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(idm) Stockhausen vs. the Technocrats

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1999-04-30 00:53L. Rollins (idm) Stockhausen vs. the Technocrats
1999-04-30 07:31C Twomey (idm) Stockhausen vs. the Technocrats
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1999-04-30 00:53L. RollinsThought this might be of interest to some-- Discussion on the Analogue Heaven mailing list
From:
L. Rollins
To:
Idm List , 313
Date:
Thu, 29 Apr 1999 20:53:00 -0400
Subject:
(idm) Stockhausen vs. the Technocrats
permalink · <009d01be92a3$d15fe5c0$be60d8cd@rollins>
Thought this might be of interest to some-- Discussion on the Analogue Heaven mailing list regarding 20th century composer Karlheinz Stockhausen yeilded thin interesting web-site. Check it for the whole interview. Taken from: http://www.stockhausen.org/ksadvice.html "Earlier this year, Radio 3 sent a package of tapes to Karlheinz Stockhausen. The tapes contained music by Aphex Twin, Plasticman, Scanner and Daniel Pemberton. Then in August, the station's reporter Dick Witts travelled to Salzburg to meet Stockhausen and ask him for his opinion on the music of these four "Technocrats". But first, they talked about the German composer's own youthful experiments in electronic synthesis..." ---------------------------------------------------------------------------- ---- "Can we talk about the music we sent you? It was very good of you to listen to it. I wonder if you could give some advice to these musicians. I wish those musicians would not allow themselves any repetitions, and would go faster in developing their ideas or their findings, because I don't appreciate at all this permanent repetitive language. It is like someone who is stuttering all the time, and can't get words out of his mouth. I think musicians should have very concise figures and not rely on this fashionable psychology. I don't like psychology whatsoever: using music like a drug is stupid. One shouldn't do that : music is the product of the highest human intelligence, and of the best senses, the listening senses and of imagination and intuition. And as soon as it becomes just a means for ambiance, as we say, environment, or for being used for certain purposes, then music becomes a whore, and one should not allow that really; one should not serve any existing demands or in particular not commercial values. That would be terrible: that is selling out the music." ---------------------------------------------------------------------------- ----
1999-04-30 07:31C TwomeyAh, the generation gap. This quote shows why his students (like Holger Czukay) had more in
From:
C Twomey
To:
,
Date:
Fri, 30 Apr 1999 03:31:13 -0400
Subject:
(idm) Stockhausen vs. the Technocrats
permalink · <l03110708b34f0c08a290@[207.34.213.140]>
Ah, the generation gap. This quote shows why his students (like Holger Czukay) had more influence than the teacher, because they had a sense of ambience and minimalism. Stockhausen has too much book learning (in the McLuhan sense). CT Karlheinz Stockhausen:
quoted 14 lines I wish those musicians would not allow themselves any repetitions, and would>I wish those musicians would not allow themselves any repetitions, and would >go faster in developing their ideas or their findings, because I don't >appreciate at all this permanent repetitive language. It is like someone who >is stuttering all the time, and can't get words out of his mouth. I think >musicians should have very concise figures and not rely on this fashionable >psychology. I don't like psychology whatsoever: using music like a drug is >stupid. One shouldn't do that : music is the product of the highest human >intelligence, and of the best senses, the listening senses and of >imagination and intuition. And as soon as it becomes just a means for >ambiance, as we say, environment, or for being used for certain purposes, >then music becomes a whore, and one should not allow that really; one should >not serve any existing demands or in particular not commercial values. That >would be terrible: that is selling out the music." >