quoted 5 lines ah, that was right on the cusp of their transformation. i had their first> ah, that was right on the cusp of their transformation. i had their first
> two, 'idylls' and
> 'ardor', which were just pure cocteauish ethereal/shoegazer. lovely
> stuff, but their best was
> the opening track on a projekt compilation, IMO.
id have to put "sideways forest" as their "cusp" CD, as that is when they
really started fooling around w/knobs... dont know if that one got much play
tho, but i think the breaks in 'flux' were pretty widely accepted [i had a
lot of spooky friends in those days - funny to watch kids in black lipstick
nodding their heads to breakbeats.]
funny story, a subsitute teacher in my senior year of high school [im pretty
sure it was a math class] was wearing a love spirals downward shirt... i
commented on it after class ["cool shirt!"]. turns out the sub was ryan lum
from LSD. saw them perform less than a week later in hollywood and did a
double take when i saw my teacher behind the sampler.
quoted 7 lines the most radical change to electronic music had to be ulver. there were> the most radical change to electronic music had to be ulver. there were
> hints on 'marriage of
> heaven and hell' (bits of electronic drums thrown in here and there), but
> when they did
> 'metamorphosis' and then 'perdition city' they just cut all ties to their
> black metal past. it
> was amazing and brave, especially for that scene.
agreed! its sorta happend a couple of times w/that scene tho [think HALO
into Terminal Sound System, or Scorn out of Napalm Death...]
.d.
davyd c pittman // dj :insect
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