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From:
Kevin Ryan @
To:
Date:
Fri, 01 Jun 2001 21:32:12 -0000
Subject:
Re: [idm] Richie Hawtin's letter regarding the DEMF
Msg-Id:
<F217S7hx27kBnccYTjr0000adc4@hotmail.com>
Mbox:
idm.0106.gz
<<the firing of Carl Craig is a direct attack on what i thought we all held so close to our hearts, our music.>> Oh, boo hoo. Mr. Hawtin, allow me to introduce you to capitalism. Capitalism, Mr. Hawtin. No, the pleasure is mine. Craig's dismissal wasn't the critical juncture of "direct attack" on underground music; it was when Craig sold his soul to the Co.s a couple years ago that the real selling out occurred. The rest isn't particularly surprising. Although there was inevitably personal politics involved, the corporations honestly realize that they don't have a clue about what's cool re: electronic music... that's why they deferred to a local techno magnate in the first place. They could've booked Oakey/Moby from day one but they knew better. Besides, Carl's hands aren't totally clean in all of this, and we have to remember he's the one who decided to sign a deal with the Devil. He thrust himself into the middle of the corporate melee and now he's paying for it. Among all this facile corporation bashing most people seem to have forgotten that the corporations are the only reason that DEMF is possible in the first place. If you can throw a collosal free techno festival at the Hart Plaza, by all means, do. But as long as the proverbial Man is footing the bill, where do we get off with the hubris to assume that everything should go according to our wishes? DEMF, through better and worse, is nothing more than a marketing experiment. If they book a bunch of crap next year, I won't go back. But I'm not about to flail around whining about how a free party doesn't book my personal favorite styles of music. (Sorry for the flame bait, but I just wanted to offer a slightly different perspective. I'm not pretending like I have any idea what's happening behind the scenes, I'm just trying to look at the big picture from afar. If you can school me on where I've gone astray, please do.) np: "Man Parrish - Hip Hop Be Bop (L Ray Robison Remix) 11:09" from Napster... It's nothing like Man Parrish, but it's a kick-ass track... Everything great about disco meets contemporary breaks... Any idea where this comes from? _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org