concurrent with a lot of this as well, with roots in blues, most early jazz,
bop styles up to experimental and free styles, have a lot of the earliest
uses with pushing the use of key oriented instrumentation up to the
development of the synthesizer, i mean after all, jazz was one of the first,
club/dance styles that was compartmentalized into smaller groups with
specific intentions of club/dancing/intoxication in mind, as well as playing
with prototypes to filtering and effects by outside/directional/physical
manipulations. i do draw a lot of my research/development from these early
composer/innovators as well in composition, technique, meter etc...two
cents.
later,
Nth
G. Sachio Crowe / Nth
Department of Physics
University of Washington
exponential media network
po box 19553
seattle, wa 98109
206.283.2179 - office
206.669.1952 - cell
nth808@hotmail.com -email
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quoted 56 lines From: svin <svinrave@yahoo.com>
>From: svin <svinrave@yahoo.com>
>To: seeklektek <eclectics@comcast.net>, idm@hyperreal.org
>Subject: [idm] science in genres
>Date: Thu, 25 Mar 2004 12:41:59 -0800 (PST)
>
>when you try to trace the roots of all of it
>it all goes as far as first blues singers of the
>1920s, they were the founders of all of it
>
>but later in the 50s music splits into
>
>1.james brown, father of funk and grand father of
>all of techno and dubbed including electronica
>and hiphop, all of EBM
>
>2.rockenrolen with less groove, elvis kind
>
>interesting thing is that elvis is dead
>as the trend he generated exhausted itself fully
>
>but James Brown still alive, kicking and
>screaming, getting in and out of jail all the
>time, big old motherfucker
>
>and HIS trend is as young as never, producing
>music to dance to, from funk, hiphop to cuting
>edge electronica
>
>and i forsee it to grow even further
>
>on the other hand rock seems to be dead forever
>in terms of music innovation and fresh sound,
>
>with all latest achievements paying tribute and
>using dubbing, 4by4 rythmic structures and othe
>techno methods
>
>The reasons people started to hate rockenroll are
>obviouis.
>
>It became more commersionalised then any other
>genre, repeating itself in 10 year cycles
>
>from
>rocknroll to hard rock to punk to anything metal
>again and again
>
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