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From:
Michael Upton
To:
Philip Sherburne
Cc:
idm
Date:
Thu, 27 Apr 2000 02:01:46 -0400
Subject:
RE: [idm] RE: noto
Msg-Id:
<3909D2CD@MailAndNews.com>
Mbox:
idm.0004.gz
quoted 1 line ===== Original Message From Philip Sherburne <philip@askjeeves.com> =====>===== Original Message From Philip Sherburne <philip@askjeeves.com> =====
quoted 5 lines one interesting point that nicolai made was that with so many people working>one interesting point that nicolai made was that with so many people working >in the clicks'n'cuts vein (and as he puts it, "releasing so many cds that >all sound the same), where attention to process is increasingly eclipsing >the success of the output, a turn to acoustic instruments is a way of at >least temporarily side-stepping that particular problem.
I was just wondering last night how many recent electronic artists rate the success of their work on the process or concept, rather than the end result. I can imagine very, VERY few music listeners (and again, even less buyers) rate things that way. I started trying to think of artists who might well approach music that way and was thinking many of those represented by something like Clicks and Cuts (and many releases on Mille Plateaux) might fit that category. I'm just saying this because it interests me to then find that the guy behind Alta Noto (on that very compilation) complains about the output. Mind you, I guess SND, while clearly interested in process, care about the results too, as evinced in their interview in 'The Wire'. Something nags at me that a lot of people interested in working with rhythm are definitely concerned with the results, but they needn't be. Still, I suppose few "conceptual artists" (if I can use that term really broadly) working with sound don't entirely discount what the results are like, although such people certainly exist. As another thought, if anyone can suggest to me (off-list, I guess) some examples of electronic music that you know was written with no attention to the end result (ie. a purely conceptual or process-driven piece of music) I'd love to hear about it. I dimly think of acts like the Hafler Trio... sometimes their music seems to be documenting a concept, rather than something at all connected to aesthetics. Michael np. 'Voodoo' - D'Angelo (yeah again. :P ) -+- Involve Records http://involve.co.nz Jet Jaguar MP3s http://mp3.com/jetjag/ -+- --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org