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From:
Carved from a Block of Gouda
To:
Cc:
Date:
Tue, 16 Dec 1997 08:52:41 -0600 (CST)
Subject:
Re: (idm) Moodymann comp
Msg-Id:
<Pine.LNX.3.95.971216084712.24136A-100000@soli.inav.net>
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<0025656F.0033DC84.00@mailgate.psygnosis.co.uk>
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idm.9712.gz
On Tue, 16 Dec 1997 Damon.Fairclough@psygnosis.co.uk wrote:
quoted 16 lines On Sun, 14 Dec 1997 00:28:16 EST KaisrSolze <KaisrSolze@aol.com> wrote:> > On Sun, 14 Dec 1997 00:28:16 EST KaisrSolze <KaisrSolze@aol.com> wrote: > > >I just bought the Moodymann comp on Planet E, and I don't really > understand why everyone's hyping it so much. I mean, it isn't horrible, > but can anyone clue me in on what to listen for, on why everyone loves it? > I have no problem > with repetition, but this is a little lite for my tastes. At least Daft > Punk has the robo edge.< > > There's a fair old disco influence in a lot of that Moodymann album which > might account for you finding it 'a little lite'. Personally, I can't get > enough of those intensely funky grooves - particularly track 4 (I think - I > haven't got a copy with me to check) - the one with a sample that goes > '...please can I help yer? ha ha ha ha...'. >
Listening to Moodyman in headphones in your office cubicle is like having sex in a matchbox. The first time I heard Moodyman was when Boo Williams dropped the "Small Church In Detroit" track at the climax of a set at a party in Chicago. The place went OFF. Not to say that you need to rent a high school gym and a 15000 watt PA to listen to it, but until you listen to it LOUD in the context of a party, you may not get it. Now Playing: "African Tribal Music and Dance" -- this is THE old school techno.