quoted 3 lines what's this new record like and how does it sound compared to the one from
> what's this new record like and how does it sound compared to the one from
> hydrahead that came before it? I suspect the change in name might reflect
> some kind of direction. Any truth to this?
The latest aquariusrecords.org mailout has this to say
+ realaudio clips:
PHANTOMSMASHER s/t (Ipecac) cd 16.98
Perhaps you remember (and/or have in your cd collection) the
Atomsmasher cd released by Hydra Head last year? Lead by avant/ambient
guitarist James Plotkin (formerly of weird Earache metal band OLD),
and featuring drum god Dave Witte (Human Remains/Discordance Axis/Melt
Banana/etc.), with processed "AudioMulch" vocals from DJ Speedranch,
Atomsmasher got a pretty enthusiastic recommendation from us at the
time, as a unique blend of live (but inhumanly played) drums,
avant-noise-sampling guitar, and computer-created chaos. Grindcore
electronica?
Well, after a ridiculous legal wrangle with some uptight, clueless pop
band that apparently had the rights to the name Atomsmasher (and
absurdly accused this Atomsmasher of intentionally 'stealing' it), the
Plotkin/Witte/Speedranch project changed their moniker to
Phantomsmasher. (I think they should have just called themselves
Atomsmashersmasher.) Now they've come out with a new cd, on Mike
Patton's Ipecac label. At first listen we weren't sure, and thought
maybe the original Atomsmasher cd was superior. This one seemed a bit
too...post rock. Not quite like Tortoise or Gastr del Sol though, more
metallic (but by no means actually metal) and aggro, kinda like Don
Cab. Witte's drumming sounds more real, less computerized than before.
There's still insane blasting parts, but also some more straight-ahead
boom bap. And Plotkin's thick bass slabs get almost funky. From the
get go (track one, "Bishop Hopping"), with Speedranch's weirdly
child-like Mulched vocals, it reminded us of a Ruins or Hella record,
but thrown in a blender on "high". Cool, but not nearly as out-and-out
insanely intense as the noisefest of their first album, though still
pretty nuts. But things get more interesting as the Phantomsmasher
disc goes along. The chaos coalesces into something more like actual
songs, not totally random rhythms and noise-eruptions. In its own,
densely complex, distorted, and noisy way, it's kinda catchy!
Definitely different from the debut, but they've chosen a worthwhile
direction to explore.
RealAudio clip: "Bishop Hopping"
http://www.aquariusrecords.org/audio/phantomsmasherbishop.rm
RealAudio clip: "Halibut Jones"
http://www.aquariusrecords.org/audio/phantomsmasherhalibut.rm
RealAudio clip: "Digit Dirt"
http://www.aquariusrecords.org/audio/phantomsmasherdigit.rm
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