179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Matthew Allen
To:
'idm@hyperreal.org'
Date:
Wed, 26 Jan 2000 10:54:35 -0800
Subject:
(idm) Defining IDM (WAS:totally off topic: D'Angelo)
Msg-Id:
<EFE24F91BCCAD3119A1D00609709781C0CE9DB@mailserver.lith.com>
Mbox:
idm.0001.gz
Now that is a definition of 'IDM'. Nicely put. I would certainly be interested in others take on this. I'm finding that most of what I am buying and enjoying as of late definitely fits into this 'category'. I'm Usually very impressed by people who come up with original sound design and make it work well in a song, Phoenecia's Odd jobs cd and the latest Plateau disk being good examples, as opposed to the 'hey look what I can do with Pluggo'. Not to say that this is the be all end all of genre defining. Its just seems to work pretty well in relation to my current tastes. m.
quoted 16 lines ----------> ---------- > From: Chris Fahey[SMTP:chrisf@raremedium.com] > Sent: Wednesday, January 26, 2000 10:30 AM > To: 'ae1650@wayne.edu'; 'idm@hyperreal.org' > Subject: RE: (idm) totally off topic: D'Angelo > > Others may disagree with this broad definition, but I have high > aspirations > for this genre: I think that IDM represents a kind of "Music/Production > Laboratory" where experimentation in the techniques of music production, > composition, and sound engineering can occur - experiments which are > rooted > in the accomplishments of artists and engineers from other genres - and, > hopefully, the IDM "lab" will produce results that become influential on a > wider degree, in other genres and circles. >
--------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org