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RE: [idm] the special olympics / day jobs

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2000-08-17 16:46Chris Fahey RE: [idm] the special olympics / day jobs
└─ 2000-08-17 16:52atomly Re: [idm] the special olympics / day jobs
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2000-08-17 16:46Chris Fahey> i noticed a familiar tune.... why, it was aphex twin's > girl/boy song! > playing in the
From:
Chris Fahey
To:
'Djcellway@aol.com' ,
Date:
Thu, 17 Aug 2000 12:46:59 -0400
Subject:
RE: [idm] the special olympics / day jobs
permalink · <D79909C367EAD3118D3E00508B9B0EF576550B@NYC3MSG01>
quoted 4 lines i noticed a familiar tune.... why, it was aphex twin's> i noticed a familiar tune.... why, it was aphex twin's > girl/boy song! > playing in the background of a special olympics commercial > with 'special'
I heard that ad too, on the radio! RDJ does a *lot* of music for ads and it just goes to show how totally mainstream even Aphex Twin can be in certain contexts. Here's something to chew on: ** What percentage of RDJ's income do you think comes from selling his songs for commericals? ** What percentage of RDJ's income do you think comes from composing *original music* for commericals? Substitute Plaid, Pole, DJ Shadow, Boards of Canada, Coldcut, or any other electronic act in those questions. I've always wanted to know this, especially after noticing the higher quality of music in mainstream advertising lately. I'm totally intrigued by the whole "day job" concept for semi-well-known artists, and I wonder how much the world would change if everyone knew how little money artists and musicians actually make from their art work. For example, (I think) Kit Clayton works for a music software company as a programmer or something. -Cf --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2000-08-17 16:52atomlyOn Thu, Aug 17, 2000 at 12:46:59PM -0400, Chris Fahey wrote: > ** What percentage of RDJ's
From:
atomly
To:
Date:
Thu, 17 Aug 2000 11:52:09 -0500
Subject:
Re: [idm] the special olympics / day jobs
Reply to:
RE: [idm] the special olympics / day jobs
permalink · <20000817115209.H8116@atomly.com>
On Thu, Aug 17, 2000 at 12:46:59PM -0400, Chris Fahey wrote:
quoted 2 lines ** What percentage of RDJ's income do you think comes from selling his songs> ** What percentage of RDJ's income do you think comes from selling his songs > for commericals?
Almost all of it.
quoted 2 lines ** What percentage of RDJ's income do you think comes from composing> ** What percentage of RDJ's income do you think comes from composing > *original music* for commericals?
The rest of it.
quoted 8 lines Substitute Plaid, Pole, DJ Shadow, Boards of Canada, Coldcut, or any other> Substitute Plaid, Pole, DJ Shadow, Boards of Canada, Coldcut, or any other > electronic act in those questions. I've always wanted to know this, > especially after noticing the higher quality of music in mainstream > advertising lately. I'm totally intrigued by the whole "day job" concept for > semi-well-known artists, and I wonder how much the world would change if > everyone knew how little money artists and musicians actually make from > their art work. For example, (I think) Kit Clayton works for a music > software company as a programmer or something.
Yea, Kit Clayton works at Cycling74, the company that makes MAX/MSP... I have been thinking about this same thing lately and I realized it's a lot like fine art, where the majority of artists make their living off their day jobs as graphic designers or working in a museum. A lot of people consider writing commercials "selling out," but I really think that as long as you keep it separate from your art, it's much better than getting a day job at McDonald's. :) -- :: atomly :: atomly@atomly.com | atomly@atdot.org | atomly@cyrus.net http://www.atomly.com | http://www.mp3.com/atomly --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org