179,854Messages
9,130Senders
30Years
342mboxes

← archive index

IDM TIMES V1.5

1 message · 1 participant · spans 1 day · search this subject
1993-08-31 23:36Jon Drukman IDM TIMES V1.5
expand allcollapse allclick any summary to toggle that message
1993-08-31 23:36Jon DrukmanINTELLIGENT DANCE MUSIC TIMES - Volume 1.5 The battle for the feet of the planet's ravers
From:
Jon Drukman
Date:
Tue, 31 Aug 93 16:36:47 PDT
Subject:
IDM TIMES V1.5
INTELLIGENT DANCE MUSIC TIMES - Volume 1.5 The battle for the feet of the planet's ravers continues. In one corner, the disco revival crowd hope to ride the 70's nostalgia wave. JTQ are incredibly popular among SF's large expatriot British crowd. On the other hand, geeks like myself coming from the Detroit techno and Chicago dance industrial scene want more electronics, and we're getting it - finally! Progressive house seems to be on the wane, as darker atmospheres prevail over prog.house's simple uplifting chord progressions. What's next? Anybody's guess! No BPMs or timings means the item in question is vinyl-only. Or I was feeling lazy. But usually the former. Freaky Chakra: Halucifuge Exist Dance ED 010 Halucifuge (Blind Dive) Halucifuge (300 Mics) Halucifuge (Freaky Chicken Peck) Trancendental Funk Bump I was there when Daum Bentley played his demo tape for a roomful of techno musicians. Numbered among them was Mike Kandel, head honcho of Exist Dance records, perhaps the only good reason for *not* dropping a nuclear bomb on Los Angeles. Mike was obviously impressed with what he heard, cos he waltzed on over, introduced himself to Daum and invited him to sign with Exist Dance right then and there. This 12" is Daum's first recorded product and it is unbelievable. The Blind Dive mix starts things off with a booming new age voice talking about chakras, and repeating the key phrase "you are in... THE LIGHT." The song blasts off to new heights of trance with subtle 303 blips, gated bendy vocals and busy percussion work. The "300 Mics" mix is actually a completely different song, with some wonderful epic choral voices, and a total Chicago tribal house section in the middle. On the flip side, the Freaky Chicken Peck is a starker version of Blind Dive, featuring some electric guitar heroics from Mike Kandel. The Funk Bump closes it all off with a song that definitely makes you want to shake your butt - it's got clanky frying-pan percussion, the Fat Albert theme song, some manic scratching and live slap-funk bass. This is the record of the year. Exist Dance continues to be the most innovative American dance label. Grade: A+++++ Ambient Dub Volume 3: Aqua Beyond Records RBADCD4 92 5:48 The Higher Intelligence Agency - Delta 105 6:24 The Groove Corporation - Roots Controller 100 5:13 Banco de Gaia - Desert Wind (Satsuma Nightmare Remix) 122 10:18 APL - Hypnosystem 123 6:06 The Groove Corporation featuring Beverly Sokolowski - Your Heart 80 6:00 Original Rockers - Mecca Of Space 92 9:42 Another Fine Day - Wild Spirit Of Song 133 6:26 Digital Jesus - Menali Encounter 94 7:48 Banco de Gaia - Sheesha 95 12:28 Insanity Sect - Choctaw Ridge I swear the Ambient Dub series just keeps getting better and better. Stoned, trippy, slow, beautiful music. Everything I like! This time around, the tracks are all supposedly influenced by water. I expected loads of cliched ocean samples, but fortunately it's more imaginative than that - the opener "Delta" is very drippy sounding, but uses synths to convey the watery feeling. Overall, the dub influence is even more prominent this time around, giving a very Orb-esque feel to most of the offerings. Although I despaired at hearing yet another remix of Desert Wind, the Original Rockers have done a pretty thorough overhaul on it. Those wondering where the cliche digeridoo would pop up next need look no further than APL's track. They also threw in the horribly overused shakuhachi, which is a shame, since I really liked both of their tracks on the last Ambient Dub. The real winner for me though has to be "Wild Spirit Of Song" by Another Fine Day - a ten minute excursion into god knows where. Immaculate programming, conception, execution... Grade: A. Material - Mantra Axiom AXMCD 1 95 16:58 Mantra (Praying Mantra Mix) 95 5:11 Mantra (Doors Of Perception Edit) 95 8:44 Mantra (Doors Of Perception Mix) What do you call Indian ghatam music with a dub reggae bass line and a crushing programmed drum groove? I call it fucking genius, but I'm like that. The original track and Doors Of Perception mixes are by Bill Laswell, who you may know as the guy who put the techno pulse in Herbie Hancock's music. The Praying Mantra mix is by stoner kings The Orb, and it's one of their best mixes in a long time. The track is still very recognizable as the original, but filtered through Alex & Kris' patented dope haze. This one is going to be a staple for chill out rooms. Grade: A. Jean-Michel Jarre: Chronologie Dreyfus FDM 36152-2 10:51 Chronologie part 1 163 6:05 Chronologie part 2 3:59 Chronologie part 3 124 3:59 Chronologie part 4 120 5:34 Chronologie part 5 120 3:45 Chronologie part 6 2:17 Chronologie part 7 94 5:33 Chronologie part 8 I've always had a weakness for Jarre's heavily orchestrated synth music. His early albums were masterpieces of layered analog heaven; "Oxygene" still stands up as a classic piece that would work in any contemporary chill area. His initial moves into the dance area were divided into insane hi energy successes like "Zoolookologie" and overwrought histrionic crap like "Rendez-vous." His last album was divided between techno, calypso, pompous garbage, and a stunning 47 minute ambient piece in the Brian Eno vein. So, I was quite interested to see what he'd cooked up for us this time. Part 1 slightly disappointed me, opening up with more of his overbearing epic style. Halfway through, however, it dissolves in a sea of analog blips into a complete pastiche of his "Oxygene" style, I guess as a way of saying "look, I can still do it if I really want to!" The third subsection (they even have index marks on the CD) is a really trippy pretty piece filled with rising rubbery sounds. So, full marks for part 1. Unfortunately, it's a real mixed bag after that. His attempts to be energetic usually sound ridiculously over the top, and his attempts to do current-sounding electronic dance music are almost embarrassing. A 909, turntable scratch and Praga Khan stab do not techno make. Part 5 is a real uneasy mix - you've got a dumb scratch sound, a dumb orch hit, but a beautiful mid section. Remixes might help. (In fact, Part 4 has been released as 2 singles with remixes by Sunscreem, Praga Khan and others, but I haven't heard them.) As I said, a highly variable record. Probably only for hardcore fans. I have a hard time grading it as a total entity. Some bits deserve an "A", some deserve an "F". Jon Drukman jdrukman%dlsun87@us.oracle.com ------------------------------------------------------------------------------- Always note the sequencer - this will never let us down.