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From:
Bruno Gola
To:
Sham Beam
Cc:
IDM
Date:
Sun, 2 Oct 2016 06:36:35 +0200
Subject:
Re: elseq
Msg-Id:
<CA+45zYXmVf7YDFZCyGY_pGy7wC-fQwYpThzEPTXQFGWDzuiGMQ@mail.gmail.com>
In-Reply-To:
<0207fedf-5f17-3461-1988-776a8d581ea8@gmail.com>
Mbox:
idm-2016-10.gz
On Sun, Oct 2, 2016 at 1:32 AM, Sham Beam <sham.beam@gmail.com> wrote:
quoted 3 lines that totally resonates. I was listening to The Age of Adz from Sufjan> that totally resonates. I was listening to The Age of Adz from Sufjan > Stevens yesterday in the car and there were a few "fucking hell, how > did he do that?" moments.
yes! age of adz has some awesome stuff.
quoted 57 lines On 1/10/2016 4:30 AM, Clint Anderson wrote:> > > > > On 1/10/2016 4:30 AM, Clint Anderson wrote: > >> http://autechre.net.ua/en/interviews/interview10.htm >> >> >> >> "It's about sleight of hand, where you're revealing things and then >> pulling them back. It's that sort of dynamic. But I think that's Hip >> Hop: the whole attitude of wanting to do people's heads in a little bit >> but also give them something that they'll really appreciate comes from >> that - Mantronix to early Bomb Squad --- where there were little tricks >> in there, and you knew the producer had stuck them in there because he >> knew it would do people's heads in. And it'd be like: fucking hell, how >> did he do that? Or, that's a totally mad thing to do with your track. >> But it didn't suffer because it wasn't. . ." Rob: "Wasn't a showcase for >> those ideas." Sean: "It was part of the flow and it worked. That's it >> really. That's how we've started describing it now." >> >> "I think a lot of people, when they're constructing complex music, have >> this idea that for something maddeningly complex to change into >> something else that's maddeningly complex you've got to do it suddenly," >> says Sean. "But there are millions of ways you can do it, because you >> can have your entire track changing piece by piece as it rotates, and >> that's what we're into We like things like a puzzle where it's revealing >> itself and changing. And you can almost follow it, because it works the >> same pace as your brain works. The trick is not to get it to work faster >> or slower, but to get it in tune with yourself. And obviously there are >> some people who work faster than that, and they'll hear it and think >> this is boring, and there are people who work slower than that, and >> they'll think this is too much. For us it's the right pace." >> >> Clint Anderson >> Systems Engineer >> "Freedom -- paint me a picture!" -- Burton Cummings >> >> >> On Thu, Sep 22, 2016 at 7:03 PM, Clint Anderson <clinta@gmail.com >> <mailto:clinta@gmail.com>> wrote: >> >> yeah its interesting i would almost say its a return to their >> classic style of the 'eternally unfolding secret tricks' tracks they >> used to do where halfway through you finally sort of more or less >> figured out what they were doing to get whatever effect/sound, and >> then the second half was just that much more badass >> >> >> > > -- > Sham Beam > > >
-- Bruno Gola <brunogola@gmail.com> http://bgo.la/