hehe, i never really liked the silverware noise myself ...
but ah, really it's all part of our artistic statement ... uh ... that ...
umm ... playing in a coffee house is symbolic of the human need for ... uh
... nourishment ... and caffiene.
actually there is one part where the cash-register comes in exactly on cue
for a wicked drum fill :)
thanks for the kind words, kent!
josh
--
String Theory : Digital Music for Humans
http://www.enteract.com/~yoshi/index.cgi
On Wed, 24 Jan 2001, Kent williams wrote:
quoted 42 lines If you haven't already, check Josh's tracks on his web site (given below)
> If you haven't already, check Josh's tracks on his web site (given below)
> In particular the live stuff is good, not only because it's cool music, but
> because it was apparently recorded with an open microphone for crowd noise.
> I plan on sampling some of the crowd noise for my own tracks ;-)
>
> Seriously though, having all the clattering silverware, people blabbing
> really becomes part of the texture of the recording. Normally I find this
> annoying in live recordings but there's something about this stuff that the
> noise is an ambient enhancement...
>
>
> kent williams -- kent@avalon.net
> http://www.cornwarning.com -- Iowa's First Techno Record Label
> http://www.mp3.com/chaircrusher -- tunes
>
>
> On Tue, 23 Jan 2001, Josh Davison wrote:
>
> > Western Automatic, Timeout Drawer and String Theory
> > Thursday, January 25, 2001 @ 9PM
> >
> > a FREE show, part of the Nervous Center's Electronic Music Festival
> >
> > The Nervous Center
> > 4612 N. Lincoln Ave.
> > 1-773-728-5010
> >
> > -josh
> >
> >
> > --
> > String Theory : Digital Music for Humans
> > http://www.enteract.com/~yoshi/index.cgi
> >
> >
> >
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