why is it > > always that essentially folk music, from jazz to whatever experimental, > > avant-garde rock music, is ultimately a kind of folk music, it feeds
into
quoted 6 lines one area and ultimately influences itself?> > one area and ultimately influences itself? > > as does classical music. > > > Whereas avant-garde classical > > music, or straight orchestra-based music, it seems like very few people
are
quoted 5 lines able to come along and do something that touches people in a big way. I> > able to come along and do something that touches people in a big way. I > > think it's because of the way they do it. > > so i guess takemitsu, ligeti, carter, reich, cage, feldman, varese, > stockhausen, webern, messiaen, ives, schoenberg, etc. dont touch people in
a
quoted 1 line big way. maybe not masses of people. but modern composers touch alot of> big way. maybe not masses of people. but modern composers touch alot of
people
quoted 13 lines especially when they are listened to with open minds.feldman's music has> especially when they are listened to with open minds.feldman's music has > changed my life. so i guess his music has touched me greatly. > > im sure alot of modern composers have "touched" more people than MBV. > > > When there's too much intellect > > involved, I think it's ultimately dead. > > i agree. but no composer is every composing from pure intellect. personal > decisions have to be made as a composer all the time. > > > It can impress people, in a Wagner > > way, complicated, but it's boring! Kind of like progressive rock! It
keeps
quoted 1 line on going wrong; people get into a progressive rock state of mind and> > on going wrong; people get into a progressive rock state of mind and
justify
quoted 3 lines what they do by monumental sort of achievements.> > what they do by monumental sort of achievements. > > this is true, music isnt about showing off. but i would say that someone
like
quoted 6 lines wagner is not only impressive but also some of the richest art in terms of> wagner is not only impressive but also some of the richest art in terms of > expressionist music. > > > Ultimately all music, > > whether the people know it or not, is very culturally influenced and > > socially influenced. Otherwise music wouldn't sound so different all
over
quoted 21 lines the world.> > the world. > > well thats quite obvious. > > > KUCI 1996 > > - - - - - - - - - - - - > > > > Ring any bells? > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > > For additional commands, e-mail: idm-help@hyperreal.org > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
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