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Date:
Wed, 03 Oct 2001 12:21:41 -0400
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[idm] < new release update > / [ vertical form ]
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KIT CLAYTON Lateral Forces (Surface Fault) VFORM006CD UPC: (0) 1753-34011-2 (9) After last years Lateral Forces EP, Joshua Kit Clayton returns to the U.K.'s Vertical Form with the Lateral Forces (Surface Fault) release. Based on seismic activity seen worldwide over the period 1999 - 2001 the release is, dare we say it, a concept album (without the guitar solos) that is neither indulgent or overblown. Tight and focused, 21 Century music both in theme and sonics, Joshua shows how electronic music can be abstract whilst rooted in very real, everyday concerns. Minimal but rich in texture and detail the album works to a conventional narrative structure, but in an unconventional way. Starting with early tremors and progressing through aftershocks, finally to peace and resolution, the music depicts the emotional and physical effects of such extreme environmental catastrophes through digital and analogue synthesis. Sometimes edgy, often beautiful, Joshua creates a work of emotional breadth and depth that is not just for the purists, nor limited just to its subject matter. Made partially of field recordings from the San Francisco Bay Area, close up sounds of water and rocks, sloshing and grinding, processed and organized into Lateral Forces' idiosyncratic vision, Joshua takes isolated tracks from the first EP that share an edgy, low, grinding sound quality, tears them apart and then ties them together to create the quake story. Hence the process of making the music mirrors the process of the quake. Crafted into a continuous 38 minute long piece (split into two parts for the vinyl release) that can be enjoyed either as a complete listening experience or equally as individual tracks the music works on many different levels, with or without its narrative structure. The quality of the music shines through and contains many of the classic hallmarks of Kit Clayton's work, from his dub based soundscapes through to the rhythmically sparser and more grainy of his compositions - the final effect is of a rich time based collage still pushing back the boundaries in electronic music. --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org