"which even they said was bullshit mind you"
Where did they say this about their generative work?
On Sun, Oct 2, 2016 at 5:55 AM, Sham Beam <sham.beam@gmail.com> wrote:
quoted 117 lines yes! age of adz has some awesome stuff.
> > yes! age of adz has some awesome stuff.
>
> I really didn't like it at first but it's slowly been winning me over. :)
>
>
>
> On 2/10/2016 3:36 PM, Bruno Gola wrote:
>
>>
>>
>> On Sun, Oct 2, 2016 at 1:32 AM, Sham Beam <sham.beam@gmail.com
>> <mailto:sham.beam@gmail.com>> wrote:
>>
>> that totally resonates. I was listening to The Age of Adz from
>> Sufjan Stevens yesterday in the car and there were a few "fucking
>> hell, how
>> did he do that?" moments.
>>
>>
>> yes! age of adz has some awesome stuff.
>>
>>
>>
>>
>>
>>
>> On 1/10/2016 4:30 AM, Clint Anderson wrote:
>>
>> http://autechre.net.ua/en/interviews/interview10.htm
>> <http://autechre.net.ua/en/interviews/interview10.htm>
>>
>>
>>
>> "It's about sleight of hand, where you're revealing things and
>> then
>> pulling them back. It's that sort of dynamic. But I think that's
>> Hip
>> Hop: the whole attitude of wanting to do people's heads in a
>> little bit
>> but also give them something that they'll really appreciate
>> comes from
>> that - Mantronix to early Bomb Squad --- where there were little
>> tricks
>> in there, and you knew the producer had stuck them in there
>> because he
>> knew it would do people's heads in. And it'd be like: fucking
>> hell, how
>> did he do that? Or, that's a totally mad thing to do with your
>> track.
>> But it didn't suffer because it wasn't. . ." Rob: "Wasn't a
>> showcase for
>> those ideas." Sean: "It was part of the flow and it worked.
>> That's it
>> really. That's how we've started describing it now."
>>
>> "I think a lot of people, when they're constructing complex
>> music, have
>> this idea that for something maddeningly complex to change into
>> something else that's maddeningly complex you've got to do it
>> suddenly,"
>> says Sean. "But there are millions of ways you can do it,
>> because you
>> can have your entire track changing piece by piece as it
>> rotates, and
>> that's what we're into We like things like a puzzle where it's
>> revealing
>> itself and changing. And you can almost follow it, because it
>> works the
>> same pace as your brain works. The trick is not to get it to
>> work faster
>> or slower, but to get it in tune with yourself. And obviously
>> there are
>> some people who work faster than that, and they'll hear it and
>> think
>> this is boring, and there are people who work slower than that,
>> and
>> they'll think this is too much. For us it's the right pace."
>>
>> Clint Anderson
>> Systems Engineer
>> "Freedom -- paint me a picture!" -- Burton Cummings
>>
>>
>> On Thu, Sep 22, 2016 at 7:03 PM, Clint Anderson
>> <clinta@gmail.com <mailto:clinta@gmail.com>
>> <mailto:clinta@gmail.com <mailto:clinta@gmail.com>>> wrote:
>>
>> yeah its interesting i would almost say its a return to their
>> classic style of the 'eternally unfolding secret tricks'
>> tracks they
>> used to do where halfway through you finally sort of more or
>> less
>> figured out what they were doing to get whatever
>> effect/sound, and
>> then the second half was just that much more badass
>>
>>
>>
>>
>> --
>> Sham Beam
>>
>>
>>
>>
>>
>> --
>> Bruno Gola <brunogola@gmail.com <mailto:brunogola@gmail.com>>
>> http://bgo.la/
>>
>
>
> --
> Sham Beam
>
>
>