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From:
david turgeon
To:
Date:
Tue, 27 Feb 2001 14:51:34 -0500
Subject:
[idm] phthalocyanine: the beauty in aimlessness
Msg-Id:
<3A9C0543.450DD5E0@steam.ca>
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idm.0102.gz
quoted 4 lines I only have Phthalocyanine's Navy Warship which I thought was good but not> I only have Phthalocyanine's Navy Warship which I thought was good but not > great (though I haven't listened to it a lot/it's been a long time since I > did... I should maybe update my impressions...) Seemed a bit amateur and > aimless... But it did have a couple of interesting ideas.
sorry, just had to jump on this one. phthalocyanine is "amateur & aimless" like pollock or riopelle make "amateur & aimless" paintings. his music does sound unlikely & bizarre at first but you have to listen to it with a different ear than the one you listen to autechre or plone with. i.e. don't look for the classic hooks & punches, for this music is about devoid of it. phthalocyanine's music is total ART, in the most glorious, cathartic fashion you can think of. unlike harsh noise (merzbow & al) or power electronics, which usually end up all to linear & predictable, phthalo's musical constructions are completely offbase, they start & stop unexpectedly, giving you almost no time to do the "armchair appreciation" thing unless you listen to it again & again, which is when the real magic of it unfolds. i would even say that there's about no way you could "like" phthalo on a first listen unless you're in the right mindset. the reason is simple: there is so much to understand & appreciate on a micro level, & so little on the macro level (which is what i'd call the "organic" quality of it, found very rarely in post-electroacoustic music except perhaps in hecker's _[ot] xackpy breakpoint_ or shirt trax's _good news about space_ (both on or)). though then again... another interesting aspect of phthalo is _also_ that he manages to somehow blend "popular" & "arcane" aspects of music. the loud, chaotic beats have much in common with, say, early rephlex. the melodies aren't even that bizarre; indeed sometimes they're dramatic to the point of being unbearable (_vints.73_ off _25 tracks_ is one of the very rare electronic tracks to have _ever_ made me cry out of sheer beauty). yet it is how they are pieced together, seemingly carelessly, but always with an amount of exuberance & confidence which only a handful of electronic music producers are able to muster (hrvatski, cex & crank/lowres come closest in my mind). this exuberance is also present in much of the releases from phthalo records, although they sometimes seem to lack the aforementioned organic quality i like about phthalocyanine. in the end, phthalocyanine's records are nothing but purely LIFE-AFFIRMING, mighty beautiful & vital. i recommend that you go back to _navy warship_ & that you immediately acquire _25 tracks fer 1 track_ (on planet mu). don't even mind if it takes you a while to get it... i'm not even done with _25 tracks_ yet as it is so overwhelming. i let it age, like a good wine. (as a hint though: i must say crank's _wanton phenomena_ (mille plateaux) did much to make me appreciate certain aspects of phthalocyanine's music i hadn't yet understood. crank's music is easier on the ears & the brain, but is still relentless & organic, & may be a better starting point to this rare form of music.) okay, back to lurking... ~ david --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org