179,854Messages
9,130Senders
30Years
342mboxes

← archive index

[idm] FIVE12 WINTER SUMMIT @ EYEDRUM SATURDAY, JAN. 8

1 message · 1 participant · spans 1 day · search this subject
2005-01-05 17:32randall castello [idm] FIVE12 WINTER SUMMIT @ EYEDRUM SATURDAY, JAN. 8
expand allcollapse allclick any summary to toggle that message
2005-01-05 17:32randall castelloEyedrum Art and Music Gallery Saturday, January 8th 9pm, $5, All Ages RICHARD DEVINE FIVE1
From:
randall castello
To:
, ,
Date:
Wed, 5 Jan 2005 09:32:10 -0800 (PST)
Subject:
[idm] FIVE12 WINTER SUMMIT @ EYEDRUM SATURDAY, JAN. 8
permalink · <20050105173210.65304.qmail@web50204.mail.yahoo.com>
Eyedrum Art and Music Gallery Saturday, January 8th 9pm, $5, All Ages RICHARD DEVINE FIVE12 and KEEP ADDING SUIT & TIE GUY PHONEPUNK MR. MIPS RICHARD DEVINE- Once a daring skater kid from Atlanta, now a computer science student/pioneer-to-be, Devine found electronic music and has reinvented it in his own way. In the latter part of his 28 years, he learned to build, manipulate, and master the machines of modern music. In the process, he has refined himself with the affiliation of some of today's more respected musical establishments. This year he worked with director Kyle Cooper on a Disney film project, remixed Aphex Twin, Matthew Herbert, Slicker, and Phoenecia to only name a few. He masterfully orchestrates a titanic array of rapidly moving information, cleverly channeling it into an organized stream of sound. There are seemingly endless layers of rhythms, spanning every notch of frequency, spiraling around one another like complex DNA strands hinged together in a grid-like lattice. Never competing, never repeating the same phrase. The result is amazement, awe. The human mind can only process so much information at one time. Devine knows this well, it is one of his sonic weapons. It is a lot like optic art, when the eyes are fed too much data and the overload produces a prismatic, entrancing effect. "Entrancing" is not the word you would think to apply towards music whose elements rarely repeat themselves, but the groove is there, like a strange, mechanical funk music, and everything else revolves around it. Like a million minuscule sounds, obediently marching to the cadence of a heavy step. The music is in the beat itself. It is "funk for robots", a broken and restructured music. Mathematically reconstructed with futuristic tools conceived by a highly evolved mind. For this, Richard Devine has become something of a hero to the overqualified working underclass, because he shows us a glimpse of a world where those with technological skills rule. ?Richard Devine is generating the same kind of excitement that Slayer did in the early 1980's" http://www.richarddevine.com FIVE12 & KEEPADDING- Five12 is a small company located in Albuquerque, NM. It was founded on February 15 of 2001 and focuses on software development and consulting. Keepadding are an artist collective based in New Mexico. Their work includes digital prints, analog prints, graffiti art, collage, and site-specific works. They often incorporate themes of surgery, architecture, wreckage, and the organic into their works. Come and watch these guys nerd out! http://www.keepadding.com http://www.five12.com PHONEPUNK- Phonepunk's music is made up entirely of noises from (wait for it) phones, creating noises that run the gamut from ambient sound space to pop boogey-rock. Automated operators, quarters careening down slots, switchboards, receivers being slammed and flicked, touch-pads sequenced melodically and the awe-inducing hum of the dial-tone are fair game for a surprisingly polyphonic embrace of low-tech communications technology. http://www.supermadrigalbros.com/ SUIT & TIE GUY- Suit & Tie Guy hails from Peoria, IL, the toughest town on the vaudeville circuit. Conceived to either a Barry White or a Donna Summer album, he feels the tug of both traditional soul music and the robotic rhythms of Berlin in the 1970s. He started playing electronic music at punk rock shows in Peoria during the thriving mid-nineties post-grunge scene when using electronic devices was frowned upon by his peers. In an effort to solve the problem of not being able to find show promoters who were friendly to him, he became a punk rock promoter himself and is still listed in Maximum Rock & Roll's Book Your Own Life. His experience as a supper club organist (with the Suit & Tie Guy Band, an organ/guitar/drums trio still in active duty on the pub front) has a positive impact on his electro music by giving the rhythmic elements more of an acid-jazz flavour than you may expect of an electronic musician. http://www.suitandtieguy.com MR. MIPS- Taking on dual roles as both promoter and performer, James Parker, aka Mr. Mips, brings the 000110010011 flavor to Atlanta like no other. Forcing his laptop to belch-forth a swirl of squishy, squirmy and otherwise bodily sounds, Mips' contrast of organic clatter filtered through a vast array of digital dynamite is absolutely impeccable. He's a big dick-head too. Visit http://www.tightbros.net for additional information view flyer here: http://www.tonearmrecording.com/sittingduck/events/2005/images/Five12-Summit.jpg Eyedrum Art and Music Gallery 291 MLK Jr. Ave., SE Atlanta, GA 30312 (404) 522-0655 http://www.eyedrum.org Eyedrum?s programming is supported in part by the City of Atlanta Bureau of Cultural Affairs. __________________________________ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org