That's a pretty interesting technique. My keyboard has the same
built in fx processor you'll find in an Ensoniq DP-4, and I've found
that I can get great effects by assigning effect modulators to
different controllers, such as the pitch bend or the modulation
wheel. A really great acidy effect is to select a phaser+ddl type
effect and set the phase rate to modulate using one of the
controllers. I can adjust the phase rate anywhere from cycling on
every half beat (eigth note), down to cycling every 30 seconds or so.
Luke
quoted 1 line Jamie M. Hodge <JAHODGE@vaxsar.vassar.edu> 5/19/94, 11:07pm >>>>>> Jamie M. Hodge <JAHODGE@vaxsar.vassar.edu> 5/19/94, 11:07pm >>>
Maybe it would be interesting to discuss techniques used by artists
in making IDM.. for instance,
I noticed the other day that if I wrote an arpeggiated chord into my
sequence and used a High Pass filter on the sound, I was able to make
it sound like I was very robotically soloing over the music by
selective bringing the meat of the sound back in with a controller
wheel.. There, that's interesting enough..
**
******** Anthems: E2 E4, Shh/Peaceful
********** Movies: THX1138, The Yellow Earth
********** Passtime: Drinkin' 40s, Begging for free records!!
******** Game Machine: Vectrex
**B.orn
U.nder
a
R.hyming
P.lanet