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From:
James Skilton
To:
Date:
Mon, 08 Apr 96 14:08:54 +0100 (BST)
Subject:
(idm) Jimi Tenor & Squarepusher Live
Msg-Id:
<MAPI.Id.0016.00616d65737320203041393730303346@MAPI.to.RFC822>
In-Reply-To:
<199603270209.SAA20778@taz.hyperreal.com>
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Boy that was 2 weeks ago! Unavoidably separated from my cyberdesk for two weeks, and thus only able to review the above from afar. I think Adam Huffman said much of what need be said about the whole event, but let's jsut say that this event contained two of the most contrasting, and enjoyable, live performances I have ever seen. Jimi Tenor is a true showman, a star who is waiting to be seen. His physical appearance starts it all - black spangly suit, a mop of shiny blond hair and a pair of heavy spectacles. Then he pulls down his glitter-covered backdrop screen and proceeds to play. What is this music? Who knows. But if you get the chance, go see him. The music is bizarre, funky and hilarious. Jimi plays the sax, he sings and he just has a whale of a time. The kit he uses produces wild squawking plasticky tones, and he just loves to pull off this trill sound. When he sings, he sings about sex, and when he plays, he sings about sex. A few technical problems interrupted the show, and at the end of his set he literally walked off without waiting for any appreciation. But appreciated he was. But then it wasn't long before Mr Squarepusher took over the stage. I was taken with Jimi, but nothing could prepare me for this. The boy plays a bass guitar faster than a very fast thing, and he picked it up and started jammin along to a drum-n-bass track that Chantal was playing just before his set (It wasn't one of his own tracks as Adam suggested) Then he popped on his own stuff and the assault began. He was "only" playing off DAT or some similar medium, but at times he Eq-d out the bass (guitar) and played along, adding that vital element. But even without that, this music is just so slammin! This is drum-n-bass taken to the extremes of speed and drum programming. There seem to be twice as many beats as you "average" d&b track, and the bpm count feels higher than normal too. I don't know if this is tha case, or if its just the pure energy of the tracks. And the stuff just keeps coming, blasting away at your ears, brain and feet until you can take no more. He played the DJ food remix, but as far as we could ascertain the rest was unreleased, certainly it was not identifiable from "Alroy Road Tracks" And apparently the guy has masses of unreleased material of various non-d&b styles too. This must be seen adios J ^ __________ ________.__/_____ _||_/ James Skilton aka Steady J _[]/_____________[.__\____-_ DJ and Party Animal | | Part Time Hedonist |____________________________| Full Time Technohead |__|-' '-|__| Steady-J@Firefox.co.uk