LFO has always been a little more straightforward rhythmically, but I'll
take it. The pad was based on 'oh it needs something on top' so I played
Massive live over the top in a couple of takes.
On Tue, Jan 2, 2018 at 3:35 AM Laurent Knauth <laurent.knauth@gmail.com>
wrote:
quoted 26 lines Nice and, for some reason (the pad, i think), it's more reminiscent of LFO
> Nice and, for some reason (the pad, i think), it's more reminiscent of LFO
> to me.
>
>
> On Mon, Jan 1, 2018 at 11:33 PM, kent williams <chaircrusher@gmail.com>
> wrote:
>
>> Realized and mixed on and around Christmas 2017.
>>
>>
>> It's interesting to find out how much music sounds like
>> Fin de siècle
>> <https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&cad=rja&uact=8&ved=0ahUKEwjAuMiy6LfYAhUF6oMKHX0WCJEQFgg4MAE&url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FFin_de_si%25C3%25A8cle&usg=AOvVaw21StzazqVue3qYv-4D3vTs>
>> Autechre when you start messing around with randomized sequences
>> constrained to a modal scale.
>> *http://cornwarning.com/chaircrusher/Chaircrusher-RACKMAS.mp3
>> <http://cornwarning.com/chaircrusher/Chaircrusher-RACKMAS.mp3>*
>>
>>
>>
>> *Bunch of raw vcv Rack tracks at the
>> top:http://cornwarning.com/chaircrusher/mp3z.php
>> <http://cornwarning.com/chaircrusher/mp3z.php>*
>>
>
>