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Re: (idm) Ninjas invade Los Angeles.

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◇ merged from 2 subjects: (idm) ninjas invade los angeles. · (idm) ninjas invade los angeles. film at 11.
1998-04-06 19:27Greg Earle (idm) Ninjas invade Los Angeles. Film at 11.
└─ 1998-04-06 21:269-5SuperSpy Re: (idm) Ninjas invade Los Angeles. Film at 11.
1998-04-06 22:49Brock Suter Re: (idm) Ninjas invade Los Angeles.
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1998-04-06 19:27Greg Earle[Hmmn, I coulda sworn we had IDM subscribers in Vancouver, Victoria, Seattle, Portland and
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Greg Earle
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Mon, 06 Apr 1998 12:27:11 -0700
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(idm) Ninjas invade Los Angeles. Film at 11.
permalink · <9804061927.AA08907@isolar.Tujunga.CA.US>
[Hmmn, I coulda sworn we had IDM subscribers in Vancouver, Victoria, Seattle, Portland and San Francisco. Don't you ever go out?] The Ninja posse hit Los Angeles last night. I haven't seen any reviews, so here's a rundown ... Called the phone number and it said "Doors open at 8, first DJ at 9". With no running order in hand, but wanting to get there on time, left home at 8:25 and 2 pitstops later we're running late and don't get to the there's-no-parking Troubadour until 9:05. Get inside at like 9:15 to find DJ Anna had gone on at 8 and was already finished! What was worse, the Main Event - Riz Maslen - was already up on stage!! ARGGGGGH! <insert various we-can't-print-these- in-family-newspapers phrases directed towards buttwipe venue recorded messages> Over the course of the next 45 minutes a half-full (at that time) club heard Ms. Neotropic cover a vast musical landscape. None of which had ever been released! (Found out later she played material from her upcoming album, which due to the glacial-like pace of Ninja Tune won't be out 'til September.) It was notably different from "15 Levels of Magnification" in most every way. There was Industrial Hip-Hop (probably the closest I'll ever get to hearing something that sounds like Techno-Animal live), there were vocals (both her own and the girl singer from Sky Cries Mary, whom she's remixed), there were ethereal moments, there were soundtrack-y moments, there were Industrial moments, there were soft piano moments, and there were phat beats moments. Lots of phat beats moments :-) In short, it was utterly fucking brilliant. Riz embodies everything that's good about a true Artist - she doesn't look back, she's into the here and now, and is not afraid to plow her own path - and it's the epitome of "IDM" - at (most) times danceable music that's obviously the product of a very intelligent mind. (She should have draped a "Caution: Brain At Work" sign over the turntables at the front of the stage.) After Neotropic came a rather forgettable set from one of the Herbalizer crew. No attempt to mix and I just wasn't in the mood for it after Riz's set. Next up was T-Power and his chum doing their Chocolate Weasel thing. This started out as a Young Person's Guide to Electro ("Planet Rock", "Tour de France", "Clear") but then they veered away from that to what became a mix of somewhat cheezy stuff mixed with some tuff Drum n' Bass (Brock 'spotted some Grooverider, we heard other stuff that must have come from "Spaghettification" which I haven't heard but you could kinda tell from the context). I quite liked the stuff I heard that sounded like it was T-Power-generated, and of course how could you not love those old Electro chestnuts heard loud? (Boy, I think I'm gonna camp out for Kraftwerk tickets. I can taste it already.) Next up was DJ Vadim, who was later joined by someone else on the decks in a 2x4. While I like Hip-Hop and scratching in small dosages, I guess I'm more into it from the turntablist perspective, i.e. to me the music is less relevant than the display of turntable talents (cf. Kid Koala, Q-Bert et al.) and since Vadim is none of the aforementioned, after some pleasant head-nodding for a bit we went outside ... There we found Riz doing t-shirt booth duty (!) so we chatted her up for an hour or so on various and sundry topics. I found out there's two older Neotropic 12"'s I've never even seen, as well as a Small Fish With Spine full-length that's apparently not too easy to locate either. She suggested I contact Andy Shih at Oxygen Music Works in NY. (I remember him being on IDM once back in the day; anybody got a recent e-mail addy for him?) For those of you in San Diego tonight, Phoenix tomorrow (Gil, I'm talkin' to you boyuh - and bring that MD with you y'hear?) and points East, this is a Don't Miss event. Your brain will be churnin' and yo' ass will be shakin'. But get there *early* or else you'll miss out on one of the best-kept secrets in IDM - Neotropic. Ignore her at your peril. - Greg
1998-04-06 21:269-5SuperSpyOn Mon, 6 Apr 1998, Greg Earle wrote: > Over the course of the next 45 minutes a half-full
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9-5SuperSpy
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Mon, 6 Apr 1998 14:26:05 -0700 (PDT)
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Re: (idm) Ninjas invade Los Angeles. Film at 11.
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(idm) Ninjas invade Los Angeles. Film at 11.
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On Mon, 6 Apr 1998, Greg Earle wrote:
quoted 14 lines Over the course of the next 45 minutes a half-full (at that time) club heard> Over the course of the next 45 minutes a half-full (at that time) club heard > Ms. Neotropic cover a vast musical landscape. None of which had ever been > released! (Found out later she played material from her upcoming album, > which due to the glacial-like pace of Ninja Tune won't be out 'til September.) > > It was notably different from "15 Levels of Magnification" in most every way. > There was Industrial Hip-Hop (probably the closest I'll ever get to hearing > something that sounds like Techno-Animal live), there were vocals (both her > own and the girl singer from Sky Cries Mary, whom she's remixed), there were > ethereal moments, there were soundtrack-y moments, there were Industrial > moments, there were soft piano moments, and there were phat beats moments. > Lots of phat beats moments :-) > > In short, it was utterly fucking brilliant.
Riz was amazing. Without repeating your sediments, let me just say that she was the highlight of the evening, and along with Animals on Wheels she's the best thing ninja tune has to offer. She even dropped spiritualized's "pure phase" and something off the new low album "songs of a dead pilot". I've never seen an electronic musician like that drop indie rock before. I was able to talk to her upstairs, and she was really cool and receptive to people just coming up to talk to her. I'll be picking up those ntone 12"'s and that small fish with spine album as soon as I can locate them. btw- I don't see how I missed you there greg, where you upstairs or something? -Daniel 9-5SuperSpy@kuci.org ============================================================================== Listen to "Space Disco for Fish Tacos", KUCI 88.9fm Wednesdays 8-10pm New Space Disco For Fish Tacos web site: http://www.kuci.org/~dbremmer ------------------------------------------------------------------------------ "If you want to call it a bandwagon, we've jumped upon it," -VH1 executive Jeff Gaspin. (CNN) ==============================================================================
1998-04-06 22:49Brock SuterThis one's going to be a bit of a rough one for me. I'll preface this one with a few quali
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Brock Suter
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Mon, 06 Apr 1998 15:49:26 -0700
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Re: (idm) Ninjas invade Los Angeles.
permalink · <35295BF6.EA9F9ECC@alchemyfx.com>
This one's going to be a bit of a rough one for me. I'll preface this one with a few qualifiers. This review is not meant to slag anyone, it's just my views and opinions as a lover of fine music and the mad skills that go with the art of spinning a blend of ambient, triphop, flipflop, jungle or whatever you want to call the stuff that the ninja's put out. Fast forward to last night. I pretty much agree with greg's assessment of the night. Only I got there before it started and left before it ended. With the exception of Riz (who was absolutely amazing), the rest of the night was a MAJOR letdown. What I've come to expect when the ninja's come to town is sheer excitement. Previous shows featured unbelievable performances by kev and PC on the 2x4's, crazy turntable solos by the 'kid' or amazing visuals via hex. Even on the sophomore tour, where a bunch of the label's artists were thrown on stage and forced to spin (or die!), there was much to be enjoyed due to the risks that some of these 'green' dj's (like amon tobin) were taking and the excellent music selection they brought with them. Unfortunately, little of this was to be found in last nights show, either in the music played or in the 'vinyl manipulation' department. Once again, not trying to talk shit but my expectation of a very high caliber of performance from the ninja's got knocked down a bit. Dj Anna played a lackluster set of trip/hip-hop, letting entire songs play and mixing the ambient intro of the next tune into the last 10 seconds of the previous one. She did do a small amount of scratching but always had the levels down on the scratch side so you couldn't really even hear it. Not very exciting, and it didn't really look like Anna was having too good of a time either. Then, Neotropic...completely fucking wicked! Riz played a great set, seamlessly mixing pre-recorded dats, records and playing samples. Sounds simple but it wasn't! She dropped in madly distorted drum loops, sampled bassgrooves and brilliant vocals, on the fly. Her mix was always spot on and flowed seamlessly through many different styles and themes. In short, one of the nicest live sets I've ever seen. Very enjoyable! Then came (I believe) Ollie from the Herbalizer. He must have been having a real bad night because the first few songs he mixed some fairly boring hip-hop head to tail, third and forth mix's were tennis shoes (plus a few rocks) in the drier and at that point, I decided to go outside and have a smoke. Halfway thru his set, my girlfriend came outside also and said that it wasn't getting any better. 45 minutes later, we saw him walking outside so I ran back in to find Chocolate Weasel playing 'electro's greatest hits, vol 1 & 2', not that I mind that too much. Then they moved into jungle, dropping a few miscellaneous dub plates and dats. Unfortunately, the reoccurring theme of 7 second mixes and sloppy beatmatching was evident again. Only of slight interest was the guy behind the equipment, who I'm assuming was Marc Royal. He was doing lots of weird shit with his right hand, punching buttons and stuff with a stylus (or patch cord?!?) and adding scratching samples (tape loops?) via a third dj mixer in front of him but it wasn't really working very well. I'd rather heard someone who could really scratch. I hate when technical stuff like this takes away from my enjoying an event that most other people seam to be getting into, but what can I say? I'm a dj... I rather liked a few of the original songs they played but couldn't help but think that it sounded like tpower but not quite as tight and a bit cheesier. At that point, a little light bulb popped on in my head that said: Chocolate Weasel = taking a piss? I'm not sure if this is the reality, but it's the way it seamed. Being a huge tpower fan, I wanted to stay, at least until the end of their set but didn't make it, due to the ever increasing headache that both my girlfriend and I were noticing, possibly due to the excessively loud (and overly bright) rock 'n roll sound system at the Troubadour. I wanted to stay for Vadim too, but it just wasn't in the cards. As we're walking out the door, the first strings of that 'Life in Mono' song drifted to our ears and we ran down the street, screaming. Once again, I suppose I sound like a big sour puss and wish to hell I didn't. Riz made part of the night wonderful...the rest of the performances were so mundane they made the remainder of the night excruciatingly boring. I've always associated Ninjatune with the saying "it's ALL good!', but found out last night that that's not always the case with anything. Hopefully it WAS just an off night for everyone! Word to the mothership, brock. np: Mad Professor - 'Dub Maniacs On The Rampage'