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From:
Dimitrij
To:
.
Date:
Thu, 7 May 2015 16:07:52 +0200
Subject:
Re: Trackermatte -- stylebyter supreme
Msg-Id:
<CAKzkm3SOiBB=5a_bQkumMdrSGfin5zGo4N0hywN6SXyHDDL7Rg@mail.gmail.com>
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thelonious monk = miles davis = john coltrane 2015-05-07 16:01 GMT+02:00 Clint Anderson <clinta@gmail.com>:
quoted 56 lines aphex is just a drexciya surrogate ;)> aphex is just a drexciya surrogate ;) > > > Clint Anderson > Systems Engineer > > On Thu, May 7, 2015 at 8:58 AM, Eric Fairbanks <eric.p.fairbanks@gmail.com > > wrote: > >> I'm really fond of Trackermatte's stuff on it's own merit. I was sold the >> first time I heard Triangular Expander. >> <https://soundcloud.com/trackermatte/triangular-expander> I get the >> Aphex comparisons, but Trackermatte has enough different stuff going on >> that I don't think it's fair to pigeonhole them as an RDJ surrogate. >> >> >> On Wed, May 6, 2015 at 6:38 PM Jeff Davis <jeff@jeffreyjdavis.com> wrote: >> >>> I don't need new imitators when I have 200 free previously unreleased >>> tracks. >>> >>> thanks, >>> >>> Jeffrey J Davis >>> jeff@jeffreyjdavis.com >>> +1.218.833.2847 >>> On May 6, 2015 11:46 AM, "kent williams" <chaircrusher@gmail.com> wrote: >>> >>>> All those guys had their own sound, trackermatte seems to pick up on >>>> all of AFX's mannerisms -- the slightly-out-of-tune synth melodies, the >>>> rubber bass sounds, the drum fills, etc. >>>> >>>> Not sure it's music I can't live without, but in a world with 50,000 >>>> Aphex Twin imitators, he stands out as doing it really well. >>>> >>>> On Wed, May 6, 2015 at 1:15 PM Clint Anderson <clinta@gmail.com> wrote: >>>> >>>>> yeah i mean besides cylob, dave monolith, railway raver, and bochum >>>>> welt almost no one can do it >>>>> ;) >>>>> >>>>> >>>>> Clint Anderson >>>>> Systems Engineer >>>>> >>>>> On Wed, May 6, 2015 at 1:13 PM, kent williams <chaircrusher@gmail.com> >>>>> wrote: >>>>> >>>>>> No one else I know about has bit the AFX style quite as >>>>>> comprehensively as this guy. >>>>>> >>>>>> https://trackermatte.bandcamp.com/ >>>>>> >>>>> >>>>> >