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From:
Jonathan Mikio Takagi
To:
Date:
Sun, 10 Apr 94 23:19:08 -0700
Subject:
FAX on, FAX off
Msg-Id:
<199404110619.AA05258@rigel.oac.uci.edu>
Mbox:
idm.9404.gz
Here's some quick reviews of some stuff that has come out on FAX recently. There have been excellent reviews posted of From Within, I.F., Datacide, and Orange, so those will be ignored. If you're really not into FAX, you might not want to read this post. Oh well, here we go. World Label: PW10: A New Consciousness Pete Namlook/Charles Uzzel-Edwards 1 Environment (twosevenzero) 19.01 2 Tabletop (foursixone) 9.19 3 Golden Gate (fivefourone) 18.24 4 Tea With Ivor Cutler 13.50 First some questions. Who is Charles Uzzel-Edwards? I don't really know, but Jonah from STC thanks him on the Interdimensional Communication CD, so I guess he's also in with Anarchic in San Francisco. What do those numbers written out with the titles mean? I don't know. Who is Ivor Cutler? I don't know either. Boy I'm stupid. Anyways, Environment starts out sounding just as its name implies, then works up a slow rolling beat and a high pitched choppy melody. A big, low bassline stays throughout. A big synth comes in to round it out and it takes flight. Eventually everything winds down and comes back to the normal environment. Tabletop is lots of strange scraping metal on metal sounds. At times it even gets a little harsh. Golden Gate starts with what sounds like a guitar plucked bassline that gets old after being looped for about 5 minutes. Percussion swirls around it and a pounding beat comes in. It alternates with a slow bubbling interlude until that plucked guitar thing comes back in. Kind of repetitive. Tea With Ivor Cutler basically sounds like some kind of discussion where the words are heavily processed and echoed with other strange noises in the mix. I guess you could make out what they were saying, but it's really difficult. I understood the phrase "A New Consciousness", but that's it. Main Label: PK 08/86 Replugged: Best of the Chill-Live-Sessions at XS, Frankfurt 1 Mario Hana 14.35 2 Chill Out Possee 15.03 3 Deep Space Network 23.09 4 Namlook 14.43 Excellent CD from what must be an unbelievable club. These chill sessions are hosted by Dr. Atmo. Mario Hana's set is very ethnic, with lots of flutey melodys over a droning low background. At times it almost moves toward new age territory, but stays far away enough to retain credibility. Chill Out Possee (Mark N-R-G & Nino Tielman) feature a kind of commercial ambient sound, with an accessible melody and rhythms, and go over quite well. Deep Space Network are much better here than on their Intergalactic Federation collaboration with Dr. Atmo. On that CD they were cold, with no melody or feeling. Here they warm up with some great sounds. It almost reminds me of Reload but not as accessible. Has anyone heard DSN's CD Big Rooms? I saw it but didn't want to pay the big bucks. Namlook (of course) is the star on this one, with an Air 'Coda' that fits perfectly on the first Air CD. Very melodic and emotional, a fitting end. PK 08/85 Air II Travelling Without Moving 60.00 Undoubtedly Namlook's best yet. Here he opts for a more down to earth sound. The astronaut on the cover is supposedly visiting different places through his thoughts, relying only on his feelings. Is these 11 different "trips", there is a very strong "tribal" feeling as there is a lot of ethnic percussion, chanting/singing, even a didgeridoo (which feels kind of ubiquitous right now). Even so, this CD is very varied and probably the most *musical* album Namlook has made yet. Highly recommended. PK 08/87 Escape CD 1 1 Escape to Earth 8.24 2 Escape to Mars 5.42 3 Escape to Neptune 6.41 4 Escape to Polaris 6.41 5 Trip to Mars 5.39 6 Trip from Mars 5.28 7 Atmosphere Processor 17.52 8 Trip to Polaris 7.59 CD 2 1 The Futurescape 57.46 (parts 1-9) Escape is Pete Namlook/Dr. Atmo. Escape to Earth is the most interesting dance song on here, but not too great. Escape to Mars is much too fast, as is Escape to Neptune (very repetitive). Escape to Polaris sounds like N-Joi. Trip to Mars is ambient and quite boring. Trip from Mars is the same thing backwards. Atmosphere Processor is pretty boring and *way* too long. Trip to Polaris makes up for it with some cool spacy ambient that sounds at home on a Silence release. The redeeming aspect to this release is the 2nd Cd, the futurescape. It, kind of like Air II, is a kind of audio journey, where different melodies, rhythms, and vocal samples drift in and out. Dr. Atmo and Namlook seem pretty sarcastic, but hilarious, where vocal samples such as a young kid saying "I wanted to go to space so I could stay at home all day" (or something like that) and then another sample (presumably from Atmo/Namlook saying, "Is that right?". Other vocal samples come in, only to be echoed by "Is that right?" Pretty funny. Very good, but not as good as Air II. I just realized that this is *way* too long and I apologize for the wasted space. I will send a separate post soon featuring recent releases on the sublabel. Thanks for your time, (if you made it this far) Jonathan eabu751@orion.oac.uci.edu