troll.
did i just say that?? hehe... i mean, yeah - i can see where you are
comming from, but at the same time, i doubt the idea of happy accidents
will ever get old. there's quite a bit to be said about serendipity.
and the fact that serendipity is relative to your frame of reference.
receding as a primary interest,
-star
On Sun, 2002-09-08 at 14:43, kurt wrote:
quoted 31 lines have you seen 'the aesthetics of failure'> >have you seen 'the aesthetics of failure'
> >by kim cascone at the mediamatic site?
> >
> >mediamatic.nl
> >
> >i'd say that glitch music hasn't come enough into
> >it's own yet in order to have been written about
> in book form
>
> I wonder if it's possible that it will ever...it's an idea that had
> an astonishing freshness to it a few years back.
>
> once the idea had been identified, it was used by a lot of musicians,
> sometimes well, sometimes not. unexpectedly, the sounds of digital
> audio fucking up became increasingly familiar, until they no longer
> represented cheeky conceptual innovation or Cage-ian openess, but a
> new status quo with a palette of sounds as familiar and tired as any
> set of pre-sets on a commercial synth. (Perhaps I exaggerate.)
>
> I don't think the sounds will go away, nor do I think it's a bad idea
> to exploit accidents and so forth. but i think these sounds and
> strategies are receding as being of primary interest.
>
>
> k
>
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~->star morin
~->shift8@dnai.com
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