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From:
To:
,
Date:
Tue, 8 Feb 2000 15:22:20 EST
Subject:
Re: (idm) sweet merciful crap
Msg-Id:
<30.10136d0.25d1d4fc@aol.com>
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idm.0002.gz
In a message dated 2/8/00 3:10:17 PM Eastern Standard Time, stained@the-wire.com writes: << A copy of MASK 100 has been sold on eBay for a final bid of US$360.52. Greg >> If we all harken back to say, 1995 or 1996, there was considerable outcry on this list about PJ (then of Modern Music) selling the Black Dog's third EP for $50 and the first two Evolution 12"s for $45 a piece. Today if you were able to get those records at that price it would be an absolute steal. Now watch as I do my typical argument about how the blame is to be placed on the labels for not doing reissues. Heck, I'd reissue the first three Black Dog EP's if Ken would let me (he didn't seem too into it). In the case of, say, Mask records, they aren't really so valuable music-wise, they're more of a Goldmine type thing. But in the case of all the really classic records that are out of print and expensive today, from Techno 1 and 2 to Mbuki Mvuki to The Equinox with "The Climax", while they really are worth ridiculous amounts of money (in the same sense that, say, a Raphael or a Van Gogh if not millions of dollars), the musical value of the releases dictates that they should be continually available, or at least made available again (collectors don't usually drive up the prices of repressings). I mean, if I want to see a Raphael I can go to the museum, or if I don't mind a reproduction I can get an art book easily or just go to the library. Why isn't our classic music like that? Sigh. Matt --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org