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From:
Jeff Davis
To:
,
Date:
Wed, 04 Jan 1995 21:14:54 -0600
Subject:
Re: Richie Hawtin
Msg-Id:
<kGs2leSmeqnO075yn@xnet.com>
In-Reply-To:
<Pine.SUN.3.90.950104094056.24372A-100000@glenlivet.ohm.york.ac.uk>
Mbox:
idm.9501.gz
john wrote.... |Well, I just bought 'sheet one' over Xmas. IMHO it's a really good CD. |New years day, there I was, hungover, and listening to sheet one on |headphones just soothed away my aches and pains. | i've been watching the minimalism good / minimalism bad volley for the last few days and have been wondering what the point is, but it's something i feel strongly about, so i'll contribute to the pointlessness. . . as a rule, i gravitate towards pieces with lush production and complex developent, but something about fuse / plastikman's minimalist groove just sucks me in. listening to a song like "electrostatik" off sheet1 just freaks me into a tightly wound zone. "plasticity" is not much more than a bongo line and a 5 note 303 riff, but it's sweet, nonetheless. the other extreme is the sonic assault of a song like "f.u." off of dimension intrusion thats speaker to speaker oscilations just make me swing my head like a pH enhanced stevie wonder. luv it!! the development is there and it's fascinating, it just not in evolving rhythms and themes. it's in the flanging and sweeping of the delectablly simple 303 tones that richie lays down. i still haven't found the "magic square" on the sheet1 inset, but i'm only half done with it... bottom line (IMHO), there IS a place for sparse funky minimalism, and richie's at the top of the peak in that genre. -- Jeff Davis ____--~~~~~~vvvv~~~~ oo jjdavis@xnet.com____---- ( ( ( vvvv ~~~~~~ooooooooooo ___----( ( \ \ \ \ \ vvv oooooooooooooo 812.831.7846 ____---- ( \ \ \ \ \ \ \ \ vvooooooooooooooooooooo