new acid thing
https://www.discogs.com/Various-Mutant-City-Acid-3/release/8146168
cardopusher, posthuman, others, looks nice
Clint Anderson
Systems Engineer
"Freedom -- paint me a picture!" -- Burton Cummings
On Wed, Feb 3, 2016 at 2:05 PM, Clint Anderson <clinta@gmail.com> wrote:
quoted 104 lines fatboy slim called
> fatboy slim called
> he wondered why you stole his act from 1990
>
>
> Clint Anderson
> Systems Engineer
> "Freedom -- paint me a picture!" -- Burton Cummings
>
>
> On Wed, Feb 3, 2016 at 2:02 PM, Chris Taylor <christaylor415@gmail.com>
> wrote:
>
>> that is a most excellent question.
>>
>> let's not start with "how" but
>>
>> *"when"*
>> Because it sounds seem like he started moving in a dangerous but, for a
>> while, fruitful direction before the electro house/pre-EDM vibe overtook .
>> Like, I actually thought We Never Sleep was pretty good, creative and gutsy
>> but a step away from breakcore into more danceable, DJable stuff. take this
>> track for example:
>> https://www.youtube.com/watch?v=urX1SXsy8l0
>>
>> Interesting, successful stuff to my ears, but I would understand
>> someone's misgivings. Only a year later we get this:
>> https://www.youtube.com/watch?v=whRJAzLXm6k
>>
>> Very wack party rocking bullshit. I imagine the opportunities to DJ
>> within the trifecta of electro house/bassline/dubstep that blogs were
>> pushing at this time was hard to turn down. Of course that doesn't explain
>> this:
>> https://www.youtube.com/watch?v=xf4yfD_it-I
>>
>> One of the most puzzling pieces of music to emerge from the US
>> underground. For all that can be said about it, you gotta hand it to him
>> for taking a chance on...whatever it is. His Fabric mix that came after
>> this has "Rock Around the Clock" on it. Strange stuff man.
>>
>> I suppose my point is he had been edging towards a poppier sound for some
>> time before he took one of the most impressive left turns of an electronic
>> music producer ever.
>>
>> Discuss.
>>
>> On Wed, Feb 3, 2016 at 2:17 PM, Christopher Mauldin <
>> kit.mauldin@yahoo.com> wrote:
>>
>>> how *did* Drop the Lime become so wack anyway?
>>>
>>>
>>>
>>> ------------------------------
>>> *From:* Chris Taylor <christaylor415@gmail.com>
>>> *To:* Clint Anderson <clinta@gmail.com>
>>> *Cc:* Connor Higgins <connor1higgins@gmail.com>; IDM <idm@hyperreal.org>
>>> *Sent:* Wednesday, February 3, 2016 11:16 AM
>>> *Subject:* Re: cardopusher - unsatisfied customer jams
>>>
>>> his stuff for Peace Off was really good, mid-fi Breakcore with the ragga
>>> sampling that was popular at the time (mid 2000's). not as strong as Snares
>>> or as hyper edited as Drop the Lime (pre-insane level of wackness) but
>>> still nice, varied productions
>>>
>>> On Wed, Feb 3, 2016 at 2:10 PM, Clint Anderson <clinta@gmail.com> wrote:
>>>
>>> most of it is more like some weird halfway point between hellfish and
>>> venetian snares
>>> but he covers a lot of ground and has several eps which vary widely from
>>> that
>>>
>>>
>>> Clint Anderson
>>> Systems Engineer
>>> "Freedom -- paint me a picture!" -- Burton Cummings
>>>
>>>
>>> On Wed, Feb 3, 2016 at 1:02 PM, Connor Higgins <connor1higgins@gmail.com
>>> > wrote:
>>>
>>> Nice stuff! Haven't heard of cardopusher, but I'll look into more of his
>>> work if it's anything like that EP.
>>>
>>> On Tue, Feb 2, 2016 at 6:47 PM, Clint Anderson <clinta@gmail.com> wrote:
>>>
>>> do people dig cardopusher? this isn't his usual sampley thing, this is
>>> all 303 acid traxx, decent ones, if you're into that...
>>>
>>>
>>>
>>> https://soundcloud.com/jeromehill/cardopusher-unsatisfied-customer-jams-super-rhythm-trax-011-clips
>>>
>>> Clint Anderson
>>> Systems Engineer
>>> "Freedom -- paint me a picture!" -- Burton Cummings
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>
>