Put a delay on the amen loop and set the ms to around
12, as well as reducing the feedback to 0. Now route
the original loop to one channel, and the delay to a
second. Pan each channel to left and right
accordingly... You have just fattened your sound..
This will make the amens much more prominent. This is
a very common production technique.
kenny ***** wrote:
quoted 1 line Does anyone know how the pros get their Amen's so
>Does anyone know how the pros get their Amen's so
clean and tight
sounding?
quoted 3 lines (not their sequence but the sound of each hit)
>(not their sequence but the sound of each hit)
>
>The original break is very dirty and smeary, and
doesn't lend itself
to the
quoted 4 lines wild sampler mayhem
>wild sampler mayhem
>that you hear done with it today.
>
>Todays best Amen stuff is tight and clean enough to
warp in extreme
ways and
quoted 6 lines retain a crisp percussive punch
>retain a crisp percussive punch
>
>Not to name drop, but you know who i am talking about
>
>Its not just compressors and eq's
>the actual hits are more defined and have no noise
floor
quoted 2 lines I've been dieing to tear up Kontakt 2 with some
>
>I've been dieing to tear up Kontakt 2 with some
Amen's, but my
recording of
quoted 3 lines A-men sucks
>A-men sucks
>and I'm having a tough time getting the sounds I want
>If anyone knows how to do this or has an Amen
recording like this,
hook me
quoted 1 line up, i'd pay for it
>up, i'd pay for it
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