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From:
Lee Azzarello
To:
IDM list
Date:
Wed, 21 Mar 2001 16:13:31 -0800
Subject:
Re: [idm] Reason, software synthesis
Msg-Id:
<B6DE83AB.6807%roswell@alumni.antioch-college.edu>
In-Reply-To:
<Pine.GSO.4.20.0103202124400.18999-100000@toliman.cc.umanitoba.ca>
Mbox:
idm.0103.gz
on 3/20/01 7:42 PM, Doug at umstechi@cc.UManitoba.CA wrote:
quoted 12 lines On Tue, 20 Mar 2001, Michael Wilson wrote:> On Tue, 20 Mar 2001, Michael Wilson wrote: > >> I'm researching software synthesis and music production tools and wanted to >> get recommendations from you guys. > > Reaktor. > Essentially, a pretty front-end for C-sound. C-sound is an audio > programming language developed in the early 80's, based largely on > C. Extraordinary power. Steep learning curve if you're not familiar > with modular synthesis. > > www.nativeinstruments.com
Where did you hear that Reaktor is based on Csound? As far as I know it was built from the ground up as a modular environment and has really no relation to the Music-N languages. I've used Csound intensively and I have been playing with Reaktor for a couple of months and I don't really see any similarities except that they are both sound synthesis environments. Also, here are some more: SuperCollider, a realtime audio synthesis programming language for the Macintosh http://www.audiosynth.com PD/GEM: pretty much the same thing as MAX/MSP but for PC/Linux and with graphics handling. There are about a million different software synthesis programs and all of them can be found in a book called "The Computer Music Toutorial" from MIT press. It's huge (1200 pages) and is kinda like a bible for computer music. -------------------- -l[e^2] *new { ^this.shouldNotImplement(thisMethod) } --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org