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From:
Alex Reynolds
To:
Date:
Thu, 26 Apr 2001 08:35:16 -0400
Subject:
[idm] confield
Msg-Id:
<200104261234.f3QCYgu08568@orion.sas.upenn.edu>
In-Reply-To:
<988284732.28601.ezmlm@hyperreal.org>
Mbox:
idm.0104.gz
Autechre Confield Warp Records [US] [CD] After "Tri Repetae", mad scientists Sean Booth and Rob Brown made a conscious decision to reinvent their musical style with every release iteration. "EP7" shows little resemblance to "LP5", and likewise to "Chiastic Slide". Continuing this metaphor, the new full-length "Confield" is perhaps best described as an intermediate "patch" rather than a full update from Autechre v7.0 to v8.0, reflecting ongoing development of the ideas expressed in sonic form in "EP7", where the framework of a track is built up from genetic entities, sound information that reproduces and mutates at the behest of the musicians and their equipment. Beat genes, melodic genes, noise genes, all looping and constantly changing themselves -- they all fight or cooperate within the temporal space and other limiting parameters of the track that are set by the artists. The end product you hear is a recording of the birth, growth and death of this entity. Far from being a purely abstract, intellectual exercise, "Confield" is at its best when Autechre limit their direct involvement to a few detailed aspects of a track, instead letting the unpredictable machines do the majority of the work of chewing up sounds on every loop. Slight alterations are made with each iteration that completely change the nature of the piece by its life's end, keeping the listener absorbed in the process. The mutating pace of gamelan beats in "VI Scose Poise", for example, prevents the synth melody from finding a comfortable niche to reside in the ever-changing rhythmic environment, almost keeping the listener hypnotized with this ongoing struggle. "Pen Expers" hip-hop rhythms decay and recover, fight with noise and knob-twiddled distortion, only to end up in conflict with a dark melody that fades in and out of reception. The shimmering beauty of ringing metal in "Parhelic Triangle" must find a way to stay afloat a sea of chunky, scrunchy, violent bass beats that mutate and grow ever more severe. Perhaps the most enjoyable track on the release, "Uviol"s simple and beautiful piano notes intersect with shiny, fibrous beats, forming a three-minute introduction to ever-changing bubbling noises that crackle with noisy electricity and, like snowflakes, are never the same the second time around. With only "Cfern" and "Bine" as tracks that might be considered too plodding or frenetic for enjoyment, "Confield" is even more the accomplishment in how Booth and Brown manage to maintain focus, to keep enough control over their output that it is still listenable. This release is yet another demonstration of Autechre's mastery over sound. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org