no problem: here u go:
lost in translation compilation
oscillations
painkiller - execution ground
third rail - south delta space blues
sacred system dub
phantom city live
praxis
aiyeb dieng - rythmagik
material - seven souls
golden palominos
pil - album (or cd)
bass terror
heres a dozen albums that laswell has played on...they should give u a
good overview of what the man does and why he is important...anyone on
the list feel free to add and/or flame these selections...
tom w
np: omar pene and super diamono - direct from dakar
On Thu, 31 Jul 1997 10:39:32 -0700 (PDT) Brett McCormick
<brett@chicken.org> writes:
quoted 34 lines People have said (on more than one occasion) things about bill laswell>
>People have said (on more than one occasion) things about bill laswell
>which would tend to make me shy away from his stuff. And it isn't
>that I don't like it, it's that I'm curious what others think. I am
>interested in finding more about collaborations (with or without a
>capital C). He seems to be a competent musician, and I do realize now
>that my question was a mite bit silly.. de-lurking pains perhaps..
>
>--brett
>
>On Thu, 31 July 1997, at 11:21:29, tweibrecht@juno.com wrote:
>
>> i dont get ur question..."i should consider others legitimate
>concerns
>> about his music"...who's? laswell's? namlook's? and "that he
>re-hashes
>> others work" again ..who rehashes? laswell? namlook?
>> as to dsotm 5: remember that this is a Collaboration (with a capital
>C)
>> ...it is not an individual work...it is also a progression that
>began
>> with dsotm 1...try playing them all back-to-back for a taste of what
>that
>> means...granted, each one of the dsotm discs gives more latitude to
>one
>> of the collaborators...thats why, imo, the first two are more
>> "schulzian", the next one more "namlookian" and the final two, more
>> "laswellian"...i dont think laswell's bass is a "re-hash", and
>certainly
>> not a "re-hash of others work"...he has a distinctive style, which
>melds
>> quit well in this type of music...u may not like it, but its no
>> coincidence that his style is in such demand...
>