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Re: [idm] Acid's greatest 'hits', via GPO

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◇ merged from 2 subjects: acid's greatest 'hits', via gpo · idm digest 9 mar 2003 00:58:43 -0000 issue 2083
2003-03-09 22:58[idm] Re: idm Digest 9 Mar 2003 00:58:43 -0000 Issue 2083
2003-03-10 11:41seeklektek Re: [idm] Acid's greatest 'hits', via GPO
└─ 2003-03-10 18:41atomly Re: [idm] Acid's greatest 'hits', via GPO
2003-03-10 16:32c Re: [idm] Acid's greatest 'hits', via GPO
2003-03-10 20:20seeklektek Re: [idm] Acid's greatest 'hits', via GPO
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2003-03-09 22:58info@noiseloop.com> Date: Fri, 7 Mar 2003 20:52:49 -0800 > To: <idm@hyperreal.org> > From: "seeklektek" <ecl
From:
To:
Date:
Sun, 9 Mar 2003 22:58:40 -0000
Subject:
[idm] Re: idm Digest 9 Mar 2003 00:58:43 -0000 Issue 2083
permalink · <01ce01c2e68f$6da8dc50$0201a8c0@chu>
quoted 9 lines Date: Fri, 7 Mar 2003 20:52:49 -0800> Date: Fri, 7 Mar 2003 20:52:49 -0800 > To: <idm@hyperreal.org> > From: "seeklektek" <eclectic@attbi.com> > Subject: Re: [idm] RE:Genesis P Orridge, where is he now? > Message-ID: <356d01c2e52e$92279880$875be40c@obelisk> > > From: <info@noiseloop.com> > > > Just to put the story straight on some of the misinfo flying around
here,
quoted 9 lines GPO did not have any influence on the acid house scene. He very publicly> > GPO did not have any influence on the acid house scene. He very publicly > > tried to jump the bandwagon a bit too late in the day and was extremely > > unsuccessful. > > BULLSHIT on that! Time to seperate 'Signal' from 'Noiseloop'. > > Despite what else I may have offered in this thread, I *must* stand up > for Gen here: > PTV *more* than influenced the Acid House scene: they made *the* record
that kicked off the
quoted 1 line scene: "To All The Young People", with the Superman label (which pissed> scene: "To All The Young People", with the Superman label (which pissed
off
quoted 4 lines DC comics).> DC comics). > > Psychic TV were *very* much responsible for the start of Acid House in > the UK *and* in the US.
The US scene was certainly not kicked off by GPO - that's probably the most ridiculous thing I ever saw on the idmlist. Try telling that story to Marshall Jefferson, Larry Heard, Todd Terry, Juan Atkins and many, many others. The US media has a well-known history of supressing the influence of black working-class music - please don't be taken in like that. In the UK it was kicked off by Paul Oakenfold(!) at a club called The Future in the suburbs of Streatham, followed by Danny Rampling's Shoom. Very soon after there were a bunch of other nights like Spectrum and The Trip. There was also one run by the guys from The Advent which I can't remember the name of right now. This was all around 85-87. The press completely missed the boat apart from one report in i-D mag which was pretty lame. At this time GPO was involved in the industrial scene which was self-consciously 'avant-garde' and shocking - it was equal parts interesting and cringe-inducing. Some of the industrial tunes _were_ big in house clubs - e.g. Nitzer Ebb's 'Join in the chant' and Front 242's 'Flesh' (which was later reinvented as a new beat anthem) - though nothing ever by ptv. Clearly realising that something new was going on that he wasn't involved in, GPO tried to insinuate himself into it. He might have carried it off if he hadn't gone around making the absurd claims to the press that he had invented it all. Everybody knew that the scene was made by the clubs and the people - not some self-nominated 'inventor of acid house'. The audience for even the earliest days of that scene was not arty avant-garde middle-class kids but a very wide range of people who would not have previously been at the same clubs together. The Residents 'Kaw Liga' was huge because it sounded just right in that scene - not because it was by The Residents.
quoted 3 lines WRONG!!!!!!!!!!!!!!!!!!> WRONG!!!!!!!!!!!!!!!!!! > > 'Jack The Tab', the record referred to above, was made by folks ~not ~in
PTV,
quoted 3 lines along with Gen and PTVers: Richard Norris (Grid, Soft Cell)> along with Gen and PTVers: Richard Norris (Grid, Soft Cell) > had more to with the production of that record than did Gen. And > Evil Eddie Richards was in on it, too, IIRC. It's a *fucking* great
record!!! Yeah I heard some rumour that Richard Norris and Evil Eddie Richards made that awful album for him and maybe there's a reason they didn't put their names to it. I think you're probably the first to quote it as one of their proudest moments. At the time record shops could sell just about anything with an 'acid house remix' sticker on it but that one never seemed to leave the shelves. I really tried to like it myself as I was very much into acid and quite interested in ptv at the time but it was the most obvious cash-in attempt I came across - it sounded totally fake to me. But each to his own, I'm just giving you a perspective of someone who was around at the time.
quoted 2 lines Also I> Also I > > believe he is completely anti-drug so the jacking up in an alleyway
fears
quoted 7 lines are likely to be groundless.> > are likely to be groundless. > > Anti-drug: HaHaHa!!!!! > > You "believe" but you do not *know*. > > Gen was ~totally~ down with the lysergics. 'Blue Pyramid' ;)
Well someone else on the list has also put me straight on this. Around 87-88 I was involved in a band project with a guitarist from ptv (not fred gianelli). He wouldn't even let me smoke a spliff at his house. He told me he got that from Gen and it was an essential part of ptv (and s+m) philosophy not to deaden or alter the senses artificially with drugs - they wanted to get closer to reality. So I guess it's no longer the case. A bit depressing really, it's one thing I could respect him for.
quoted 4 lines I think it all became a bit marilyn manson for> > I think it all became a bit marilyn manson for > > the british. > > Irony???? Peter Christopherson directed Marilyn Manson videos. ;)
Gotta pay the bills somehow I suppose. You know they used to design album covers for a living. -- ed http://www.noiseloop.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2003-03-10 11:41seeklektekFrom: <info@noiseloop.com> > > From: "seeklektek" > > From: <info@noiseloop.com> > > > Jus
From:
seeklektek
To:
Date:
Mon, 10 Mar 2003 03:41:58 -0800
Subject:
Re: [idm] Acid's greatest 'hits', via GPO
permalink · <1bf501c2e6fa$0f2f5d50$875be40c@obelisk>
From: <info@noiseloop.com>
quoted 7 lines From: "seeklektek"> > From: "seeklektek" > > From: <info@noiseloop.com> > > > Just to put the story straight on some of the misinfo flying around > here, > > > GPO did not have any influence on the acid house scene. He very publicly > > > tried to jump the bandwagon a bit too late in the day and was extremely > > > unsuccessful.
quoted 10 lines BULLSHIT on that! Time to seperate 'Signal' from 'Noiseloop'.> > BULLSHIT on that! Time to seperate 'Signal' from 'Noiseloop'. > > Despite what else I may have offered in this thread, I *must* stand up > > for Gen here: > > PTV *more* than influenced the Acid House scene: they made *the* record > that kicked off the > > scene: "To All The Young People", with the Superman label (which pissed > off > > DC comics). > > Psychic TV were *very* much responsible for the start of Acid House in > > the UK *and* in the US.
quoted 5 lines The US scene was certainly not kicked off by GPO - that's probably the most> The US scene was certainly not kicked off by GPO - that's probably the most > ridiculous thing I ever saw on the idmlist. Try telling that story to > Marshall Jefferson, Larry Heard, Todd Terry, Juan Atkins and many, many > others. The US media has a well-known history of supressing the influence of > black working-class music - please don't be taken in like that.
That was *not* the same Acid House scene as the one being discussed: in fact, there was no Acid House scene there in Chicago or in Detroit, per se. Yes, the above-named individuals made excellent records that were intergral to the scene. But the energy and artistic expression present in Acid House Parties (which spawned 'raves') *were* indeed more a product of the conceptual efforts of GPO and PTV, than of those others. And I am in no way trying to down-play the others' importance. "It Is What It Is" and it ain't what you claim! ;) > In the UK it was kicked off by Paul Oakenfold(!) at a club called The Future
quoted 1 line in the suburbs of Streatham, followed by Danny Rampling's Shoom.> in the suburbs of Streatham, followed by Danny Rampling's Shoom.
Yeah: ask ~them~ what record inspired ~them~ to start their nights. PTV - 'to all the young people'. They'll admit it, or else they'll play revisionist-history. They said so at the time: '87 and '88. Very soon
quoted 3 lines after there were a bunch of other nights like Spectrum and The Trip. There> after there were a bunch of other nights like Spectrum and The Trip. There > was also one run by the guys from The Advent which I can't remember the name > of right now. This was all around 85-87.
No way: none of those Acid nights were around til at best very late in '87. Show us a flyer from '85 or '86 for an 'Acid House Party'. Nuff said.
quoted 2 lines The Residents 'Kaw Liga' was huge because it> The Residents 'Kaw Liga' was huge because it > sounded just right in that scene - not because it was by The Residents.
It sounded 'right' because it sounded like 'Billy Jean'. And it ~preyed~ brilliantly upon the concept of the wronged man. ;) Leave it to the Eyeballed Ones to have 'spotted' that. ;) The 'housey' 'kaw-liga' remixes didn't come out til '89.
quoted 3 lines Yeah I heard some rumour that Richard Norris and Evil Eddie Richards made> Yeah I heard some rumour that Richard Norris and Evil Eddie Richards made > that awful album for him and maybe there's a reason they didn't put their > names to it.
Richard Norris was under contract. And he and Evil Eddie never hid their involvement. Did you even read the NME at that time???
quoted 2 lines I think you're probably the first to quote it as one of their>I think you're probably the first to quote it as one of their > proudest moments.
Don't think so hard: it hurts your complexion. ;)
quoted 3 lines At the time record shops could sell just about anything> At the time record shops could sell just about anything > with an 'acid house remix' sticker on it but that one never seemed to leave > the shelves.
Wow: 'sounds' like a description of a lot of IDM stuff today: doesn't sell: of course, it ~must~ suck if it doesn't sell. Say, isn't that Avril Lavigne the 'shit'? Wow. Great stuff: lots of people are buying it.
quoted 1 line I really tried to like it myself as I was very much into acid> I really tried to like it myself as I was very much into acid
Don't eat the brown acid: it'll turn you into a Tweety-Bird, Woodstock. ;)
quoted 3 lines and quite interested in ptv at the time but it was the most obvious cash-in> and quite interested in ptv at the time but it was the most obvious cash-in > attempt I came across - it sounded totally fake to me. But each to his own, > I'm just giving you a perspective of someone who was around at the time.
You got the same, dude: difference, apparently: I was playing those records 'out' at the time. ;) Where 'in' did you play them?
quoted 4 lines Also I> > Also I > > > believe he is completely anti-drug so the jacking up in an alleyway > fears > > > are likely to be groundless.
quoted 3 lines Anti-drug: HaHaHa!!!!!> > Anti-drug: HaHaHa!!!!! > > You "believe" but you do not *know*. > > Gen was ~totally~ down with the lysergics. 'Blue Pyramid' ;)
quoted 6 lines Well someone else on the list has also put me straight on this. Around 87-88> Well someone else on the list has also put me straight on this. Around 87-88 > I was involved in a band project with a guitarist from ptv (not fred > gianelli). He wouldn't even let me smoke a spliff at his house. He told me > he got that from Gen and it was an essential part of ptv (and s+m) > philosophy not to deaden or alter the senses artificially with drugs - they > wanted to get closer to reality.
Another fool manipulated? ;)
quoted 2 lines I think it all became a bit marilyn manson for> > > I think it all became a bit marilyn manson for > > > the british.
quoted 1 line Irony???? Peter Christopherson directed Marilyn Manson videos. ;)> > Irony???? Peter Christopherson directed Marilyn Manson videos. ;)
quoted 2 lines Gotta pay the bills somehow I suppose. You know they used to design album> Gotta pay the bills somehow I suppose. You know they used to design album > covers for a living.
Oh, god: "they": fuck that: you need to do some research: Peter Christopherson was a member of the Hipgnosis design team. Not 'they': Sleazy: that's ~it~. http://www.brainwashed.com/coil/info/peter.html Quote from the above-linked page: "Trying to hold back the revision of history is always a good thing." Perhaps GPO ~does~ fuck goats, but he ~did~ inspire many djs, both in the UK and the US, to play Chicago Acid and Detroit techno tracks, and to mix them with the PTV stuff, and the Woodentops (horrid, IMO), and 'Washing Machine', and Bang the Party, and so on, and so on: GPO introduced many of those people to Phuture's 11-minute classic, 'Acid Tracks', and subsequently made and released the Superman record, which was 'checked' by all of the hype acid djs in the UK and US in '87 and '88. Speaking from experience!!!!!! ;) =seek= --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2003-03-10 18:41atomly[seeklektek <eclectic@attbi.com>] > > The US scene was certainly not kicked off by GPO - t
From:
atomly
To:
Date:
Mon, 10 Mar 2003 12:41:52 -0600
Subject:
Re: [idm] Acid's greatest 'hits', via GPO
Reply to:
Re: [idm] Acid's greatest 'hits', via GPO
permalink · <20030310184151.GA29567@atomly.com>
[seeklektek <eclectic@attbi.com>]
quoted 9 lines The US scene was certainly not kicked off by GPO - that's probably the most> > The US scene was certainly not kicked off by GPO - that's probably the most > > ridiculous thing I ever saw on the idmlist. Try telling that story to > > Marshall Jefferson, Larry Heard, Todd Terry, Juan Atkins and many, many > > others. The US media has a well-known history of supressing the influence of > > black working-class music - please don't be taken in like that. > > That was *not* the same Acid House scene as the one being discussed: > in fact, there was no Acid House scene there in Chicago or in Detroit, > per se.
Uh, what are you talking about? Chicago's house scene was huge in the 80's. Also, nobody has mentioned Phuture yet. Or Armando, Adonis, etc..
quoted 3 lines But the energy and artistic expression present in Acid House Parties> But the energy and artistic expression present in Acid House Parties > (which spawned 'raves') *were* indeed more a product of the conceptual > efforts of GPO and PTV, than of those others.
Which were a product of the Warehouse which was a product of disco which was a product of rock.. I'm so sick of these "when did a scene start" discussions. "Acid Trax" was the first acid record, that much is for sure. Everything beyond that is a judgement call. -- :: atomly :: [ atomly@atomly.com : www.atomly.com ... [ atomiq records : po box 805319 chicago il 60680 : 312.804.5389 ... [ send an e-mail to atomly-news-subscribe@atomly.com info and updates ... --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org
2003-03-10 16:32cmy acid house can beat up your acid house > > > > Just to put the story straight on some o
From:
c
Cc:
Date:
Mon, 10 Mar 2003 10:32:56 -0600
Subject:
Re: [idm] Acid's greatest 'hits', via GPO
permalink · <3E6CBE37.9581952F@scarcelight.com>
my acid house can beat up your acid house
quoted 153 lines Just to put the story straight on some of the misinfo flying around> > > > Just to put the story straight on some of the misinfo flying around > > here, > > > > GPO did not have any influence on the acid house scene. He very publicly > > > > tried to jump the bandwagon a bit too late in the day and was extremely > > > > unsuccessful. > > > > BULLSHIT on that! Time to seperate 'Signal' from 'Noiseloop'. > > > Despite what else I may have offered in this thread, I *must* stand up > > > for Gen here: > > > PTV *more* than influenced the Acid House scene: they made *the* record > > that kicked off the > > > scene: "To All The Young People", with the Superman label (which pissed > > off > > > DC comics). > > > Psychic TV were *very* much responsible for the start of Acid House in > > > the UK *and* in the US. > > > > The US scene was certainly not kicked off by GPO - that's probably the most > > ridiculous thing I ever saw on the idmlist. Try telling that story to > > Marshall Jefferson, Larry Heard, Todd Terry, Juan Atkins and many, many > > others. The US media has a well-known history of supressing the influence of > > black working-class music - please don't be taken in like that. > > That was *not* the same Acid House scene as the one being discussed: > in fact, there was no Acid House scene there in Chicago or in Detroit, > per se. > > Yes, the above-named individuals made excellent records that were > intergral to the scene. > > But the energy and artistic expression present in > Acid House Parties (which spawned 'raves') > *were* indeed more a product of the conceptual efforts of > GPO and PTV, than of those others. > > And I am in no way trying to down-play the others' > importance. > > "It Is What It Is" and it ain't what you claim! ;) > > > In the UK it was kicked off by Paul Oakenfold(!) at a club called The Future > > in the suburbs of Streatham, followed by Danny Rampling's Shoom. > > Yeah: ask ~them~ what record inspired ~them~ to start their nights. > > PTV - 'to all the young people'. They'll admit it, or else > they'll play revisionist-history. They said so at the time: > '87 and '88. > > Very soon > > after there were a bunch of other nights like Spectrum and The Trip. There > > was also one run by the guys from The Advent which I can't remember the name > > of right now. This was all around 85-87. > > No way: none of those Acid nights were around til at best > very late in '87. Show us a flyer from '85 or '86 for an > 'Acid House Party'. > > Nuff said. > > > The Residents 'Kaw Liga' was huge because it > > sounded just right in that scene - not because it was by The Residents. > > It sounded 'right' because it sounded like > 'Billy Jean'. And it ~preyed~ brilliantly upon the concept > of the wronged man. ;) Leave it to the Eyeballed Ones > to have 'spotted' that. ;) > > The 'housey' 'kaw-liga' remixes didn't come out til '89. > > > Yeah I heard some rumour that Richard Norris and Evil Eddie Richards made > > that awful album for him and maybe there's a reason they didn't put their > > names to it. > > Richard Norris was under contract. And he and Evil Eddie never hid > their involvement. Did you even read the NME at that time??? > > >I think you're probably the first to quote it as one of their > > proudest moments. > > Don't think so hard: it hurts your complexion. ;) > > > At the time record shops could sell just about anything > > with an 'acid house remix' sticker on it but that one never seemed to leave > > the shelves. > > Wow: 'sounds' like a description of a lot of IDM stuff today: doesn't sell: > of course, it ~must~ suck if it doesn't sell. > > Say, isn't that Avril Lavigne the 'shit'? Wow. Great stuff: > lots of people are buying it. > > > I really tried to like it myself as I was very much into acid > > Don't eat the brown acid: it'll turn you into a Tweety-Bird, > Woodstock. ;) > > > and quite interested in ptv at the time but it was the most obvious cash-in > > attempt I came across - it sounded totally fake to me. But each to his own, > > I'm just giving you a perspective of someone who was around at the time. > > You got the same, dude: difference, apparently: > I was playing those records 'out' at the time. ;) Where 'in' did you play them? > > > > Also I > > > > believe he is completely anti-drug so the jacking up in an alleyway > > fears > > > > are likely to be groundless. > > > > Anti-drug: HaHaHa!!!!! > > > You "believe" but you do not *know*. > > > Gen was ~totally~ down with the lysergics. 'Blue Pyramid' ;) > > > Well someone else on the list has also put me straight on this. Around 87-88 > > I was involved in a band project with a guitarist from ptv (not fred > > gianelli). He wouldn't even let me smoke a spliff at his house. He told me > > he got that from Gen and it was an essential part of ptv (and s+m) > > philosophy not to deaden or alter the senses artificially with drugs - they > > wanted to get closer to reality. > > Another fool manipulated? ;) > > > > > I think it all became a bit marilyn manson for > > > > the british. > > > > Irony???? Peter Christopherson directed Marilyn Manson videos. ;) > > > Gotta pay the bills somehow I suppose. You know they used to design album > > covers for a living. > > Oh, god: "they": fuck that: > you need to do some research: > > Peter Christopherson was a member of the Hipgnosis design > team. Not 'they': Sleazy: that's ~it~. > > http://www.brainwashed.com/coil/info/peter.html > Quote from the above-linked page: > > "Trying to hold back the revision of history is always a good thing." > > Perhaps GPO ~does~ fuck goats, but he ~did~ inspire many djs, > both in the UK and the US, to play Chicago Acid and Detroit techno tracks, and to mix > them with the PTV stuff, and the Woodentops (horrid, IMO), > and 'Washing Machine', and Bang the Party, and so on, and so on: > GPO introduced many of those people to Phuture's 11-minute classic, > 'Acid Tracks', and subsequently made and released the Superman record, > which was 'checked' by all of the hype acid djs in the UK and US in '87 and '88. > > Speaking from experience!!!!!! ;) > >
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2003-03-10 20:20seeklektekFrom: "atomly" >seeklektek > > That was *not* the same Acid House scene as the one being d
From:
seeklektek
To:
Date:
Mon, 10 Mar 2003 12:20:56 -0800
Subject:
Re: [idm] Acid's greatest 'hits', via GPO
permalink · <21b401c2e742$8eb3c8c0$875be40c@obelisk>
From: "atomly"
quoted 7 lines seeklektek>seeklektek > > That was *not* the same Acid House scene as the one being discussed: > > in fact, there was no Acid House scene there in Chicago or in Detroit, > > per se. > > Uh, what are you talking about? Chicago's house scene was huge in the > 80's.
Right: *House* not Acid House! Thanks for reinforcing my point.
quoted 1 line Also, nobody has mentioned Phuture yet. Or Armando, Adonis, etc..> Also, nobody has mentioned Phuture yet. Or Armando, Adonis, etc..
I've mentioned Phuture at least twice in this thread, including the post that you responded to. You clipped the evidence, but here it is:
quoted 2 lines GPO introduced many of those people to Phuture's 11-minute classic,> GPO introduced many of those people to Phuture's 11-minute classic, > 'Acid Tracks',
quoted 3 lines But the energy and artistic expression present in Acid House Parties> > But the energy and artistic expression present in Acid House Parties > > (which spawned 'raves') *were* indeed more a product of the conceptual > > efforts of GPO and PTV, than of those others.
quoted 5 lines Which were a product of the Warehouse which was a product of disco which> Which were a product of the Warehouse which was a product of disco which > was a product of rock.. I'm so sick of these "when did a scene start" > discussions. "Acid Trax" was the first acid record, that much is for > sure. Everything beyond that is a judgement call. > :: atomly ::
No, I don't entirely agree. Experience counts, when making the 'call'. =seek= --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org