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From:
Sho Kuwamoto
To:
intelligent dance music mailing list
Date:
Fri, 27 May 94 12:33:28 EST
Subject:
Techno Art Theory (was "Jeff Mills") (fwd)
Msg-Id:
<199405271733.MAA13626@bohr.physics.purdue.edu>
Mbox:
idm.9405.gz
-djkc- wrote: From what I've heard of Jeff Mills ("Changes of Life" off Tresor II comp),
quoted 3 lines it's a joke.>it's a joke. >But then some may like the hard but minimal stuff. >But this song just sounded like a kid and his toys...
You might want to listen to X-103, which is unfortunately out of print, or "First Flower" by The Subjects vs. Jeff Mills. If you can't get a hold of either one of those, listen to Waveform Transmissions Vol. I. All excellent. bsanders@ncsa.uiuc.edu (Barry Sanders) wrote:
quoted 8 lines There is also the irony in Techno that the> There is also the irony in Techno that the > musicians making it often frame wildly creative soundscapes with very > ordinary, perhaps even tyrannical, 4-on-the-floor dance beats. This would > seem to defeat the purpose, but it does not. The thumping bass drum > physically pounds you into dancing. The repetitive melodies and rhythms > induce a trance-like state in the dancers. This, in turn, leaves the mind > open to the creative suggestions put forth by the anarchic soundscapes > that often form the creative core of Techno music.
I agree. Minimalism and rigid structure do not necessarily preclude creativity. For example, does the pervasiveness of the blues progression necessarily invalidate songs which use it? I don't think so. These types of restrictions (for techno, it's 4 on the floor, 16/32 measure phrases, etc.) allow composers to exlore more finely the intricacies possible within their confines. If you want to get technical, 99 44/100% of all Western music is made within analogous, but more generous, confines: the 12 note scale. There is something to be said for breaking free of such rules, but there is also something to be said for exploring the endless possibilities within such rules. At least that's what I think of when I listen to minimal works like "The Hacker" by Jeff Mills, trax like stuff by Mike Dearborn, or paintings by Rothko (actually, artists who worshiped The Grid (e.g., Mondrian) are more applicable to techno, I suppose, but I *hate* that stuff...) Ok. I've been pompous enough for one day. Fuck art. Let's dance. -Sho -- sho@physics.purdue.edu <<-- finger this account to find out what I'm having for lunch! <A HREF="http://physics.purdue.edu/~sho/homepage.html>Sho Kuwamoto</A>.