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(IDM-r) gescom - md

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1998-06-24 02:37Shane Beers (IDM-r) Gescom - MD
1998-07-01 14:02Adam J Weitzman (IDM-r) Gescom - MD
1998-07-09 10:36grey (IDM-r) gescom - md
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1998-06-24 02:37Shane BeersPicked up the Gescom MD at good old Bent Crayon today. (JohnC even mailed me when it got t
From:
Shane Beers
To:
Date:
Tue, 23 Jun 1998 22:37:14 -0400
Subject:
(IDM-r) Gescom - MD
permalink · <19980627231516.12474.qmail@hyperreal.org>
Picked up the Gescom MD at good old Bent Crayon today. (JohnC even mailed me when it got there, isn't that service, guys? Order stuff now!) It is a very complex release to say the least, and, like Aphex Twin's SAW2, I think it takes alot more than casual listening to get the full idea of what it is all about. The release supposedly has 44(?-don't have the book with me here.) tracks, but in reality has 88 seperated tracks. The number 44 (more or less, forgive me) has to do with the actual groupings of individual MD tracks. For example, there are say 3 MD tracks in the "pricks" grouping, and "pricks" is considered a "track". Got it? Good. The most interesting thing I noticed was the ambience and spaciality (don't use these words at home.) to the whole thing. It is very encapsulating, meaning you feel like you are in a room and the sounds are floating around you. (Especially when using eargoggles. [headphones]) So that part is very neat. It's like a private show in your head, which is a bizzare experience. The sounds are very ethereal, unworldly. Repetition, heavy grating, tings, beats, everything. There are a few tracks that are easily heard to be part of another Autechre/Gescom track on an album. Some resemble tracks that you have imagined you have heard before, and you wonder just why you remember it. It is unlike any Ae/Gescom release before, so don't purchase it expecting Chastic Slide. 10 second bits, then 3 minute repetitive beatlines, every "track" has a disctintive style to it. Putting it on random play gives it a much better feel, because of the aformentioned groupings of MD tracks. Played consecutively, the groupings become dull and similar, and the individual aspects of each MD track are lost. Random play, however, has an amazing cohesivness to it, the MD tracks flow into each other and create a very long (67 minutes) individual track. And it is different each time, which is very cool. When listening to the MD, you feel like you are nowhere. It is, aside from Eno's Ambient 1, the best "in-the-dark" album for me. The kind of thing where you put it on, put on your headphones, close your eyes, and travel around. If that is your thing, I can't reccommend the Gescom MD any more enthusiastically. The MD format actually creates creative opportunities rather than obstructions in this case. A CD release of the same thing would not be the same. Don't ask me why. Perhaps my CD player has a random track search that takes entirely too long. Perhaps knowing that this is an entirely new concept of music (at least to me) makes it a good idea in my mind. Perhaps it's the all-white packaging motif. (Very austere.) The Gescom guys have created something that will not be reproduced. There is something that happens inside your head when you listen to it that cannot happen when listening to anything else. Not euphoria, not sadness, not regret, but a physical, tactile experience that I think is amazing. If you have a MD player, or know someone who does, I personally emplore you to pick this up. You won't regret it. Shane Beers
1998-07-01 14:02Adam J WeitzmanWell, here it is, Gescom's MiniDisc-only release. It is titled _MD_. There are 45 "songs,"
From:
Adam J Weitzman
To:
Date:
Wed, 01 Jul 1998 10:02:35 -0400
Subject:
(IDM-r) Gescom - MD
permalink · <19980703182500.26821.qmail@hyperreal.org>
Well, here it is, Gescom's MiniDisc-only release. It is titled _MD_. There are 45 "songs," split up into 88 "tracks," and many of the "songs" are pretty short (total time of the disc is 67:03). I was immediately reminded of Noto's _(infinity symbol)_ release, which had 72 tracks on it, many suitable for looping. The problem with the Noto release, of course, is that looping the disc seamlessly, or playing the disc in random order without pauses, is beyond the capabilities of most CD players. Not so with MiniDisc; it all works the way you would hope. <spoiler> It also allows you to do some things which are simply different. One cool thing they did was, when you look at the insert, it claims that track 74 is untitled. When you play the MD, the title on track 74 turns out to be the mastering credit for the release. </spoiler> Enough about the medium, how is the music? All I can say is, don't be expecting "Keynell." Many of the loops are screechy and noisy, some are quiet and contemplative. Precious few beats on this release. If you're familiar with their long noisy contribution to the _Mesmer_Variations_ compilation, then you'll know which well they're dipping into. There are a couple of longer tracks on it, which are nice for a change of pace. A lot of it is very weird and cool in a bizarre ambient way, and there are some great noises being made here, but there's nothing that jumps out at you and screams "brilliant!" I can see this being used as a source for occasional flourishes on future Gescom (and Autechre) releases. It is true that it works just as well on random play as it does going from beginning to end, which is both a strength and a weakness. A strength because you can listen to a different album every time just by hitting your "shuffle" button. A weakness because there isn't a lot of continuity even as you listen from beginning to end, and that disconnectedness is reinforced when you listen in random order. Also, they didn't spend much time on the artwork; it's mostly white. Some of the track titles are funny, though. This release is clearly just as much about the medium as the music. I think they did the medium part really well, the music, well, a bit less so. Think of it as a sample or loop release, and submerge yourself in the randomness of it all. Six out of ten. -- Adam J Weitzman NewsEdge Corporation Welcome to my signature. http://www.newsedge.com Please wipe your feet. http://www.newspage.com
1998-07-09 10:36greyartist : gescom title : md format : minidisc label : or cat : only3 summary : unlike quite
From:
grey
To:
Date:
Thu, 9 Jul 1998 03:36:07 -0700 (PDT)
Subject:
(IDM-r) gescom - md
permalink · <19980726213641.19015.qmail@hyperreal.org>
artist : gescom title : md format : minidisc label : or cat : only3 summary : unlike quite any other, yet. let me first explain the concept. a minidisc (a vaugely obscure format, still) with 88 tracks, interspersed with vingettes of sound. it can be listened to straight through (which i've done exactly once) or put in random mode, and allowed to remix itself. i prefer the latter. there are some haunting, beautiful pieces here. there are some scary, scraping pieces. there are some things that hurt, and some things that hurt in a different way. there are parts that make you want to throw down your headphones and run away. but you never know what's coming. that's part of what's so neat about this. these pieces all complement each other, contrast each other, and support each other. i find this release to be most effective with headphones. it's the sort of thing to listen to when laying in bed, in the dead of night. it's not the sort of thing to listen to at a party. i'm not sure it's even the sort of thing to listen to when you're fully awake. while not merzbow, this is not for the sonicly timid. it is not, on the whole, melodic. it is jarring and striking, and textured and wonderful. - -- greyrose@nervosa.sf.ca.us http://www.extortion.com - -- "Scribble thoughts flowing freely from the mind, sing in good voice, keep the beat and, above all, accept a glass of wine when it is pressed upon you." - Yoshida Kenko, Essay in Idleness, 1340