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From:
Jon Drukman
To:
Date:
Wed, 31 Jan 1996 09:35:04 -0800
Subject:
(idm) DAT vs DCC
Msg-Id:
<v02130500ad355767989e@[206.79.132.102]>
Mbox:
idm.9601.gz
At 2:11 AM 1/31/96, Davey N wrote:
quoted 5 lines O.K. i'm going to make myself look really stupid now, but....>O.K. i'm going to make myself look really stupid now, but.... >Philips have just bought out a range of DCC machines, and i assume that >DCC stands for Digital Compact Cassette. I was under the impression >that it was a system that was similar to DAT, but like it's alot cheaper, >so what's the difference?
the main difference is that DAT is a "pure" digital signal path: ie, what you put in is exactly what you get out. DCC uses a form of compression that "throws away" pieces of the sound spectrum that your ears are unlikely to notice. This way they can use stationary heads instead of rotating heads (as in DAT), which simplifies design and manufacture. there has been much heated debate over whether or not people really CAN notice the bits that have been taken out, with some saying "oh it's terrible" and others saying "you'll never notice." apparently it's more noticeable on quiet, solo passages (like in classical music) and less noticeable on dense, loud parts (like rock music). the other main difference is that DCC (and the Minidisc, which is similar in that it uses lossy compression to get away with lower bandwidth) never took off. if you are planning on getting into the recording biz, DAT is industry standard. everybody uses them for master distribution. most places won't even touch DCC or minidisc. don't save a few hundred bucks (or pounds) now cos you'll regret it later. also, blank DATs are way cheaper (and more readily available) than blank DCCs. avoid DCC and minidisc. -- Name: Jon Email: jsd@cyborganic.com Web: http://www.cyborganic.com/bass-kittens/