Dave Manning <dmanning@cwis.unomaha.edu> wrote Fri, 27 Oct 1995:
quoted 5 lines I read in Entertainment Weekly (mainstream, yes, but interesting) that
> I read in Entertainment Weekly (mainstream, yes, but interesting) that
> Madonna and Massive Attack had collaborated on a single, or something to
> that effect. Anyone have any idea what this is like? I wish I could
> remember the title of the song, but recommendations are welcome. Yes, it's
> Madonna, but anyone who sings "Get Into the Groove" can't be all bad.
Good point. Besides, the various William Orbit-remixes of her are
all good. But of course, working from that theory, this means that
she is not good, only the people she works with. But we're not going
to start discussing Madonna here, anyway.
And speaking of Orbit (well, almost), did anyone attend the N-Gram
night pulled earlier this year? Anyone written a review?
quoted 1 line Someone mentioned "Unfinished Symphony". What a great track!
> Someone mentioned "Unfinished Symphony". What a great track!
Seminal. I'll pay the person who can get me the CD-single with the
Paul Oakenfold LOTS of cash.
quoted 1 line OnNow - my computer.
> OnNow - my computer.
Oh, lucky bastard! I don't have one myself.
---
Tom Churchill <tom@chrchfam.demon.co.uk> wrote:
quoted 6 lines What I managed to glean from the IDM people was that Red Planet is a spin-off
> What I managed to glean from the IDM people was that Red Planet is a spin-off
> of, or connected with, Underground Resistance, and therefore Mad Mike is
> probably the key player. Apparently, most of the leading Detroit figures
> (Atkins, Fowlkes etc.) have been involved in some of the tracks at some stage,
> but details are pretty sketchy. You'd probably get loads of info off the 313
> list...
Imagine getting a compilation with the Red Planet-tracks! On CD!
Does such a gem exist? And the new RP (no. 6 - double 12"), got a
rave review in MixMag Update. According to Tony Marcus in Update, a
bloke called Mike Banks is behind the series. Has anyone heard of him
before?
I'm listening to "Timeless" as I write this, and I think Goldie's
chords are very erm...one-dimensional? Not very varied, anyway. Too
many 7ths and 5ths (I think - I don't read music that well).
Enough already!
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