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(idm) Word to URB

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◇ merged from 2 subjects: (idm) trainspotter · (idm) word to urb
1996-07-01 21:41Todd Roberts (idm) Word to URB
├─ 1996-07-02 03:05Eric Frans Re: (idm) Word to URB
│ └─ 1996-07-02 10:02William L Samuels Re: (idm) Word to URB
└─ 1996-07-02 14:00Kent Williams Re: (idm) Word to URB
└─ 1996-07-02 14:48Kent Williams Re: (idm) Word to URB
1996-07-02 01:57Miles Egan Re: (idm) Word to URB
1996-07-02 04:11William L Samuels (idm) Word to URB
1996-07-02 04:40Eric Hill Re: (idm) Word to URB
1996-07-02 16:13GEOTRAX Re: (idm) Word to URB
1996-07-02 21:01Todd Roberts Re: (idm) Word to URB
└─ 1996-07-03 09:52Helen Adriaens (idm) trainspotter
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1996-07-01 21:41Todd RobertsNot that I want to open the can of worms again but being the editor of URB, I couldn't ver
From:
Todd Roberts
To:
Date:
Mon, 1 Jul 1996 14:41:51 -0700 (PDT)
Subject:
(idm) Word to URB
permalink · <v01510103adfd6f619876@[204.176.214.101]>
Not that I want to open the can of worms again but being the editor of URB, I couldn't very well just sit around and let Tamara take all the heat... As far as I'm concerned, and from what I've seen here on this list, you guys are for the most part, a pedantic bunch of train-spotting wankers -- anxious to get info on the next shit but with little regard for quality or musical perspective. This list often takes a tone close to that of the UK press: If it's new, then it must be good. Bollocks. As this 'electronic dance' scene grows, there is a larger audience to appeal to, much larger than a few subscribing to an internet mailing list. What's really ironic is that this whole 'flame' started as a discussion of groups playing at Organic: Orbital, Orb, Underworld, Chemical Bros. etc. Definitely nothing new. Those publications you speak so highly of from the UK are in fierce competition with each other and consequently are aimed at provided the latest 'info' or gossip (in many cases) that they can get their hands on. Besides, most of this music you guys gloat over originates in the UK, a place where the word 'trainspotting' doesn't always have the best connotation. Though we are definitely enthusiasts of electronic music, it is not our only focus. Relax, Tamara has only been on staff for just over 4 months, before that I was the ONLY full-time editor. Tamara is dope and she's doing as much as she can to further the music. Todd Roberts URB Magazine "Sometimes the trip is more important than the destination." troberts@webstorm.com
1996-07-02 03:05Eric FransOn Mon, 1 Jul 1996, Todd Roberts wrote: } Not that I want to open the can of worms again b
From:
Eric Frans
To:
Todd Roberts
Cc:
Date:
Mon, 1 Jul 1996 20:05:20 -0700 (MST)
Subject:
Re: (idm) Word to URB
Reply to:
(idm) Word to URB
permalink · <Pine.ULT.3.94.960701162202.26906A-100000@bigdog.engr.arizona.edu>
On Mon, 1 Jul 1996, Todd Roberts wrote: } Not that I want to open the can of worms again but being the editor of URB, } I couldn't very well just sit around and let Tamara take all the heat... As } far as I'm concerned, and from what I've seen here on this list, you guys } are for the most part, a pedantic bunch of train-spotting wankers -- Nice. You expect calling us 'train-spotting wankers' is not going to open up a can of worms? At least the original message criticizing Urb didn't resort to name calling. I would think that you as an editor would understand the ineffectiveness of stooping to such a level. I must agree, however, that sometimes we can be a bit pedantic here when discussing music, but what do you expect to find on a mailing list devoted to to a specific topic like this? For most of us, this type of music is one our great passions in life, so of course we are going to get off on discussing the smallest details. } anxious to get info on the next shit but with little regard for quality or } musical perspective. Why do you think we subscribe to this list? Just to get the newest information on crap releases?! I (and most of the others here I presume) have gone out of our way to subscribe to this list in order to find more QUALITY IDM releases and discover more about our favorite IDM artists. As far as the readers here lacking 'musical perspective', I think you are way off on that. Most of us have arrived at the conclusion that IDM is one our favorite music types because we DO have musical perspective. I and probably quite a few others dabbled in industrial and more club oriented electronic music before realizing that those genres had far less quality releases than in the IDM genre. In addition, most of the readers here have a very in depth knowledge of the progression of electronic music over the years and they know how that relates to IDM. If that's not musical perspective than what is? } This list often takes a tone close to that of the UK } press: If it's new, then it must be good. Bollocks. Why do you think people here take the time to post lengthy reviews of the new IDM releases? Just to get finger exercise? These are written to inform those of us who haven't heard the releases yet as to whether they are worthy of purchase or not. Just because it's new doesn't mean it's good and most of us here know that. } As this 'electronic } dance' scene grows, there is a larger audience to appeal to, much larger } than a few subscribing to an internet mailing list. That's exactly why we are subscribed to this list. We have sorted through a lot of the crap in the current growing electronic music scene and arrived here. I assume you are mentioning this because you are trying to appeal to a larger electronic music listening audience with Urb than the 'few' of us here. Well, that's fine. You're right, if you tried catering Urb to only the IDM listeners, your magazine sales would probably decline and you would eventually have to close shop. However, that's largely due to Urb being an American magazine. If there was a British magazine devoted soley to this type of music, it probably would struggle compared to Muzik, NME, etc., but it would most likely survive since the scene is bigger there. I read Urb myself and I don't expect you to completely change the format or anything like that. However, it might be nice to see a little more coverage of this type of music in your mag. One of your best issues for me was one of your recent ones with articles on Spacetime Continuum, Underworld, Dave Clarke, Subtropic, and Ken Ishii and reviews of Atom Heart/Tetsu Inoue/Bill Laswell, Threads (a nice review of the IDM comp 8) ), Global Communication, Dave Clarke, Elektroids and the Spacetime Continuum/Autechre show in L.A. Plus that issue had the 'Experimental Electronik' page by Tamara, which had a lot of great stuff on it. I hope that page becomes a staple of your mag, by the way. However, this issue is not the norm for Urb. I guess it's hard to please everyone since you choose to cover such a broad spectrum of music from some IDM to hip hop to acid jazz to club music. Still, though, Urb is the best American mag I've seen so far that covers any electronic music. } What's really ironic is } that this whole 'flame' started as a discussion of groups playing at } Organic: Orbital, Orb, Underworld, Chemical Bros. etc. Definitely nothing } new. No they aren't new, but they are definitely quality bands in my mind. Since I live in Arizona it is a rare treat to get to see this type of line-up, so I made sure I went. I bet a lot of the U.K. readers would have liked to have had the chance to see this show as well. The people on this list are not against discussing artists that have been around awhile either, by the way. Unless you just subscribed you would have seen a lot of mention regarding the new Orbital offering and some mention of the Orb's Peel sessions. } Those publications you speak so highly of from the UK are in fierce } competition with each other and consequently are aimed at provided the } latest 'info' or gossip (in many cases) that they can get their hands on. Yes there is some gossip in those mags, but they make sure to cover the newest releases possible, which is nice because this gives the reader a chance to buy the music after reading a review rather than buying the music and _then_ reading the review. 8) } Besides, most of this music you guys gloat over originates in the UK, a } place where the word 'trainspotting' doesn't always have the best } connotation. As I understand 'trainspotting' it means to keep a very detailed eye on what's going on. In this case it is applied to IDM artists and music. I realize there is the movie coming out that uses this for the title, but I don't think that relates to the meaning of it for music listeners. What is the meaning you are referring to? } Though we are definitely enthusiasts of electronic music, it } is not our only focus. Relax, Tamara has only been on staff for just over 4 } months, before that I was the ONLY full-time editor. Tamara is dope and } she's doing as much as she can to further the music. Tamara is definitely doing a good job as far as I can see through reading Urb and her posts to this list. In fact, I'm much more impressed with her writing and attitude in general than I am with you (even though she 'has only been on staff for just over 4 months' 8) ). I hope you keep her on your staff because she is definitely enhancing Urb. Why have you even subscribed to this list? I suspect it is merely to be a lurker and gather information about this type of music for your magazine. If so, I have no problems with that. I would be very happy to see more coverage of IDM style music in Urb. However, when you surface to blatantly criticize the readers of this list without even once discussing rationallly the contents of the original message criticizing Urb, I do have a problem with that. Basically, the original message criticized Urb for having out of date information most of the time. Additionally, it was said that Muzik magazine was more up to date in the techno scene than Urb. I could see how you might get a little bent out of shape about these comments, but in my opinion you aren't handling these criticisms very well, especially considering that you are the EDITOR of the magazine in question. Tamara at least took some time to explain the problem with comparing Urb to a British magazine with tons of money poured into it. You on the other hand, have not shed any more light on the original criticisms and instead have only annoyed me and poorly represented Urb. Granted, there were a few joking criticisms about Urb not having as many pictures of Latina dancers as there used to be, but I'm fairly sure you are intelligent enough to realize those were meant in jest. You should be glad I'm already a reader of Urb because if there are any people out there on this list considering reading it you probably just made up their minds for them. _/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ _/ _/ _/ Eric Frans :: franse@bigdog.engr.arizona.edu _/ _/ _/ _/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
1996-07-02 10:02William L SamuelsOn Mon, 1 Jul 1996, Eric Frans wrote: > On Mon, 1 Jul 1996, Todd Roberts wrote: > } Not th
From:
William L Samuels
To:
Eric Frans
Cc:
Todd Roberts ,
Date:
Tue, 2 Jul 1996 03:02:59 -0700 (MST)
Subject:
Re: (idm) Word to URB
Reply to:
Re: (idm) Word to URB
permalink · <Pine.A32.3.91.960702011320.80903H-100000@kitts.u.arizona.edu>
On Mon, 1 Jul 1996, Eric Frans wrote:
quoted 15 lines On Mon, 1 Jul 1996, Todd Roberts wrote:> On Mon, 1 Jul 1996, Todd Roberts wrote: > } Not that I want to open the can of worms again but being the editor of URB, > } I couldn't very well just sit around and let Tamara take all the heat... As > } far as I'm concerned, and from what I've seen here on this list, you guys > } are for the most part, a pedantic bunch of train-spotting wankers -- > > Nice. You expect calling us 'train-spotting wankers' is not going to open > up a can of worms? At least the original message criticizing Urb didn't > resort to name calling. I would think that you as an editor would > understand the ineffectiveness of stooping to such a level. I must agree, > however, that sometimes we can be a bit pedantic here when discussing > music, but what do you expect to find on a mailing list devoted to > to a specific topic like this? For most of us, this type of music is one > our great passions in life, so of course we are going to get off on > discussing the smallest details.
It's unbelievable that this Todd Roberts (Editor of URB) comes on IDM and just goes off on EVERYONE. Because I said that URB isn't very timely, but it's Absolutely true! It is a Common Occurrence to read a review about something that I have in my collection for at least a year. I made a constructive criticism, that they are behind, and that I would rather buy MUZIK which costs $8.00, because they are up to date. They usually review things before they even come out. Which is great if you are a DJ or music fanatic. And IDM is also a great resource. I even said that they were one of the few decent American magazine. I didn't specifically say URB, but that was the only American Magazine that I had mentioned, so I expected them to know that. Tamara thought that I was refering to MUZIK as being American, which I wasn't. URB was the Decent US magazine . Tamara responded by telling us that URB was independent, while MUZIK, NME, and Melody Maker were part of the UK's biggest Publishing co. So it is understandable that they have a hard time competing, and that she is trying to improve URB. And that she was trying to bring a little of IDM to URB. If she can improve URB, I support that. I DIDN't insult the magazine or trash it, I merely stated what I considered a weakness. I don't think that Todd Roberts was even aware of what the point was, he just went in calling names to customers (or potential customers) of the magazine. His lack of professionalism was shocking. I would think he would be interested in what his customers thought, and if someone stated a criticism that he would listen and try to rectify the situation. Obviously, he is not that kind of man.
quoted 2 lines } anxious to get info on the next shit but with little regard for quality or> } anxious to get info on the next shit but with little regard for quality or > } musical perspective.
Where the hell did he get this one? I think that imports cost way to much to just buy anything that is suppose to be "the Next Shit". I will take a chance here and there, but I don't buy everything that is hyped up. In some magazines they say everything is good, then you hear it and you think wow that's really not very exciting. The more I look at his post, the more amazed I am that he has a job like this. He could of at least posted what he was responding to. So he could keep to the topic, but if he did that he couldn't argue and call names. You would think that an EDITOR of a magazine would post something, instead of just attacking and rambling out stuff. In most of the magazines, I have read the Editor does give the original letter that they respond to.
quoted 16 lines Why do you think we subscribe to this list? Just to get the newest> Why do you think we subscribe to this list? Just to get the newest > information on crap releases?! I (and most of the others here I presume) > have gone out of our way to subscribe to this list in order to find more > QUALITY IDM releases and discover more about our favorite IDM artists. > As far as the readers here lacking 'musical perspective', I think you are > way off on that. Most of us have arrived at the conclusion that IDM is > one our favorite music types because we DO have musical perspective. I > and probably quite a few others dabbled in industrial and more club > oriented electronic music before realizing that those genres had > far less quality releases than in the IDM genre. In addition, most of the > readers here have a very in depth knowledge of the progression of > electronic music over the years and they know how that relates to IDM. If > that's not musical perspective than what is? > > } This list often takes a tone close to that of the UK > } press: If it's new, then it must be good. Bollocks.
quoted 5 lines Why do you think people here take the time to post lengthy reviews of the> Why do you think people here take the time to post lengthy reviews of the > new IDM releases? Just to get finger exercise? These are written to > inform those of us who haven't heard the releases yet as to whether they > are worthy of purchase or not. Just because it's new doesn't mean it's > good and most of us here know that.
Sorry, about having a tone like the UK press. That must be a bad thing. If it's NEW then it SHOULD BE REVIEWED. Again, I'm not saying that URB is entirely old, but a decent amount is.
quoted 3 lines } As this 'electronic> } As this 'electronic > } dance' scene grows, there is a larger audience to appeal to, much larger > } than a few subscribing to an internet mailing list.
That's fine. I would like to point out that we do talk about other music than IDM. There are people on the list that talk about Ninja Tune/Trip Hop. There also people talking about more Dance oriented techno, some talk about Detroit techno, and even Drum N' Bass. The more areas of electronic dance you cover, the more informative and better your magazine will be. And that is cool.
quoted 29 lines That's exactly why we are subscribed to this list. We have sorted through> That's exactly why we are subscribed to this list. We have sorted through > a lot of the crap in the current growing electronic music scene and > arrived here. I assume you are mentioning this because you are trying to > appeal to a larger electronic music listening audience with Urb than the > 'few' of us here. Well, that's fine. You're right, if you tried catering > Urb to only the IDM listeners, your magazine sales would probably decline > and you would eventually have to close shop. However, that's largely due > to Urb being an American magazine. If there was a British magazine > devoted soley to this type of music, it probably would struggle compared > to Muzik, NME, etc., but it would most likely survive since the scene is > bigger there. I read Urb myself and I don't expect you to completely > change the format or anything like that. However, it might be nice to see > a little more coverage of this type of music in your mag. One of your > best issues for me was one of your recent ones with articles on Spacetime > Continuum, Underworld, Dave Clarke, Subtropic, and Ken Ishii and reviews > of Atom Heart/Tetsu Inoue/Bill Laswell, Threads (a nice review of the IDM > comp 8) ), Global Communication, Dave Clarke, Elektroids and the > Spacetime Continuum/Autechre show in L.A. Plus that issue had the > 'Experimental Electronik' page by Tamara, which had a lot of great stuff > on it. I hope that page becomes a staple of your mag, by the way. > However, this issue is not the norm for Urb. I guess it's hard to please > everyone since you choose to cover such a broad spectrum of music from > some IDM to hip hop to acid jazz to club music. Still, though, Urb is > the best American mag I've seen so far that covers any electronic music. > > } What's really ironic is > } that this whole 'flame' started as a discussion of groups playing at > } Organic: Orbital, Orb, Underworld, Chemical Bros. etc. Definitely nothing > } new.
What I think is ironic, is that a mere mention that URB is behind in its coverage of new techno, when compared to the UK magazines. Sets off an Editor to spew alot of garbage, and not even stick to the original statement. Is that a common problem with the press, they don't stop and research the background to a situation? They just say whatever.
quoted 17 lines No they aren't new, but they are definitely quality bands in my mind.> No they aren't new, but they are definitely quality bands in my mind. > Since I live in Arizona it is a rare treat to get to see this type of > line-up, so I made sure I went. I bet a lot of the U.K. readers would > have liked to have had the chance to see this show as well. The people on > this list are not against discussing artists that have been around awhile > either, by the way. Unless you just subscribed you would have seen a lot > of mention regarding the new Orbital offering and some mention of the > Orb's Peel sessions. > > } Those publications you speak so highly of from the UK are in fierce > } competition with each other and consequently are aimed at provided the > } latest 'info' or gossip (in many cases) that they can get their hands on. > > Yes there is some gossip in those mags, but they make sure to cover the > newest releases possible, which is nice because this gives the reader a > chance to buy the music after reading a review rather than buying the > music and _then_ reading the review. 8)
Good point, I would like to read a review BEFORE I buy it. Not months down the road after I purchased it. What's wrong with competition?
quoted 3 lines } Besides, most of this music you guys gloat over originates in the UK, a> } Besides, most of this music you guys gloat over originates in the UK, a > } place where the word 'trainspotting' doesn't always have the best > } connotation.
Well a good deal of Underground American (Detroit for example) releases do get reviewed in UK magazines, while the American zines ignore it. If a lot of our own domestic releases (independent labels) don't get reviewed in American magazines, what do you expect us to focus on. Of course, we will pay a little more attention to European releases.
quoted 4 lines } Though we are definitely enthusiasts of electronic music, it> } Though we are definitely enthusiasts of electronic music, it > } is not our only focus. Relax, Tamara has only been on staff for just over 4 > } months, before that I was the ONLY full-time editor. Tamara is dope and > } she's doing as much as she can to further the music.
quoted 5 lines Tamara is definitely doing a good job as far as I can see through> Tamara is definitely doing a good job as far as I can see through > reading Urb and her posts to this list. In fact, I'm much more impressed > with her writing and attitude in general than I am with you (even though > she 'has only been on staff for just over 4 months' 8) ). I hope you keep > her on your staff because she is definitely enhancing Urb.
I never questioned Tamara performance. I disagreed with her review of the Chemical Brothers, I thought she was a little critical of them. Everyone has different tastes, I shared my opinion of the show. She has stated that she is trying to improve URB, and I think that's great. And she can probably contribute some good info to IDM.
quoted 20 lines Why have you even subscribed to this list? I suspect it is merely to be a> Why have you even subscribed to this list? I suspect it is merely to be a > lurker and gather information about this type of music for your magazine. > If so, I have no problems with that. I would be very happy to see more > coverage of IDM style music in Urb. However, when you surface to > blatantly criticize the readers of this list without even once > discussing rationallly the contents of the original message criticizing > Urb, I do have a problem with that. Basically, the original message > criticized Urb for having out of date information most of the time. > Additionally, it was said that Muzik magazine was more up to date in the > techno scene than Urb. I could see how you might get a little bent out of > shape about these comments, but in my opinion you aren't handling these > criticisms very well, especially considering that you are the EDITOR of > the magazine in question. Tamara at least took some time to explain the > problem with comparing Urb to a British magazine with tons of money poured > into it. You on the other hand, have not shed any more light on the > original criticisms and instead have only annoyed me and poorly > represented Urb. Granted, there were a few joking criticisms about Urb > not having as many pictures of Latina dancers as there used to be, but I'm > fairly sure you are intelligent enough to realize those were meant in > jest.
Agreed!!! For all those disappointed that there will be less "scantily clad Latina babes", GOOD NEWS, Lowrider magazine still has them. Perhaps we should start a newsgroup Alt.scantilyclad.Latinababes, and we'll even let TODD ROBERTS Join. Then we can finally not have a "tone like the UK Press" and we won't even be called trainspotters. Well be ------spotters (you fill in the blank) and send it to TODD so he can still call us names.
quoted 3 lines You should be glad I'm already a reader of Urb because if there are any> You should be glad I'm already a reader of Urb because if there are any > people out there on this list considering reading it you probably just > made up their minds for them.
I will be interested to see what Tamara does, and see if URB improves.
1996-07-02 14:00Kent WilliamsOn Mon, 1 Jul 1996, Todd Roberts wrote: > As far as I'm concerned, and from what I've seen
From:
Kent Williams
To:
Todd Roberts
Cc:
Date:
Tue, 2 Jul 1996 09:00:19 -0500 (CDT)
Subject:
Re: (idm) Word to URB
Reply to:
(idm) Word to URB
permalink · <Pine.LNX.3.91.960702085213.15066C-100000@soli.inav.net>
On Mon, 1 Jul 1996, Todd Roberts wrote:
quoted 4 lines As far as I'm concerned, and from what I've seen here on this list, you guys> As far as I'm concerned, and from what I've seen here on this list, you guys > are for the most part, a pedantic bunch of train-spotting wankers -- > anxious to get info on the next shit but with little regard for quality or > musical perspective.
Ummm...fact is 'for the most part' people on IDM having been dissing URB. Tamara is a long time and highly valued subscriber to IDM, and I think she knows who her friends are. Just don't be calling her Tammy! ;-) And calling us wankers is an insult to wankers everywhere! Especially 'pedantic wankers' -- it's as though one is a wanker concerned with teaching others the fine points of wanking. As for musical quality, that is the first and foremost concern here. It's MY formost concern. I even buy Urb from time to time, and the breadth of it's coverage is fine by me. Talking about ALL the music is important, because people who are narrowly focused miss a lot. --------------------------------------------------------------------- "I read Keyboard, but it's like staring at a book with pictures of simple looking but expensive machines." -- Michael Lazarev NEW CD Comp Electronic Music Project http://soli.inav.net/~kent/emp.html Kent Williams kent@inav.net CADSI 2651 Crosspark Road Coralville IA 52241 (319) 338 6053 (home) (319) 626 6700 x 219 (work) (319) 626 3489 (fax)
1996-07-02 14:48Kent WilliamsOn Tue, 2 Jul 1996, Kent Williams wrote: > > Ummm...fact is 'for the most part' people on
From:
Kent Williams
To:
Todd Roberts ,
Date:
Tue, 2 Jul 1996 09:48:50 -0500 (CDT)
Subject:
Re: (idm) Word to URB
Reply to:
Re: (idm) Word to URB
permalink · <Pine.LNX.3.91.960702094655.15066E-100000@soli.inav.net>
On Tue, 2 Jul 1996, Kent Williams wrote:
quoted 2 lines Ummm...fact is 'for the most part' people on IDM having been dissing URB.> > Ummm...fact is 'for the most part' people on IDM having been dissing URB.
I meant to say 'have NOT been dissing Urb.' Sometimes lack of sleep does catch up with you. ACTUAL IDM Content: Hey how about "Dark Continent" by Sandoz. Yummy or what? (I come down on the yummy side). --------------------------------------------------------------------- "I read Keyboard, but it's like staring at a book with pictures of simple looking but expensive machines." -- Michael Lazarev NEW CD Comp Electronic Music Project http://soli.inav.net/~kent/emp.html Kent Williams kent@inav.net CADSI 2651 Crosspark Road Coralville IA 52241 (319) 338 6053 (home) (319) 626 6700 x 219 (work) (319) 626 3489 (fax)
1996-07-02 01:57Miles Egan> Not that I want to open the can of worms again but being the editor of URB, > I couldn't
From:
Miles Egan
To:
IDM List
Date:
Mon, 1 Jul 1996 18:57:56 -0700 (PDT)
Subject:
Re: (idm) Word to URB
permalink · <Pine.3.89.9607011836.C6088-0100000@waltz>
quoted 4 lines Not that I want to open the can of worms again but being the editor of URB,> Not that I want to open the can of worms again but being the editor of URB, > I couldn't very well just sit around and let Tamara take all the heat... As > far as I'm concerned, and from what I've seen here on this list, you guys > are for the most part, a pedantic bunch of train-spotting wankers --
Do you read the list? You're attributing commments made by *one* person to everyone on the list. IDM attracts all kinds of people, many of whom make their own music, most of whom don't give a shit about catalog numbers and Mike Paradinas shoe size. On IDM you'll find DJs like Teep and small promoters like Pete Ashdown, i.e. the people who care about the music and work hard to keep their scenes alive and turn new people on to the music. Many of the people who post reviews here also write for music magazines, including your own!
quoted 3 lines new. Those publications you speak so highly of from the UK are in fierce> new. Those publications you speak so highly of from the UK are in fierce > competition with each other and consequently are aimed at provided the > latest 'info' or gossip (in many cases) that they can get their hands on.
Again, you're confusing one person's opinion with some kind of list concensus. Most of the reviews I've seen of the English music press here have been fairly critical, especially of NME and Melody Maker. If you'd followed the Squarepusher debate you'd know what kind of heat anybody claiming to be the next big thing is going to take here. I've learned a lot more about this music from the IDM list than I would have reading URB or any other music magazine. More importantly, I've met lots of interesting people from all over the world and made several good friends. Take it easy; I think most of us support what you're doing.
1996-07-02 04:11William L SamuelsOn Mon, 1 Jul 1996, Todd Roberts wrote: > Not that I want to open the can of worms again b
From:
William L Samuels
To:
todd roberts
Cc:
idm
Date:
Mon, 1 Jul 1996 21:11:54 -0700 (MST)
Subject:
(idm) Word to URB
permalink · <Pine.A32.3.91.960701204445.28525A-100000@kitts.u.arizona.edu>
On Mon, 1 Jul 1996, Todd Roberts wrote:
quoted 1 line Not that I want to open the can of worms again but being the editor of URB,> Not that I want to open the can of worms again but being the editor of URB,
That's why you got on the list and started insulting Everyone, and stereotyping everyone on the list. Because you did want to open a can of worms.
quoted 1 line I couldn't very well just sit around and let Tamara take all the heat...> I couldn't very well just sit around and let Tamara take all the heat...
That's absolutely right! She has had SO MUCH heat, the one comment that URB isn't very timely was just such a HARD blow. That gives you all the reason in the world to come and insult and pick a fight. Good for you sir, Very Professional!!!! Very Professional Indeed! Seriously, it was stated that some of the other UK techno-related periodicals are more up to date. I respect that URB is trying to do something cool, I just wish that it was more informative (with newer info). All that was stated other than the scantily-clad Latinas ladies, was that the news wasn't current enough. That's not too hard to work on is it sir.
quoted 3 lines As> As > far as I'm concerned, and from what I've seen here on this list, you guys > are for the most part, a pedantic bunch of train-spotting wankers --
NICE ONE MATE! You are definitely doing justice to potential buyers of your product.
quoted 2 lines anxious to get info on the next shit but with little regard for quality or> anxious to get info on the next shit but with little regard for quality or > musical perspective.
Why does anyone buy music magazines? To get info on new music or read interviews about artist they like, or to read about "the next shit" coming out. I don't think you can really say we have a little regard for quality or musical perspective. I am on IDM because I want to talk with people that have a regard for quality and musical perspective. I don't hear people pushing shite music, talking about Planet Soul or other crap bands. I see people talking about Squarepusher, Orbital, Atom Heart, Fax Releases, Rephlex releases, etc. etc.
quoted 2 lines This list often takes a tone close to that of the UK press: If it's> This list often takes a tone close to that of the UK press: If it's > new, then it must be good.
I know some of us on this list are DJs and DJs tend to want to play new music. And lets face it a lot of it comes from Europe. Are you saying that URB's Approach is that if it is OLD it must be good!
quoted 3 lines Bollocks. As this 'electronic dance' scene grows, there is a larger> Bollocks. As this 'electronic dance' scene grows, there is a larger > audience to appeal to, much larger than a few subscribing to an >internet mailing list.
Yeah, So what? I don't think the criticism was that you don't talk about what we like. I think it was on TIMELINESS. But go ahead and vent your frustrations, it will probably be good, your psycho-analyst will be glad.
quoted 4 lines What's really ironic is> What's really ironic is > that this whole 'flame' started as a discussion of groups playing at > Organic: Orbital, Orb, Underworld, Chemical Bros. etc. Definitely nothing > new.
Well the show just happened! Alot of the artist did perform new material! There are things to discuss, if we are interested in it. The Orb and Chemical Brothers did play a lot of unreleased material, I think that is worthy of discussing.
quoted 3 lines Those publications you speak so highly of from the UK are in fierce> Those publications you speak so highly of from the UK are in fierce > competition with each other and consequently are aimed at provided the > latest 'info' or gossip (in many cases) that they can get their hands on.
Competition is suppose to be a good thing for the consumer, right? I think it puts pressure on organizations to constantly improve and put out the best product they can. URB doesn't have that much competition does it, in the States.
quoted 3 lines Besides, most of this music you guys gloat over originates in the UK, a> Besides, most of this music you guys gloat over originates in the UK, a > place where the word 'trainspotting' doesn't always have the best > connotation.
I agree that a good deal of what we talk about does originate in Europe. But I do think we give a good deal of attention to domestic releases. Astralwerks, Reflective, Asphodel, Electronic Music Foundation, Planet E, and numerous other US labels are constantly mentioned, and with good cause because they put out great music. If you want to call us trainspotters go ahead, I don't really care. I think we just care alot about good electronic music.
quoted 5 lines Though we are definitely enthusiasts of electronic music, it> Though we are definitely enthusiasts of electronic music, it > is not our only focus. > Relax, Tamara has only been on staff for just over 4 > months, before that I was the ONLY full-time editor. Tamara is dope and > she's doing as much as she can to further the music.
No one criticised Tamara, I think the Only Criticism was about URB not being current enough. Perhaps next time, you should read what was said and include it to support your argument. That way readers can see both viewpoints. I also believe you shouldn't take criticism so personally. Listen to what they have to say, and comment on it in a logical (non-emotional way). Especially, since you are the Editor. Perhaps you should look into Total Quality Management approaches and try to find ways of improving your product. There are also ways to improve, and that will probably improve sales and market share.
quoted 5 lines Todd Roberts> Todd Roberts > URB Magazine > > "Sometimes the trip is more important than the destination." > troberts@webstorm.com
1996-07-02 04:40Eric HillIt was the crowd that formed around fighting kids that grossed me out the most in high sch
From:
Eric Hill
To:
Date:
Mon, 01 Jul 1996 21:40:52 -0700
Subject:
Re: (idm) Word to URB
permalink · <2.2.32.19960702044052.0070c32c@best.com>
It was the crowd that formed around fighting kids that grossed me out the most in high school. eric At 09:11 PM 7/1/96 -0700, you wrote:
quoted 12 lines On Mon, 1 Jul 1996, Todd Roberts wrote:>On Mon, 1 Jul 1996, Todd Roberts wrote: > >> Not that I want to open the can of worms again but being the editor of URB, > >That's why you got on the list and started insulting Everyone, and >stereotyping everyone on the list. Because you did want to open a can of >worms. > >> I couldn't very well just sit around and let Tamara take all the heat... > >That's absolutely right! She has had SO MUCH heat, the one comment that >URB isn't very timely was just such a HARD blow. That gives you all the
<and then>
quoted 10 lines Confargous say:>> Confargous say: >> He who look deep in to the bowels of darkness find that which make him >> appreciate it even more. Me enjoy a Prime Rib more than a Krusty-burger, >> but must look harder and pay more shillings.. > >oh, I see, you can attempt to be funny, but I can't, that must be becuase >you are part of the "underground". > >> Ohh! Poor guy! >yes, I am wallowing in self pity becuase I am not as cool as you.
1996-07-02 16:13GEOTRAX[Rest of message replied to privately] TR>Besides, most of this music you guys gloat over
From:
GEOTRAX
To:
Date:
Tue, 02 Jul 96 16:13:00 -0000
Subject:
Re: (idm) Word to URB
permalink · <8C3B3CD.015E0012C9.uuout@jukjoint.warp.co.uk>
[Rest of message replied to privately] TR>Besides, most of this music you guys gloat over originates in the UK, a TR>place where the word 'trainspotting' doesn't always have the best TR>connotation. In the UK, 'trainspotting' is a term used by really sad people, generally more interested in clothes, drugs, and being a plastic party person than music. For me, a trainspotter is simply someone who wastes their time doing pointless things, and what group of people fit that description better than the one above? Cheers, SjaY. *Fido* 2:250/151 *E-Mail* Geotrax@jukjoint.warp.co.uk ... 'I See The Light' - M500 ___ * UniQWK v4.1 * The Windows Mail Reader
1996-07-02 21:01Todd RobertsAt 8:05 PM 7/1/96, Eric Frans wrote: >As I understand 'trainspotting' it means to keep a v
From:
Todd Roberts
To:
Eric Frans
Cc:
Date:
Tue, 2 Jul 1996 14:01:01 -0700 (PDT)
Subject:
Re: (idm) Word to URB
permalink · <v01510101adfec8d6c947@[204.176.214.103]>
At 8:05 PM 7/1/96, Eric Frans wrote:
quoted 6 lines As I understand 'trainspotting' it means to keep a very detailed eye on>As I understand 'trainspotting' it means to keep a very detailed eye on >what's going on. In this case it is applied to IDM artists and music. I >realize there is the movie coming out that uses this for the title, but I >don't think that relates to the meaning of it for music listeners. What >is the meaning you are referring to? >
I was referring to the legions of old men that sit around and wait for trains to go by, writing each one down, cataloging their numbers trying to catch those rare appearances.
quoted 5 lines You should be glad I'm already a reader of Urb because if there are any> >You should be glad I'm already a reader of Urb because if there are any >people out there on this list considering reading it you probably just >made up their minds for them. >
I hope that, besides my tactless post, people will make up their own minds. Thanks for reading, though. Todd Roberts URB Magazine "Sometimes the trip is more important than the destination." troberts@webstorm.com
1996-07-03 09:52Helen AdriaensTodd Roberts wrote: tc> I was referring to the legions of old men that sit around tc> and
From:
Helen Adriaens
To:
Date:
03 Jul 96 11:52:01 +0200
Subject:
(idm) trainspotter
Reply to:
Re: (idm) Word to URB
permalink · <1d3_9607040001@syncnet.xs4all.nl>
Todd Roberts wrote: tc> I was referring to the legions of old men that sit around tc> and wait for trains to go by, writing each one down, tc> cataloging their numbers trying to catch those rare tc> appearances. They are not all 'old' men. The other day, whilst listening to Aphex on my walkman, a young man (notebook in hand) sat next to me, straining to look through me out of the window everytime a train passed. With a satisfied look he wrote the numbers down. After a while he sat opposite me and gave me some enquiring looks. I thought he was interested in the music so I told him more about Aphex, idm and the use of the term trainspotter. However, he was mesmorised by the fact that I was wearing leather boots in summer. He seemed to want to know everything about leather boots. Peculiar fellar ... Helen