Andreas Tilliander <andreas.tilliander@deo.com> wrote:
quoted 2 lines I'm not too familiar with the others that were mentioned in your >email so
>I'm not too familiar with the others that were mentioned in your >email so
>maybe you can tell us what to expect. Is it in the same >minimal vein?
<snip>
quoted 1 line vert : the koln konzert
>>vert : the koln konzert
Something I'd posted a bit back regarding vert's k?ln konzert, which is a
beautiful minimalist-influenced (but not minimal) platter on sonig that
doesn't seem to have caught on as much as it should have, IMO. Vert's other
work, excepting their track on the sonig comp, veers toward more
standard--though pleasant enough-- K?ln-style squeezed beats and DSPing.:
----
I don't remember anybody bringing this up in any detail, so I just thought
I'd mention that vert's "k?ln konzert" on sonig is a fantastic little piece
of work. It's basically a reconceived/recontextualized Keith Jarrett concert
(Jarrett's own K?ln konzert, natch) that uses Jarrett's own or similar piano
themes, but loops them and subjects them to cut-up jobs, sound treatments,
and added noise in lovely, very well-considered ways. Much of it's a bit
reminiscent of some Nobukazu Takemura, but the warmth and depth of tone is
almost unprecedented (to my ear) in this kind of consciously mechanistic
composition. I've been grinning over this one for a little over a month now.
I can't say I've ever been a huge fan of Keith Jarrett himself, but even the
overfamiliar theme quoted on the second and last track of vert's version
stirs up warm flush and gooseflesh. This record sounds like a
beautifully-timbred piano being played in an echoey concert hall that's
currently under construction, with little bits of noise leaking in and out
through the empty, wide open spaces. Nice, that.
Cheers,
M.
-----
Made with affection by distrustful lovers.
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