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(idm) 99 chart (about 50% OTP)

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◇ merged from 2 subjects: (idm) 99 chart (about 50% otp) · (idm) yr end top ten
1999-12-17 21:02Frank Nieto (idm) yr end top ten
├─ 1999-12-30 23:53Michael Keay RE: (idm) yr end top ten
└─ 1999-12-31 22:02(idm) 99 chart (about 50% OTP)
2000-01-01 21:36Andrew Duke Re: (idm) 99 chart (about 50% OTP)
2000-01-02 11:34James Roberts Re: (idm) 99 chart (about 50% OTP)
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1999-12-17 21:02Frank Nietookay so i know i'm gonna get totally obilterated for this one, but here it goes. i've alwa
From:
Frank Nieto
To:
Date:
Fri, 17 Dec 1999 13:02:52 -0800
Subject:
(idm) yr end top ten
permalink · <NDBBIIKNOLKCNHFOHKCJAEGACBAA.frank@willrecords.com>
okay so i know i'm gonna get totally obilterated for this one, but here it goes. i've always been a glutton for punsihment. electronic top ten list- 1. underworld/ beaucoup fish/v2 * my favorite artist, three mind blowing shows in los angeles. this record puts a smile on my face every time listen to it. "jumbo" & "bruce lee" alone were what sold me. 2. super_collider/head on/skint-medicine-loaded phenomenally funked up...fuck beck and his party, cristian and james throw an event. 3. unit/the narcoleptic symphony/caipirinha *swept me off my feet. the stripped down electronic cousin of my bloody valentines "loveless". 4. gentle people/simply faboo/rephlex *fun, energetic. reminds me of junior high school while on a steady diet of depeche mode.. 5. andrea parker/kiss my arp/mo wax-beggars banquet *speechless... 6. stewart walker/stabiles/force inc. *one of the most beautiful records i've heard all year. maybe ever. 7. nightmares on wax/carboot soul/warp-matador *smooth as fuck grooves."finer" is what a hip hop lullabye would sound like. 8. ming and fs/hells kitchen/om *to steal a friends wording, junk-staposition rules! 9.tie- les rhythmes digitales/darkdancer/wall of sound-astralwerks *"brothers" was a highlight here. mr.scruff/"get a move on" cd5/ninja tune *the sampled riff placed quite nicely amongst the years most toe-tappingnest groove. 10. howie b/snatch/pussyfoot-palm pictures *especially for the track "gallway" peaceout, frank --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-12-30 23:53Michael Keay> 5. andrea parker/kiss my arp/mo wax-beggars banquet > *speechless... Do I gig this. In m
From:
Michael Keay
To:
Frank Nieto , IDM Mailing List
Date:
Thu, 30 Dec 1999 23:53:56 -0000
Subject:
RE: (idm) yr end top ten
Reply to:
(idm) yr end top ten
permalink · <NDBBKNAJCOCACCKPDFHNAEHFCEAA.michael.keay@virgin.net>
quoted 2 lines 5. andrea parker/kiss my arp/mo wax-beggars banquet> 5. andrea parker/kiss my arp/mo wax-beggars banquet > *speechless...
Do I gig this. In my limited opinion, this is *THE* best album of the year, that I have heard.
quoted 3 lines 9.tie-> 9.tie- > les rhythmes digitales/darkdancer/wall of sound-astralwerks > *"brothers" was a highlight here.
There is no way this deserves to be in any top-ten. Well maybe the top ten of the worst albums of the millenium. Utter tripe in my opinion. Other great albums of the year London Elecktricity - Pull The Plug Krust - Coded Language Leftfield - Rhythm and Stealth Orbital - Middle Of Nowhere I could go on but I am on the train travelling back to my parents for XMAS and don't have access to my current hit list of albums, whih have made this year quite special, musically Mikey --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
1999-12-31 22:02multsanta@sprynet.comsorry for all the hip hop and non-idm. IMHO, i couldn't even do a top 10 of IDM this year.
From:
To:
Date:
Fri, 31 Dec 1999 17:02:14 -0500
Subject:
(idm) 99 chart (about 50% OTP)
Reply to:
(idm) yr end top ten
permalink · <3.0.6.32.19991231170214.00a31700@m7.sprynet.com>
sorry for all the hip hop and non-idm. IMHO, i couldn't even do a top 10 of IDM this year. Partially because I'm buying hardly any as of late and partially it because it was a pretty bad year, IMHO.. Top 10: 1. Aesop Rock- Appleseed CDr EP (no label) wow. insanely great. one of the few truly innovative hip hop releases in a while. I've only had this for a little over month, but it's been in constant rotation. excellent dark production (almost entirely handled by Aesop himself) and this deep voice. plus this kids got mad concepts, and a unique rhyme scheme. it's a shame that this didn't have better distribution (it was sold pretty much exclusively over the web). check http://www.aesoprock.com/ or http://www.mp3.com/aesoprock/ 2. Super_collider- Head On (loaded) there's just no fucking with this. soo funky yet technologically advanced. and Jamie lidell's got SOUL. 3. Fennesz- plus forty seven degrees 56' 37" minus sixteen degrees 51' 80" (Touch) Fennesz remains one of the few 'glitch/microwave/microsound/lowercase/whatevertrendyname' artists to create emotional MUSIC and not just bland sounds. Definetly one of the few releases in said genre to hold my interests this year. 4. While- Seek EP (musik aus strom) Finally, a MAS release which trancends the 'AEsthetically pleasing' catagory into something which is actually innovative. 5. Guineo- Tosstones EP (chocolate industries) like richard devine doing hip hop. so noisy, yet it manages to have some soul 6. Blackalicious- A2G EP (mo' wax/quannum) been a while since their killer EP, but this one's less jazzy and more of a straight forward hip hop experience. A perfect chance for gift of gab to show just how he has the best breath control in hip hop. Their LP just didn't do it for me, though. 7. Mr. Bungle- California (Warner) 8. Hrvatski- Oiseaux '96-'98 (rekanklang...) New twist on the otherwise played out style of drill n' bass. 9. Crank-heftibag (Mille Plateux) Aliens have already interpreted the love boat theme, now they have a take on free jazz. Outstanding, although not quite as entertaining as 'Approximate Love Boat', but better than 'wanton phenomenom' 10. Mikah 9- It's All Love CDr(no lbl) With the exception of like two compilation tracks, we haven't heard from Mikah since the Fellowship went on hiatus and finally we get this poorly produced (the last song is cut off in the middle!) home burnt job with hideous artwork (photocopied on fluorescent yellow paper) . But lyrically, Mikah Nine, Freestyle Fellowship OG hasn't lost a thing. Since disappearing from the face of the earth due to contractual issues with a certain major label his distinct style has been 'borrowed' by dozens of blowdians and Internet geeks. But, like Souls of Mischief said 'they bite flows, so we make up new ones'. Mikah's apparently made up loads of new ones. Lyrically, the album is all over the map, from out there shit to straight forward rhyming, from old school fellowship style to gangsta rap (maybe?), and this half singing, half rhyming style he kicks on several tracks. There is loads of straight up singing, too. (although, unlike other MCs turned singers, he actually possesses an amazing voice). In a strange 'student teaching the teacher' twist, Mikah seems to have taken a cue from fellow Project Blowdian Abstract Rude, although I can't put my finger on just Too bad the beats from newcomer Josef Leimberg complete garbage and painfully cluttered to the point it gets in the way of the MC. Honorable mentions- D'Angelo- 'Left & Right/Untitled', DJ Shadow & Cut Chemist- Brainfreeze, Lexanucuplt tour CDr (if only for the killer Electric Company remix), Solutiore Of Stareau 3xCDr, Accelera Deck, most of the falsch label output, freestyle fellowship & OD- 'the level of difficulty in this', Mos Def- Black On Both Sides, Fakesch- Marion, pharhoe monch- internal affairs, manny fresh productions, jay-z 'so ghetto', tomas jirku mp3s. disappointments- Ae- ep7, the roots- come alive (and to a lesser extent, things fall apart), quannum LP, P.E.A.C.E. EP, anything this year on skam (represses excluded, of course), Fat Jack/Blowdians- Cater To The DJ, squarepusher- maximum priest, blackalicious- nia LP most overrated idm act this year- funckarama most underrated idm act this year- abstain.. best CDr demo/indie IDM release: tie: solutiore of stareau & EU- christmas baubles long deserved re-presses of the year- freestyle fellowship- 'to whom it may concern', boards of canada - 'high scores' records I should have purchased by now- Mouse On Mars, Ko-Wrek Technique, Freeform- green park, squarepusher/richard Thomas, squarepusher- selection 16, the whole 20-2000 series(?!) things I'll buy next year- Stock Hausen & Walkman- Organ Transplants Vol. 2 (!!), D'angelo-Voodoo (!!!), vibert/cole, that electronic/jazz comp on plug research, Smyglyssna CD, Common- Like Water For Chocolate, Del- Both Sides of The Brain, EU CD, J-Live- The Best Part --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2000-01-01 21:36Andrew Dukemultsanta@sprynet.com wrote: > sorry for all the hip hop and non-idm. IMHO, i couldn't eve
From:
Andrew Duke
To:
Cc:
Date:
Sat, 01 Jan 2000 17:36:13 -0400
Subject:
Re: (idm) 99 chart (about 50% OTP)
permalink · <386E734C.32E785F1@ns.sympatico.ca>
multsanta@sprynet.com wrote:
quoted 20 lines sorry for all the hip hop and non-idm. IMHO, i couldn't even do a top 10> sorry for all the hip hop and non-idm. IMHO, i couldn't even do a top 10 > of IDM this year. Partially because I'm buying hardly any as of late and > partially it because it was a pretty bad year, IMHO.. > > Top 10: > > 1. Aesop Rock- Appleseed CDr EP (no label) > wow. insanely great. one of the few truly innovative hip hop releases in a > while. I've only had this for a little over month, but it's been in > constant rotation. excellent dark production (almost entirely handled by > Aesop himself) and this deep voice. plus this kids got mad concepts, and a > unique rhyme scheme. it's a shame that this didn't have better > distribution (it was sold pretty much exclusively over the web). > check http://www.aesoprock.com/ or http://www.mp3.com/aesoprock/ > > 2. Super_collider- Head On (loaded) > there's just no fucking with this. soo funky yet technologically advanced. > and Jamie lidell's got SOUL. > >
***true. this morning i read a review of it where it was described as "prince meets autechre". i understand referencing prince re: this, but *autechre*? I just think this was another case of lazy "journalism" where IDM = autechre and anything electronic = autechre and autechre becomes the "brand name" of IDM these days (for those who *don't* understand, want to, or even try to) in the same way that a certain RDJ used to be. Makes me understand all the more while acts like Solvent hate getting likened to Autechre, and so many others too (that is, get likened to Autechre). Heck, not dissin' autechre here, just those who think namedropping Autechre in a review brings up their "writer's status". Andrew Duke -- Cognition/Andrew Duke's In The Mix mailto:cognition@techno.ca http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9 --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2000-01-02 11:34James Roberts>***true. this morning i read a review of it where it was described as "prince >meets aute
From:
James Roberts
To:
Idm List ,
Date:
Sun, 2 Jan 2000 11:34:10 -0000
Subject:
Re: (idm) 99 chart (about 50% OTP)
permalink · <001101bf5515$6a88fd20$7e42883e@wzngemxm>
quoted 1 line ***true. this morning i read a review of it where it was described as>***true. this morning i read a review of it where it was described as
"prince
quoted 1 line meets autechre". i understand referencing prince re: this, but *autechre*?>meets autechre". i understand referencing prince re: this, but *autechre*?
I just
quoted 5 lines think this was another case of lazy "journalism" where IDM = autechre and>think this was another case of lazy "journalism" where IDM = autechre and >anything electronic = autechre and autechre becomes the "brand name" of >IDM these days (for those who *don't* understand, want to, or even try to) >in the same way that a certain RDJ used to be. Makes me >understand all the more while acts like Solvent hate getting likened to
Autechre,
quoted 1 line and so many others too (that is, get likened to Autechre). Heck, not>and so many others too (that is, get likened to Autechre). Heck, not
dissin'
quoted 1 line autechre here, just those who think namedropping Autechre in a review>autechre here, just those who think namedropping Autechre in a review
brings
quoted 1 line up their "writer's status". Andrew Duke>up their "writer's status". Andrew Duke
Too right. Autechre are fantastic, but their popularity does them no credit (if you see what I mean); it seems like the IDM world ends with them for a lot of people (myself included - I've only just started to look outside of Warp for music). The journalists who do these stories probably haven't been fully immersed in the IM culture - their waypoints are in more mainstream electronic (moby, fatboy slim, etc. etc.), so obviously these bands will sound like Ae to them. Conditioning, that's the word. ...On the other hand, I suspect that many of their readers will be in the same situation. If that kind of reporting, however misleading, gets Ae fans listening to a wider range of music, can that really be a bad thing? James Roberts ------ http://listen.to/isds www.mp3.com/isds --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org