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From:
Richard Barnett
To:
Date:
Thu, 21 Mar 96 10:44:44 GMT
Subject:
(idm) re: MoM recommendations
Msg-Id:
<9603211044.AA17112@fss.icl.co.uk>
In-Reply-To:
<199603201702.JAA29997@taz.hyperreal.com>
Mbox:
idm.9603.gz
> From: brian david antonak <briguy@engin.umich.edu> > > Hey, if the guy that asked for "intelligent jungle" recommendations can > get so much response yeah, thanks everyone for the useful responses; i've got some good pointers now. (i'll still be a bit frustrated until there's a plug or squarepusher cd release, though.) > Um, I really really like Mouse on Mars' tripped out, candy-coated dub and > I was wondering if there are any other artists like this. I prefer > _Iaora Tahiti_ to _V'Land_ and I especially love the parts where I catch > that Can influence peeking through. Thanks in advance for any response, > natch. that's a tricky one, if you ask me, since `iaora tahiti' is uniquely excellent -- i've not really come across any similar releases by unrelated artists. `init ding' is a collaboration between one member of mom and one member of oval, using the alias microstoria; it's on too pure, and sounds like a mixture of 2/3 mom and 1/3 oval. it isn't quite as kitschy or complex as `iaora tahiti', though. for stuff that's neither candy-coated nor can-influenced (but still off-the-wall & dub/triphop-ish), there's fsol `isdn' and the chemical brothers `exit planet dust'. the black dog `spanners' is complex, dubby in parts and pretty wacky. some good things have been said about tortoise `millions now living will never die', but i've not heard it. aside: my housemate was asking me about the ``krautrock'' genre, so i dug out a tape i'd not listened to for going on 10 years. we listened about half of moebius & plank's `rastakraut pasta' (1979) and a couple of tracks from moebius & beerbohm's `strange music'; then we switched to `iaora tahiti'. it was certainly interesting; i hadn't realized how strong the influences were (experimental feel, strange effects, crispy percussion, strong basslines), but i found the older stuff too linear/unchanging to be engaging as other than an intellectual exercise. modern production techniques, ambient influences & distortion are obviously a big part of what i like about mom. -- richard