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From:
Andrew Jones
To:
Date:
Wed, 5 Nov 2003 18:31:22 -0500
Subject:
Re: [idm] laptop shows
Msg-Id:
<2A3FA687-0FE8-11D8-ADB3-0003934AA8EE@mac.com>
In-Reply-To:
<200311051514.AA222102360@chthonicstreams.com>
Mbox:
idm.0311.gz
yeah we've been through this 6 gizallion times in numerous groups. basicly, some full on bands (i.e. let's say death cab) are boring as fuck live also the silver apples. some laptop performers are really entertaining live i.e. Richard Devine who's all into and flying over 2 - 3 laptops, Jan Jelineck who gets real into his groove, Donna Summer from what I understand rocks the laptop, Doormouse is a world class performer. I mean really, bob Dylan has a full on band live and doesn't do much, meanwhile you got like Funkstorung rocking out behind their laptops. it's just an instrument like anything else, if you rock, you rock, if you don't, you don't. Is it really that much more interesting to watch some person with a guitar sign and play? - a On Wednesday, November 5, 2003, at 06:14 PM, chthonic wrote:
quoted 41 lines i know this has been brought up before, but i wanted to throw the> i know this has been brought up before, but i wanted to throw the > question into sharper relief. > > how much do visuals and/or performer action/interaction mean to > you as an audience member? > > i ask because the increasing amount of music being created on > laptops inevitably brings up the question of what to do live. the > most valiant and effective effort i recall was seeing styrofoam open > for the notwist. in addition to his laptop, he had a keyboard, a > mixer, some effects, and he sang. i bought his CD right after he > played. > > however, other people i've seen have been pretty boring, and > though the music has been good, i find myself wishing i was > elsewhere, listening to their CD. some such artists respond to the > live challenge by attempting to make small motions or faces that > let us know something is happening, treating us to unreleased > material or exclusive "live remixes", or simply playing really loud. > but to me all these things are miniscule. there isn't much to see, > to connect with as far as what the artist has put into it. even > projected visuals can only do so much. > > does anybody else care about this? or are you content to go to > electronic music shows for things like community, higher volume, > exclusive merchandise, different mixes? > > perhaps the problem is attempting to judge electronic music > performances by "rock show" standards. however, they frequently > play in the same venues, and are both put up on stage as though > there's something to see. > > > d. > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org > For additional commands, e-mail: idm-help@hyperreal.org > >
Andrew Jones 409 E. Gore St. Orlando, FL, 32806 407-927-7607 aim: liminal18 --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org