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From:
Styrolene vaT
To:
Date:
Thu, 29 May 1997 12:50:08 -0700
Subject:
(idm) spymania 05 review
Msg-Id:
<338DDDF0.4AB6@virgin.net>
Mbox:
idm.9705.gz
************************************************************** *Hey thought you guys should read this marvellous review from* *someone who knows what they are talking about.... * *Penned by and reproduced with the permission of Stuart * *at 4thworld rekkids. * ************************************************************** dial - the pause that refreshes 12" (spymania 05) pre-cog seer mark smith once stated ‘i don’t want to be in an experimental band, the experimental is now conventional and the conventional is now experimental’ and with this release spymania have sidestepped 90% of so called ‘cutting edge labels’ who flaunt their underground credentials on one hand but bow down to the mighty mullahs of the market place on the other. it’s a brave step to put out music this experimental and challenging when they could play it safe with the latest mundane drill n bass / easy listening heroes, reminds me of the the unpliable perversity of the mighty irdial who surely now must be acknowledged in retrospect as one of the most important electronic labels this country has produced. anyway...... across the 5 tracks daniel beattie steers clear of well worn cliches and treats on his subject matter to an almost musique-concrete form of composition, "expo 97 in 3d" rides on a funky looped groove that becomes more unhinged with every passing moment, miles’s "live evil" played by robots would be a fair comparison, "anti submarine virus emerges" is a dirty electro transmission from a stricken cruiser lost in deep space, as the track reaches its climax bursts of distortion and hi-pitched distress signals blaze a white hot path, "silent waves" laps up against the analogue shore bathed in soft sunlight of white noise, whilst a polynesian tribe conducts a lilting ancient tribal ritual, "the pause that refreshes" isn’t afraid to get deep and dubby, with a stringent marching rhythm and frenetic atonal piano runs, final cut "gratification" could be the soundtrack to jarman’s "last england" conjuring up aural pictures of industry & civilisation grinding to a halt whilst monolithic structures crumble. restore your faith with a little bit of spymania stuart@4thworld -- k.F "I tried unloading banana trains and for while I had a job collecting horses hooves for a sausage skin and glue manufacturer. They also gave me a job after that, throwing cows heads into a bone crushing machine.I soon realised that these jobs weren't really what I wanted to do." -Lol Coxhill Quote.