179,854Messages
9,130Senders
30Years
342mboxes

← back to listing · view thread

From:
Adesh Deosaran
To:
Date:
Tue, 20 Feb 2001 18:06:16 -0500
Subject:
RE: [idm] Scott Herren and ATL
Msg-Id:
<NEBBJGDKNDACOHJNKBNKEEJPCCAA.adeosaran@plumbdesign.com>
In-Reply-To:
<F91qtQvAauNjVuMhvqg0000968e@hotmail.com>
Mbox:
idm.0102.gz
if I listened to the music that my region expressed as its own I'd probably be rockin "shake that ass" which is just fine pouring out of poorly equiped jeep but its not for me. just a thought ____________________________________________ p l u m b d e s i g n Adesh Deosaran | Information Designer 157 chambers st ny ny 10007 p.212-285-8600 x240 f.212-285-8999 -----Original Message----- From: Armchair Charlie [mailto:dubnovibrator@hotmail.com] Sent: Tuesday, February 20, 2001 6:02 PM To: jdunning2@hotmail.com; idm@hyperreal.org Subject: Re: [idm] Scott Herren and ATL
quoted 5 lines explain what exactly this means, and i don't mean wonderful generality>explain what exactly this means, and i don't mean wonderful generality >either, it is appearent that you have put alot of thought in this >statement, so please do share with us. and contrast your statement with >other forms of music and why culture is so powerful to hip-hop vs anything >else.
alrighty! basically all i mean is that culturally aware music has more potential than non-aware music. that doesn't mean that scott MUST change his ways and become a Mannie Fresh-lovin dirty south bawla, but it might be nice if he did at least hint at some of the musical elements that make southern rap unique. (i have yet to hear ANY elements of that sort in his music.) if he did incorporate some of this dirty south production into his own work, that would make his music more culturally valid (which would be a good thing). the fact that he's doing a track with Anticon suggests that he has very particular tastes: underground, abstract, collegiate hip-hop. this kind of hip-hop, for the most part, is NOT happening in ATL or elsewhere in the south (with exceptions of course). so it starts to become apparent to me that since scott's region hasn't affected his music AT ALL, that he lacks awareness. and that would be a bad thing, right? i realize that's a very picky way of looking at things. again, don't ponder over it too much, it really doesn't mean that much. but it does have some relevance, so that's why i brought it up.
quoted 2 lines what should "dorky idm producers" be trying to say, what universal message?>what should "dorky idm producers" be trying to say, what universal message? >in your opinion.
ok, the "dorky [idm] producers" smirk wasn't meant to be taken seriously. so please don't (take it seriously). i just mean that idm musicians don't really take part in a well defined culture. cuz they (we) are scattered all over the planet (not that hip-hop artists aren't as well). and we don't have anything to say (maybe besides "think, don't dance"), nor should we. and we don't have highly concentrated geographic areas. we are where we are, as individuals more than as a society. i would argue that hiphop has a bigger cultural value, mainly because it's bigger. and it's definitely more regionally diverse. in idm, we'll have pole and kit clayton in totally different regions, still making very similar music. you are less likely to see Jurassic 5 throw a Timbaland-soundin' beat in a new track, partly because they are divided by region. scott is an idm producer without a fully fleshed musical culture, and he's experimenting with hip-hop production seemingly with his eyes closed to some very key elements that make hip-hop what it is (region, etc.). and because that's the case, i don't believe he can ever be a true innovator of hip-hop.
quoted 5 lines so when an idm producer>so when an idm producer >>tries to >>"rebuild" hip-hop, he should at least take a look around. > >and what exactly does this mean too?
it means that he should take a look around (literally). he should take part in regional affairs, because that's what hip-hop artists do. that's not to say that scott is a hip-hop artist; he's not. but he's obviously interested in and influenced by hip-hop. and in that case, he should feel obligated to step outside the realm of the idm producer and breath in some hip-hop. if he's gonna be a true innovator, he has to be somewhat participant in the culture that he's highlighting. make sense? _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org