LUKEY writes:
quoted 2 lines Hey, come on now... I don't want to start the infamous cd vs. vinyl
>Hey, come on now... I don't want to start the infamous cd vs. vinyl
>debate again,
neither do i. i use CDs for listening, vinyl for DJing.
quoted 4 lines but I spin on CD and vinyl, and if I can get a compilation in CD
>but I spin on CD and vinyl, and if I can get a compilation in CD
>format I prefer it to vinyl. It's much more portable, less easily
>damaged, and contrary to popular belief, there are a lot of DJs that
>use CDs.
well, i can only go by what i see - and what i see in *this* town is
that there are NO club/rave DJs who use CDs.
quoted 8 lines I suppose sales are the only thing that will tell the record
>I suppose sales are the only thing that will tell the record
>companies if CD comps like this need to exist, but take a look at
>remix services like Twitch. All their releases are available on CD
>as well. What's more, they're not really designed for listening to
>in a private setting. They've been eq'd for club sound systems
>(i.e. maximum bass) and each song begins right on the beat, thus
>eliminating the need for a DJ to 'cue' the song to the beat. All you
>have to do is match pitch and you're set.
aha! bad move, bringing Twitch into it, as i have been living for the
past 18 months with the guy who started Twitch. the reason they made
CD releases at all was because they made money - more money than the
vinyl issues. the vinyl was designed for optimum DJ-ability,
obviously, with easy to work intros & outros. no special EQing was
done on any of the tracks - at least, none of the ones Mike worked on.
maybe they beefed it up in the mastering - i dunno. i think you're
probably imagining it. anyway, the CDs were made by simply copying
the masters onto different DATs and sending them to CD pressing places
instead of vinyl pressing places. and as I said, it was purely done
as a money-making deal.
quoted 2 lines I think more and more now there is a need for good underground dance
>I think more and more now there is a need for good underground dance
>compilations on CD.
well, i'd rather see it stratified into "DJ-oriented CD comps" and
"listener oriented CD comps" - i really can't see too many ordinary
people getting off on The Point Of No Return. if I was a DJ, however,
I'd be very into it.
Jon Drukman jdrukman%dlsun87@oracle.com
-------------------------------------------------------------------------------
This calls for a very special blend of psychology and extreme violence.