On Mon, 1 Jul 1996, Eric Frans wrote:
quoted 15 lines On Mon, 1 Jul 1996, Todd Roberts wrote:
> On Mon, 1 Jul 1996, Todd Roberts wrote:
> } Not that I want to open the can of worms again but being the editor of URB,
> } I couldn't very well just sit around and let Tamara take all the heat... As
> } far as I'm concerned, and from what I've seen here on this list, you guys
> } are for the most part, a pedantic bunch of train-spotting wankers --
>
> Nice. You expect calling us 'train-spotting wankers' is not going to open
> up a can of worms? At least the original message criticizing Urb didn't
> resort to name calling. I would think that you as an editor would
> understand the ineffectiveness of stooping to such a level. I must agree,
> however, that sometimes we can be a bit pedantic here when discussing
> music, but what do you expect to find on a mailing list devoted to
> to a specific topic like this? For most of us, this type of music is one
> our great passions in life, so of course we are going to get off on
> discussing the smallest details.
It's unbelievable that this Todd Roberts (Editor of URB) comes on IDM and
just goes off on EVERYONE. Because I said that URB isn't very timely, but
it's Absolutely true! It is a Common Occurrence to read a review about
something that I have in my collection for at least a year. I made a
constructive criticism, that they are behind, and that I would rather buy
MUZIK which costs $8.00, because they are up to date. They usually review
things before they even come out. Which is great if you are a DJ or
music fanatic. And IDM is also a great resource. I even said that
they were one of the few decent American magazine. I didn't specifically
say URB, but that was the only American Magazine that I had mentioned, so
I expected them to know that. Tamara thought that I was refering to MUZIK
as being American, which I wasn't. URB was the Decent US magazine .
Tamara responded by telling us that URB was independent, while MUZIK,
NME, and Melody Maker were part of the UK's biggest Publishing co. So it
is understandable that they have a hard time competing, and that she is
trying to improve URB. And that she was trying to bring a little of IDM to
URB. If she can improve URB, I support that. I DIDN't insult the magazine
or trash it, I merely stated what I considered a weakness. I don't think
that Todd Roberts was even aware of what the point was, he just went in
calling names to customers (or potential customers) of the magazine. His
lack of professionalism was shocking. I would think he would be
interested in what his customers thought, and if someone stated a
criticism that he would listen and try to rectify the situation.
Obviously, he is not that kind of man.
quoted 2 lines } anxious to get info on the next shit but with little regard for quality or
> } anxious to get info on the next shit but with little regard for quality or
> } musical perspective.
Where the hell did he get this one? I think that imports cost way to much
to just buy anything that is suppose to be "the Next Shit". I will take a
chance here and there, but I don't buy everything that is hyped up. In some
magazines they say everything is good, then you hear it and you think wow
that's really not very exciting. The more I look at his post, the more amazed
I am that he has a job like this.
He could of at least posted what he was responding to. So he could keep
to the topic, but if he did that he couldn't argue and call names. You
would think that an EDITOR of a magazine would post something, instead of
just attacking and rambling out stuff. In most of the magazines, I have
read the Editor does give the original letter that they respond to.
quoted 16 lines Why do you think we subscribe to this list? Just to get the newest
> Why do you think we subscribe to this list? Just to get the newest
> information on crap releases?! I (and most of the others here I presume)
> have gone out of our way to subscribe to this list in order to find more
> QUALITY IDM releases and discover more about our favorite IDM artists.
> As far as the readers here lacking 'musical perspective', I think you are
> way off on that. Most of us have arrived at the conclusion that IDM is
> one our favorite music types because we DO have musical perspective. I
> and probably quite a few others dabbled in industrial and more club
> oriented electronic music before realizing that those genres had
> far less quality releases than in the IDM genre. In addition, most of the
> readers here have a very in depth knowledge of the progression of
> electronic music over the years and they know how that relates to IDM. If
> that's not musical perspective than what is?
>
> } This list often takes a tone close to that of the UK
> } press: If it's new, then it must be good. Bollocks.
quoted 5 lines Why do you think people here take the time to post lengthy reviews of the
> Why do you think people here take the time to post lengthy reviews of the
> new IDM releases? Just to get finger exercise? These are written to
> inform those of us who haven't heard the releases yet as to whether they
> are worthy of purchase or not. Just because it's new doesn't mean it's
> good and most of us here know that.
Sorry, about having a tone like the UK press. That must be a bad thing.
If it's NEW then it SHOULD BE REVIEWED. Again, I'm not saying that URB
is entirely old, but a decent amount is.
quoted 3 lines } As this 'electronic
> } As this 'electronic
> } dance' scene grows, there is a larger audience to appeal to, much larger
> } than a few subscribing to an internet mailing list.
That's fine. I would like to point out that we do talk about other music
than IDM. There are people on the list that talk about Ninja Tune/Trip Hop.
There also people talking about more Dance oriented techno, some talk
about Detroit techno, and even Drum N' Bass. The more areas of electronic
dance you cover, the more informative and better your magazine will be.
And that is cool.
quoted 29 lines That's exactly why we are subscribed to this list. We have sorted through
> That's exactly why we are subscribed to this list. We have sorted through
> a lot of the crap in the current growing electronic music scene and
> arrived here. I assume you are mentioning this because you are trying to
> appeal to a larger electronic music listening audience with Urb than the
> 'few' of us here. Well, that's fine. You're right, if you tried catering
> Urb to only the IDM listeners, your magazine sales would probably decline
> and you would eventually have to close shop. However, that's largely due
> to Urb being an American magazine. If there was a British magazine
> devoted soley to this type of music, it probably would struggle compared
> to Muzik, NME, etc., but it would most likely survive since the scene is
> bigger there. I read Urb myself and I don't expect you to completely
> change the format or anything like that. However, it might be nice to see
> a little more coverage of this type of music in your mag. One of your
> best issues for me was one of your recent ones with articles on Spacetime
> Continuum, Underworld, Dave Clarke, Subtropic, and Ken Ishii and reviews
> of Atom Heart/Tetsu Inoue/Bill Laswell, Threads (a nice review of the IDM
> comp 8) ), Global Communication, Dave Clarke, Elektroids and the
> Spacetime Continuum/Autechre show in L.A. Plus that issue had the
> 'Experimental Electronik' page by Tamara, which had a lot of great stuff
> on it. I hope that page becomes a staple of your mag, by the way.
> However, this issue is not the norm for Urb. I guess it's hard to please
> everyone since you choose to cover such a broad spectrum of music from
> some IDM to hip hop to acid jazz to club music. Still, though, Urb is
> the best American mag I've seen so far that covers any electronic music.
>
> } What's really ironic is
> } that this whole 'flame' started as a discussion of groups playing at
> } Organic: Orbital, Orb, Underworld, Chemical Bros. etc. Definitely nothing
> } new.
What I think is ironic, is that a mere mention that URB is behind in its
coverage of new techno, when compared to the UK magazines. Sets off an
Editor to spew alot of garbage, and not even stick to the original
statement. Is that a common problem with the press, they don't stop and
research the background to a situation? They just say whatever.
quoted 17 lines No they aren't new, but they are definitely quality bands in my mind.
> No they aren't new, but they are definitely quality bands in my mind.
> Since I live in Arizona it is a rare treat to get to see this type of
> line-up, so I made sure I went. I bet a lot of the U.K. readers would
> have liked to have had the chance to see this show as well. The people on
> this list are not against discussing artists that have been around awhile
> either, by the way. Unless you just subscribed you would have seen a lot
> of mention regarding the new Orbital offering and some mention of the
> Orb's Peel sessions.
>
> } Those publications you speak so highly of from the UK are in fierce
> } competition with each other and consequently are aimed at provided the
> } latest 'info' or gossip (in many cases) that they can get their hands on.
>
> Yes there is some gossip in those mags, but they make sure to cover the
> newest releases possible, which is nice because this gives the reader a
> chance to buy the music after reading a review rather than buying the
> music and _then_ reading the review. 8)
Good point, I would like to read a review BEFORE I buy it. Not months
down the road after I purchased it. What's wrong with competition?
quoted 3 lines } Besides, most of this music you guys gloat over originates in the UK, a
> } Besides, most of this music you guys gloat over originates in the UK, a
> } place where the word 'trainspotting' doesn't always have the best
> } connotation.
Well a good deal of Underground American (Detroit for example) releases
do get reviewed in UK magazines, while the American zines ignore it. If a
lot of our own domestic releases (independent labels) don't get reviewed
in American magazines, what do you expect us to focus on. Of course, we
will pay a little more attention to European releases.
quoted 4 lines } Though we are definitely enthusiasts of electronic music, it
> } Though we are definitely enthusiasts of electronic music, it
> } is not our only focus. Relax, Tamara has only been on staff for just over 4
> } months, before that I was the ONLY full-time editor. Tamara is dope and
> } she's doing as much as she can to further the music.
quoted 5 lines Tamara is definitely doing a good job as far as I can see through
> Tamara is definitely doing a good job as far as I can see through
> reading Urb and her posts to this list. In fact, I'm much more impressed
> with her writing and attitude in general than I am with you (even though
> she 'has only been on staff for just over 4 months' 8) ). I hope you keep
> her on your staff because she is definitely enhancing Urb.
I never questioned Tamara performance. I disagreed with her review of the
Chemical Brothers, I thought she was a little critical of them. Everyone
has different tastes, I shared my opinion of the show. She has stated
that she is trying to improve URB, and I think that's great. And she can
probably contribute some good info to IDM.
quoted 20 lines Why have you even subscribed to this list? I suspect it is merely to be a
> Why have you even subscribed to this list? I suspect it is merely to be a
> lurker and gather information about this type of music for your magazine.
> If so, I have no problems with that. I would be very happy to see more
> coverage of IDM style music in Urb. However, when you surface to
> blatantly criticize the readers of this list without even once
> discussing rationallly the contents of the original message criticizing
> Urb, I do have a problem with that. Basically, the original message
> criticized Urb for having out of date information most of the time.
> Additionally, it was said that Muzik magazine was more up to date in the
> techno scene than Urb. I could see how you might get a little bent out of
> shape about these comments, but in my opinion you aren't handling these
> criticisms very well, especially considering that you are the EDITOR of
> the magazine in question. Tamara at least took some time to explain the
> problem with comparing Urb to a British magazine with tons of money poured
> into it. You on the other hand, have not shed any more light on the
> original criticisms and instead have only annoyed me and poorly
> represented Urb. Granted, there were a few joking criticisms about Urb
> not having as many pictures of Latina dancers as there used to be, but I'm
> fairly sure you are intelligent enough to realize those were meant in
> jest.
Agreed!!! For all those disappointed that there will be less "scantily
clad Latina babes", GOOD NEWS, Lowrider magazine still has them. Perhaps
we should start a newsgroup Alt.scantilyclad.Latinababes, and we'll even
let TODD ROBERTS Join. Then we can finally not have a "tone like the UK
Press" and we won't even be called trainspotters. Well be ------spotters
(you fill in the blank) and send it to TODD so he can still call us
names.
quoted 3 lines You should be glad I'm already a reader of Urb because if there are any
> You should be glad I'm already a reader of Urb because if there are any
> people out there on this list considering reading it you probably just
> made up their minds for them.
I will be interested to see what Tamara does, and
see if URB improves.