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From:
Thomas Millar
To:
Kent williams , i'd do mary
Date:
Sun, 28 Jul 2002 23:26:57 -0400
Subject:
Re: [idm] Hard disk DJs 'spin' MP3s
Msg-Id:
<B96A2E40.690%tmillar@comcast.net>
In-Reply-To:
<Pine.HPX.4.40.0207281616570.4864-100000@arthur.avalon.net>
Mbox:
idm.0207.gz
quoted 4 lines Someone mentioned 'guitar troubadors' who parley 5 or 6 guitar chords> Someone mentioned 'guitar troubadors' who parley 5 or 6 guitar chords > into careers -- I suspect that someone who brings nothing else to the > table except C G Em Am D will be ignored. At the same time if someone > has something significant to communicate, 5 chords can be plenty.
Hell, not even five. A lot of good music involves 3 or even 2 chords, no more. Esp. IDM/techno/dance music, where it's usually modal anyway; house music is usually just one chord and a bass line with somebody crooning through a rack of FX. Yea house music. Paul Simon (the Bjork of folk) has been known to break out a little jazziness here or there, but most of his best tunes are very simple tablature-wise. Also, it does take a bit more talent to play guitar well as opposed to just putting your fingers on the right frets at the right time, as Jeff said. Personally I think the whole question of practice and talent has been made irrelevant in recent decades. Popstars tend towards the no-talent tons-of-practice look-good-for-the-camera side whilst many of our favorite artists tend towards the opposite: fuck practice, fuck the camera, we're talented. Does anybody else smell high school? There's DJs who cut it up and DJs who play one song after another- personally I was and am still daunted by the task of smoothly mixing Spring Heel Jack with Kid606 with the Jedi Knights with Like A Tim with Mr. Scruff with µ-ziq. So I stick/stuck to the latter. Probably why I never landed a regular paying gig(or maybe it was just the Like A Tim). Tom --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org