New deleted scenes with korean sound artist Ji Youn Kang
We dig up some unreleased fragments
<
https://rwm.macba.cat/en/extra/sonia-320-ji-youn-kang-deleted-scenes> of
our conversation with sound artist Ji Youn Kang that we were unable to
include the first time around.
Link:
https://rwm.macba.cat/en/extra/sonia-320-ji-youn-kang-deleted-scenes
Timeline
00:01 Adapting to pandemic times
05:27 A possible link between shamanistic ritual music and K-pop
08:28 Erasure and recuperation of Korean cultural heritage
09:48 Controlling instruments vs performing
11:41 Some notes about the Benjolin
13:31 A few notes on feedback
15:32 Part of the Generation X: witness to the switch from analogue to
digital technologies and always surrounded by noise
17:38 Composing: finding the right place for sounds
19:07 A few notes on the bamboo instrument
20:39 A broken, second-hand hand harp
22:53 Working with organs: an effort to reveal their mechanical behaviour
25:53 The beauty and ritual of writing
29:02 The Wave Field Synthesis system auditory experience
31:33 Being immersed in the sound world
33:35 The WFS becoming an instrument
34:51 A few notes on the The Pentacle 15.3 Surround Sound System
You can find our main podcast here
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https://rwm.macba.cat/en/sonia/sonia-320-ji-youn-kang>
E/N/J/O/Y!