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From:
Chris Fahey
To:
'Djcellway@aol.com' ,
Date:
Thu, 17 Aug 2000 12:46:59 -0400
Subject:
RE: [idm] the special olympics / day jobs
Msg-Id:
<D79909C367EAD3118D3E00508B9B0EF576550B@NYC3MSG01>
Mbox:
idm.0008.gz
quoted 4 lines i noticed a familiar tune.... why, it was aphex twin's> i noticed a familiar tune.... why, it was aphex twin's > girl/boy song! > playing in the background of a special olympics commercial > with 'special'
I heard that ad too, on the radio! RDJ does a *lot* of music for ads and it just goes to show how totally mainstream even Aphex Twin can be in certain contexts. Here's something to chew on: ** What percentage of RDJ's income do you think comes from selling his songs for commericals? ** What percentage of RDJ's income do you think comes from composing *original music* for commericals? Substitute Plaid, Pole, DJ Shadow, Boards of Canada, Coldcut, or any other electronic act in those questions. I've always wanted to know this, especially after noticing the higher quality of music in mainstream advertising lately. I'm totally intrigued by the whole "day job" concept for semi-well-known artists, and I wonder how much the world would change if everyone knew how little money artists and musicians actually make from their art work. For example, (I think) Kit Clayton works for a music software company as a programmer or something. -Cf --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org